Adam Bohling

Adam Bohling

Adam Bohling Quick Links

Film RSS

Kingsman: The Golden Circle Review

Good

Two years ago, Kingsman: The Secret Service seemed to come out of nowhere, ruffling feathers as it took an anarchic, often transgressive approach to the super-spy genre and made a star of Taron Egerton. Now Matthew Vaughn is back with a sequel, and it's rather clear that he has a franchise in mind. The new movie is still wildly energetic and eye-catching, but it also has a more predictable plot that takes fewer risks.

We catch up with Eggsy (Egerton) as he's a respectable member of the Kingsman juggling his private life with his serious girlfriend Princess Tilde (Hanna Alstrom). But megalomaniacal drug lord Poppy (Julianne Moore) and her part-cyborg henchman Charlie (Edward Holcroft) launch a vicious attack on Kingsman bases, leaving Eggsy and his colleague Merlin (Mark Strong) on their own. For help, they turn to their American counterpart Statesman, run by Champ (Jeff Bridges). His agents Tequila, Whiskey and Ginger (Channing Tatum, Pablo Pascal and Halle Berry) offer help getting Kingsman back on its feet. And they also reveal that they've rescued fallen agent Harry (Colin Firth), who is recovering from a brain injury. Meanwhile, Poppy launches a global assault.

To tell this rather simple story, Vaughn indulges in all kinds of flashy visual trickery. The action sequences are choreographed like wacky cartoons, as the camera swoops through the complicated mayhem with acrobatic skill. And the characters are vividly played by the top-notch cast with maximum personality flourishes. Egerton is terrific at the centre, as adept at physicality and comedy as he is at finding a touch of emotion here and there. His scenes with Firth are especially strong. And Moore makes the most of her goofy kingpin, who is trying to recreate 1950s Americana in the jungle, plus added madcap 1970s flair with a riotous Elton John, who gets stuck right into the mayhem.

Continue reading: Kingsman: The Golden Circle Review

Eddie The Eagle Review

Excellent

Based on the true story of an unapologetic underdog who never won anything, this British comedy is a shameless crowd-pleaser. Eddie Edwards won the hearts of fans worldwide by coming in dead last at the 1988 Winter Olympics in Calgary, and the cast and crew follow his journey with buckets of humour and emotion, plus some seriously exhilarating ski jumping. And like its central character, the film is awkward, good-hearted and impossible not to love.

Eddie (Taron Egerton) grew up obsessed with becoming an Olympian even though he has no talent for sport. He manages to become a regional downhill skiing champion, but is so annoying that the head of the British Olympics Team (Tim McInnerny) changes the rules to disqualify him. So at 22 he instead decides to become Britain's only ski jumper. He moves to Germany to train on his own, meeting the jaded ex-jumper Bronson (Hugh Jackman) and persistently convincing him to offer some coaching tips. And as the Olympics officials keep raising the bar for membership on the team, Eddie improves just enough to qualify. His father (Keith Allen) thinks he should give up, but his mother (Jo Hartley) quietly offers support. And it's Eddie's sheer tenacity that gets him to Calgary.

Director Dexter Fletcher (Wild Bill) tells this story as a high-energy comedy centred on a dorky young man who simply won't take no for an answer. Egerton plays Eddie with perhaps too many physical tics, but exudes so much goofy charm that it's easy to see how he won over the people around him, and the global audience watching the Olympics. His interaction with everyone he meets on this journey is barbed and hilarious, and his joy at each small achievement is infections. Egerton also generates terrific chemistry with Jackman in one of his most enjoyable roles yet. It's hugely entertaining to watch this grouchy loser be begrudgingly coaxed out of his shell by Eddie's boundless enthusiasm.

Continue reading: Eddie The Eagle Review

Kingsman: The Secret Service Review


Excellent

With virtually the same tone as they used in their superhero spoof Kick-Ass, filmmakers Matthew Vaughn and Jane Goldman take another riotously adult approach to pastiche, this time tackling the James Bond genre. Essentially they have made a 007 movie that refuses to tone itself down for the PG-13 audience, indulging in the profanity and excessive violence other films shy away from. So it doesn't really matter if the plot itself isn't quite as rebellious as it pretends to be.

Kingsman is a top-secret spy agency located in a Saville Row tailor, beholden to no corporation or government. Led by Arthur and Merlin (Michael Caine and Mark Strong), these gentlemanly super-agents use the names of the knights of the Round Table. And when one of them dies, they know it's time to get with the times and recruit someone young and hip. So they set up a rigorous school for trainees, with one lucky graduate set to earn a spot at the table. Harry, aka Galahad (Colin Firth), chooses rough East End teen Eggsy (Taron Egerton) as his candidate. The son of a former agent, Eggsy shows considerable promise even if he lacks the expected refinement. Then just before the final selection is made, they discover that mobile phone billionaire Valentine (Samuel L. Jackson) is up to something nefarious. So Eggsy and fellow rookie Roxy (Sophie Cookson) kick into action to figure out what he's up to, and stop him.

Despite constant reminders that "this isn't that kind of movie", it clearly is. Every Bond element is here, including the crazed villain with an elaborate lair and a technically augmented sidekick (Sofia Boutella's vicious blade-footed henchwoman Gazelle). The only difference is that where Bond hints cheekily at violence and sex, Vaughn and Goldman go for it. This film is packed with outrageous, over-the-top carnage and intensely rude dialogue, delivered with relish by the expert cast. Firth, Caine and Strong are terrific at combining tweedy propriety with public schoolboy naughtiness, while Jackson merrily plays around with Valentine's god-complex.

Continue reading: Kingsman: The Secret Service Review

Kick-Ass 2 Review


Good

New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew Vaughn's snappy 2010 Kick-Ass: he loses the irony. Now everything is played for goofy laughs and indulgent grisliness. There's no longer any subtext, nothing original in the structure or premise and a clear fear of being politically incorrect. Even so, it's an entertaining romp with a steady stream of funny gags.

After the craziness of the first film, Dave (Taylor-Johnson) has hung up his Kick-Ass costume and is trying to be a regular teen at school, but he's jealous of Mindy (Moretz) secretly carrying on her training as Hit Girl. So he asks her to team up and teach him some new tricks. But when her guardian (Chestnut) finds out, she promises to give up the violence and go back to school. Now Dave has to find a new partner, so he joins a lively team of underground heroes led by the gung-ho Captain Stars and Stripes (Carrey). But Dave's old nemesis Chris (Mintz-Plasse) still wants to avenge his father's death, so he abandons his dodgy heroic alter-ego Red Mist and instead becomes a supervillain called The Mother F**ker, with his own butler-assistant (Leguizamo) and a crew of minions.

Wadlow briskly leaps from one action set-piece to the next, and each scene has a witty sense of humour about it, even if the extreme violence is played for rather glamorised fun rather than the shock-value of the first film. Through everything, the dialog is packed with amusing lines that keep us laughing. And Mindy's parallel plot has its moments as well, throwing her in with the school's mean girls, who clearly don't know who they're messing with. Moretz plays Mindy so well that she makes everyone else feel scruffy and simplistic by comparison. Carrey's muscled meathead is a startlingly against-type role that strangely refuses to go anywhere. But Glen is rivetingly sharp in one key scene.

Continue reading: Kick-Ass 2 Review

Kick-Ass Review


Excellent
The team behind Stardust brings us the superhero movie we always wanted: brazen, raucous and without a single politically correct moment from start to finish. And yes, it's both wildly rude and great fun.

Dave (Johnson) is a shy New York teen who wonders why no one sticks up for each other. So he creates a secret alter-ego, Kick-Ass, and sets out to make a difference. Of course he gets beaten to a pulp. But he also catches the city's imagination. The problem is that gangster Frank (Strong) thinks he's to blame for a series of setbacks and helps his son (Mintz-Plasse) create a rival hero, Red Mist. But Frank's nemesis is actually a man (Cage) who has turned his 12-year-old daughter (Moretz) into a killing machine.

Continue reading: Kick-Ass Review

Layer Cake Review


Excellent
Matthew Vaughan, producer behind the entire Guy Ritchie oeuvre (Lock, Stock, & Two Smoking Barrels, Snatch, and... er... Swept Away), makes his directorial debut with Layer Cake, another tale from the British criminal underworld that thankfully avoids any association with aging pop icons. Instead, Vaughan opts to take some of the elements of Ritchie's earlier work - colorful deviants, dark humor, Seinfeld-esque coincidence - and give them his own, slightly more somber spin. The result is an engaging 104 minutes that stakes its own claim on the genre.

Daniel Craig is credited as "XXXX" (oh, if only he were the new "XXX"), a "businessman," as he puts it, whose name we never learn. His business just happens to be cocaine. He plays by a strict set of rules - pay connections on time; keep a low profile, etc. And, like every other lowlife with whom we're supposed to sympathize in a gangster film, he's just about to retire. Until his boss, Jimmy Price (Kenneth Cranham) throws him two curveballs that shoot his plans all to hell.

Continue reading: Layer Cake Review

Adam Bohling

Adam Bohling Quick Links

Film RSS

Occupation

Filmmaker


Suggested

Leisure Festival - Dreamland in Margate

Leisure Festival - Dreamland in Margate

On the same day that Glastonbury welcomed back Margate's adopted sons, The Libertines, Margate itself put on it's very own Leisure Festival as it...

Pretty Fierce talk to us about collaborating with Doja Cat, emetophobia, arena tours and staying

Pretty Fierce talk to us about collaborating with Doja Cat, emetophobia, arena tours and staying "true to yourself" [EXCLUSIVE]

Sheffield's very own all girl group Pretty Fierce are still on a high after the recent release of their debut single - 'Ready For Me'.

Will Varley & Jack Valero - The Astor Theatre Deal Live Review

Will Varley & Jack Valero - The Astor Theatre Deal Live Review

Three nights before the end of his current tour Will Varley returned to his home town of Deal to delight a sold out crowd in The Astor Theatre.

WYSE talks to us about her

WYSE talks to us about her "form of synaesthesia", collaborating with Radiohead's Thom York and the prospect of touring with a band [EXCLUSIVE]

With only a few days to go before Portsmouth based songstress and producer WYSE releases her new single, 'Belladonna', we caught up with her to find...

Advertisement
Bay Bryan talks to us about being a

Bay Bryan talks to us about being a "wee queer ginger", singing with Laura Marling and being inspired by Matilda [EXCLUSIVE]

Colorado raised, Glasgow educated and Manchester based Bay Bryan is nothing if not a multi-talented, multi-faceted artist performing as both...

Keelan X talks to us about staying true to

Keelan X talks to us about staying true to "your creative vision", collaborating with Giorgio Moroder and being "a yoga nut" [EXCLUSIVE]

Former Marigolds band member Keelan Cunningham has rediscovered his love of music with his new solo project Keelan X.

Luke De-Sciscio talks to us about having the courage to be yourself, forgiving that which is outside of one's control and following whims [EXCLUSIVE]

Luke De-Sciscio talks to us about having the courage to be yourself, forgiving that which is outside of one's control and following whims [EXCLUSIVE]

Wiltshire singer-songwriter Luke De Sciscio, formally known as Folk Boy, is set to release is latest album - 'The Banquet' via AntiFragile Music on...

Annie Elise talks to us about the challenges a female producer has to face and

Annie Elise talks to us about the challenges a female producer has to face and "going through a year of grief and sickness" [EXCLUSIVE]

Electronic music pioneer and producer Annie Elise says that the release of her first EP - 'Breathe In, Breathe Out' feels "both vulnerable and...

Advertisement

Adam Bohling Movies

Kingsman: The Golden Circle Movie Review

Kingsman: The Golden Circle Movie Review

Two years ago, Kingsman: The Secret Service seemed to come out of nowhere, ruffling feathers...

Eddie the Eagle Movie Review

Eddie the Eagle Movie Review

Based on the true story of an unapologetic underdog who never won anything, this British...

Kingsman: The Secret Service Movie Review

Kingsman: The Secret Service Movie Review

With virtually the same tone as they used in their superhero spoof Kick-Ass, filmmakers Matthew...

Advertisement
Kick-Ass 2 Movie Review

Kick-Ass 2 Movie Review

New writer-director Wadlow (Never Back Down) makes one severe misstep with this sequel to Matthew...

Kick-Ass Movie Review

Kick-Ass Movie Review

The team behind Stardust brings us the superhero movie we always wanted: brazen, raucous and...

Layer Cake Movie Review

Layer Cake Movie Review

Matthew Vaughan, producer behind the entire Guy Ritchie oeuvre (Lock, Stock, & Two Smoking Barrels,...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews