Even with its relentlessly cliched production design (trenchcoats and flickering candles galore), this raucous gothic thriller deploys enough visual flash to hold our attention. The gigantic effects-heavy action sequences are eye-catching and sometimes exciting, and there are elements of the story that almost begin to resonate before the script veers off in another more simplistic direction.
Based on a graphic novel, the story picks up where Mary Shelley's novel left off, as the monster (Eckhart) is attacked by demons that want to study his non-human existence. He's rescued by gargoyles, angelic protectors of humanity, and taken to their Queen Lenore (Miranda Otto), who names him Adam and enlists him in the demon-killing cause. Although her second-in-command (Courtney) isn't so sure. Over the next 200 years, Adam hones his skills before returning to Lenore just as the demon Prince Naberius (Nighy) is launching his evil plan to re-animate a dead army with the help of sexy scientist Terra (Strahovski) and Dr Frankenstein's journal. In other words, all hell is about to break loose.
Annoyingly, every time the plot begins to get interesting, writer-director Beattie indulges in another vacuous action set piece that's as irrelevant as the 3D. There's a decent story in here about the nature of the human soul, religious fervour and moral tenacity, but the film only uses these things as devices to make the dialog sound intelligent. Which is tricky since Beattie directs his cast to deliver their lines in growling, blurting monotone. Eckhart's voice-over narration is particularly dull. And this over-earnest tone leaves every potential relationship as a non-starter.
Continue reading: I, Frankenstein Review
'I, Frankenstein' has fallen far short of critics' expectations and has been highly criticised for having a weak script and poor acting.
I, Frankenstein, the latest adaptation of Mary Shelley's classic novel, has been crushed by critics and no electrical cables or extra body parts seem likely to rebuild its reputation.
Aaron Eckhart stars as Adam, Frankenstein's monster.
The creators of the Underworld saga have contributed to this supernatural monstrosity, which is hardly surprising considering the standards of the latter movies in that particular franchise. The film is based on the graphic novel of the same name by Kevin Grevioux which places Frankenstein's monster in an alternative present day where gargoyles and demons struggle for dominance.
Continue reading: 'I, Frankenstein' Fails To Raise Critics' Pulses
Adam is the original creature created by Dr. Frankenstein 200 years ago and has taken on his maker's surname having been mourning his death for so long. He now returns to society having been hidden away in the North Pole for the last two centuries and finds that he is stronger than any other lifeform on the planet. However, he soon finds himself embroiled in a deadly battle between two different immortal forces of the world that are determined to take over the planet. Adam wants to save the human race that he was born into and that once showed him mercy, but how can he when he's one guy against so many unstoppable beings who are determined to destroy him no matter what?
'I, Frankenstein' is the thrilling fantasy adventure written and directed by Stuart Beattie ('Tomorrow, When the War Began', 'Australia', '30 Days of Night') and based on the as yet unpublished graphic novel by Kevin Grevioux. It acts as a sequel to the original 1818 gothic novel 'Frankenstein' by Mary Shelley, bringing Frankenstein's monster into a modern society that is under threat by more of his own kind. The film is set to be released in the UK on January 24th 2014.
Danny (Statham) thinks he's left his black-ops life behind for a quiet farm in the Outback with lusty neighbour Anne (Strahovski), but he's forced back to work when his colleague Hunter (De Niro) is kidnapped. To free him, Danny must kill three ex-SAS agents, which raises the suspicion of a mythical committee of former operatives who protect their own. They send Spike (Owen) to stop Danny and his cohorts (Purcell and Young), but clearly there's an even deeper operation underway, and everyone's heading for trouble.
Continue reading: Killer Elite Review
When her loving husband (Young) dies suddenly, Dawn (Gainsbourg) is left with four lively kids and a big house in rural Australia. The property is dominated by a gigantic fast-growing fig tree, and 8-year-old daughter Simone (Davies) is convinced her father is inside it. Certainly the events that follow suggest as much, especially after Dawn gets a job with local plumber George (Csokas) and their mutual attraction begins to blossom. Meanwhile, eldest son Tim (Byers) is looking for work so he can move to the city.
Continue reading: The Tree Review
Danny Bryce, an ex special ops agent who was considered one of the best in the world, is a retired member of Britain's Special Air Service (SAS). He is looking forward to spending his days not doing a lot, when he hears that his former mentor, Hunter, has been taken hostage by his arch enemy, Spike. As well as this, Spike has also dispatched three trained assassins - known as 'The Clinic' - to kill Danny, to stop him rescuing Hunter.
Continue: Killer Elite Trailer
What's new in the music world this week?
'Sounds of Silence' was released on this day (January 17th) in 1966.
Listen to Alex Bayly performing 'Animal'.
Two weeks ahead of Independent Venue Week, Dry Cleaning made 'Britain's Best Small Venue 2015' (NME) the second port of call on their 2020 tour.
'Leave Home' was released on this day (January 10th) in 1977.
For their last gig of the year, The Libertines came back to their adopted hometown of Margate to finish off their latest tour.
Celebrating the birthday of David Bowie with his most legendary songs.
Even with its relentlessly cliched production design (trenchcoats and flickering candles galore), this raucous gothic...
Adam is the original creature created by Dr. Frankenstein 200 years ago and has taken...
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