The British actor takes the reins for the first time in more than a decade
British favourites Kate Winslet and Alan Rickman have reunited for Rickman’s first film as a director in more than a decade: A Little Chaos. The upcoming romantic drama, which Rickman has also written, is centred round Winslet’s widow Madame Sabine De Barra, a landscape architect who is recruited to design the gardens of King Louis XIV.
Kate Winslet stars as a landscape gardener challening sexual protocols
Rickman plays the French monarch and Matthias Schoenaerts plays master landscaper Andre and Winslet’s love interest within the gardens of Versailles.
Continue reading: Alan Rickman Gets Behind The Director's Chair In A Little Chaos
In the palace of Versailles, a tremendous garden is maintained. One day, the builder and head gardener sees an ordinary woman arriving at the palace, and, throwing aside ideas of conformity, chooses to rearrange some of the garden into something that pleases her. He takes her on with the hopes of updating and adding some life to the traditional gardens, and steadily begins to fall for her. As she finds difficulty integrating into the high society that he is from, he ensures her that, in fact, she is envied by the upper classes for her newness. But when that envy turns into something more, the gardener will have to fight tooth and nail to maintain the garden, their love, and their lives.
Continue: A Little Chaos Trailer
Michael Gambon and Alan Rickman - Roger Lloyd-Pack as Barty Crouch, Michael Gambon as Professor Albus Dumbledore and Alan Rickman as Professor Severus Snape in 'Harry Potter and the Goblet of Fire' directed by Mike Newell (2005) - Thursday 16th January 2014
George Clooney and Sandra Bullock open film festival with space thriller, while 1D fans finally get to see their idols in action on-screen. New trailers promise scares, music history, female laughs and a 50-years-later look at the JFK assassination...
George Clooney and Sandra Bullock brought their star power to opening night at the 70th Venice Film Festival on Wednesday. The event launched with the world premiere of Alfonso Cuaron's Gravity, and the critical buzz has been big for the thriller about two astronauts stranded in space when their shuttle mission is hit by debris. Take a look at photos of Clooney and Bullock attending The 70th Venice Film Festival here.
The big movie in cinemas around the world this week is the documentary One Direction: This Is Us, which has taken a hammering from critics for being far too on-message. But it's likely to keep fans very happy, especially since it reveals things like the fact that Niall Horan strips down to his underpants when he records in the studio. A scene in the film shows him recording this summer's big hit Best Song Ever in his boxers. Find out why Niall says "I sing better naked" here.
Lee Daniels' 'The Butler' has well and truly cleaned up in its first weekend, having earned $25 million at the box office.
The Butler has outperformed all of its rivals upon its first weekend, having been released on 16th August to much nodding from critics and $25 million (£15.9m) earned. The film showcases an all-star cast, who portray a period of dramatic social upheaval in America, set around the life of the not-entirely-fictional butler, Cecil Gaines (Forest Whitaker).
A Shot From The Movie Showing The Kennedys Meeting The Whitehouse's Staff.
Gaines serves as a butler in the White House for 34 years and eight presidents and uses his unique position to witness important presidential discussions of national civil rights issues as the historical events play out. The movie charts such landmark events as Martin Luther King Jr.'s assassination, the Vietnam war, the Nixon resignation, Obama's presidential campaign and the Voting Rights Act of 1965. Gaines' character is based upon the life of Eugene Allen who worked in the White House from 1952 to 1986.
Continue reading: 'The Butler' Gives Competitors The Brush-Off In First Weekend Success
'Lee Daniels' The Butler' has headed to the top of the US Weekend Box Office following its release on Friday (16th). 'Kick-Ass 2', following an onslaught of negative reviews, has achieved 4th place, whilst 'Jobs' has placed at 7th.
Lee Daniels' The Butler has defeated other newcomers Kick-Ass 2 and Jobs in the US Weekend Box Office. The Butler has headed straight to number one whilst Kick-Ass 2 and Jobs have respectively gained 4th and 7th place.
The Butler has made $25 million in its opening weekend and has gained critical praise. The historical epic is inspired by the true story of Cecil Gaines, a black butler who whilst serving at the White House, saw the offices of eight presidents. His life and family form a touchstone for the audience when addressing such historical events as the Civil Rights Movement and the rise of Black Power in the US.
Early reviews of Lee Daniels' The Butler have been mixed. The film is released in the US tomorrow (Friday 16th August).
Lee Daniels' The Butler is released today in US cinemas. Early reviews of the historical drama have been mixed although most suggest the film is definitely worth a watch.
The film has been praised by critics for being "both deeply affecting and blatant Oscar bait", according to Claudia Puig of USA Today. Whilst Joe Morgenstern of the Wall Street Journal wrote in his review "fiction merges with fact, and finally soars."
Continue reading: Lee Daniels' The Butler Is "Deeply Affecting And Oscar Bait"
Harry Deane is a pretty hopeless British art curator who has suffered years of condescension and disrespect at the hands of his preposterously rich and eccentric boss that is the renowned art collector Lionel Shabandar. Frustrated at his own lack of recognition in the art world, Harry decides to organise an elaborate plot of revenge on his employer by tricking him into buying a seemingly priceless Monet painting that happens to be a fake. As part of his cunning ploy, he travels to the states and meets a stunning, blonde Texas cowgirl who he enlists to help him by posing alongside her grandmother as inheritors of the valuable piece. He takes her to England where Shabandar is immediately taken with her and goes to all lengths to charm her. Harry's affection for Nicole is also growing and his jealousy of the two of them results in more than one embarrassing situations.
This flamboyant crime comedy is a remake of the 1966 Academy Award nominated film of the same name which starred Michael Caine ('The Dark Knight', 'Children of Men') and Shirley MacLaine ('The Apartment', 'Terms of Endearment'). Not only has this 2012 movie also got an all-star cast, it has been written by the multi-Oscar winning writing brothers Ethan Coen and Joel Coen ('No Country for Old Men', 'Fargo', 'True Grit') as well as being directed by Michael Hoffman ('One Fine Day', 'The Emperor's Club'). It's set for release in the UK on November 21st 2012.
Hamish Linklater and Alan Rickman - Hettienne Park, Hamish Linklater, Alan Rickman, Lily Rabe and Jerry O'Connell New York City, USA - Broadway World Premiere of 'Seminar' at the Golden Theatre - Curtain Call. Sunday 20th November 2011
The eight-part saga comes to a close with an action-packed finale that neatly ties up the strands of the whole series and also manages to give its actors some meaty scenes to play with. While it's hugely satisfying, there's also a letdown as we reach the end.
With Voldemort (Fiennes) in possession of the mythical Elder Wand, and four Horcruxes still at large, Harry (Radcliffe) and pals Hermione and Ron (Watson and Grint) know that they have work to do. Breaking into a Gringotts vault is tough enough, but when they sneak back into Hogwarts, they find themselves in all-out war against Voldemort and his Death Eaters. So with the help of adults (Smith, Walters and more) and fellow students (including Lewis, Wright and Lynch), they make their final stand.
After a sort of "Previously on Harry Potter" prologue and a quietly intense opening, the film plunges into the Gringotts heist and barely pauses for breath. Director Yates adeptly juggles action and drama, keeping images razor sharp and making sure the effects work is seamlessly eye-catching (they're also the most consistently high-quality effects in the series). But of course Lord of the Rings-scale spectacle is nothing without great characters, and this film pushes everyone into new territory.
Radcliffe takes on the challenge extremely well, bringing Harry's self-doubt and crippling guilt together with a potent sense of destiny and sacrifice. Of the supporting cast, Rickman, Smith and Gambon get the weightiest scenes, while Lewis and Walters finally have superb moments in the spotlight. And Bonham Carter clearly has a ball with a terrific scene as a shape-shifted Hermione.
Meanwhile, that outrageously starry ensemble fills out each scene, including many who barely utter a word.
As the story propels to the climactic moments, there are a few fits and starts while events recoil and wait to burst forth again. Even though this is the shortest of all eight movies, it feels a little long due to its intensely focussed plot. This means every moment on screen is vitally important, and most are given the chance to play out without feeling rushed. But it also means that, as the ending (and epilogue) get closer, we simply don't want it to end.
Cranking up the action and emotion, JK Rowling's Harry Potter saga moves into the first half of its extended grand finale. It's a relatively harrowing film punctuated by real violence, and it cleverly starts weaving together both the plot and the relationships.
After the tragic events of the previous school year, Harry (Radcliffe) and his pals Ron and Hermoine (Grint and Watson) know that they can't go back to normal. Instead, they're on the run from Voldemort (Fiennes) and his fearsome Death Eaters. They also have an overwhelming task: collecting the horcruxes that Voldemort has hidden to ensure his immortality. But where to look? And when they find one, how do they destroy it? Then a rebel journalist (Ifans) tells them the story of the Deathly Hallows, which makes their quest even more urgent.
The plot has a very different structure, as our three heroes are propelled by startling events into increasingly uncertain situations. Persistently chased by the bad guys and unable to trust anyone, they are profoundly alone and constantly in danger. We strongly feel their lonely desperation all the way through the film, so when another nasty thing happens to push them further along, it's genuinely unsettling.
Although it feels far too long, Yates and Kloves thankfully mix the dark drama with lighter comedy, allowing the characters to grow organically. Over seven films the story has grown increasingly gloomy but, despite the relentless anxiety, this chapter has an insistent pace, which is helpful since pretty nightmarish things are happening. There's also some subtext in the political storyline, as the villains seize control first of the media and then the government.
By now, the three central actors have settled solidly into their roles, adding subtle edges in every scene. Intriguingly, Grint has emerged as the most complex performer, but all three are excellent. And the who's who of British acting talent around them is fantastic. Stand-outs this time are Nighy (as a slippery politician), Isaacs (as a disgraced baddie) and Mullan (as a vicious security guy). But several others get a chance to shine as well, and of course there's a lot more action to come in Part 2.