Max played an important role as a working dog in the US military, but he is sent back from his service in Afghanistan following the traumatic loss of his beloved friend and handler, Kyle Wincott. He is brought into the care of the soldier's grieving family, but, frightened by the unfamiliar surroundings and suffering from post-traumatic stress disorder after his master's terrifying death in an explosion, Max proves to be difficult to integrate into regular society. However, it soon becomes clear that he wants to be loved again, and forms a heart-warming bond with his former owner's younger brother Justin as they each do their best to heal each other's broken hearts - and that means embarking on some rollicking adventures.
Continue: Max Trailer
The idea of magicians conducting a series of heists is a great one, but this under-developed film never quite seizes the opportunity. Even its terrific A-list cast can't make much of the lame plot. And director Leterrier is so enamoured with magic that he packs the film with whizzy digital trickery. Which completely misses the point.
At the centre are four illusionists: card trickster Daniel (Eisenberg), hypnotist Merrit (Harrelson), escapologist Henley (Fisher) and street magician Jack (Franco). They're summoned by a mysterious figure to team up for a series of elaborate performances funded by a wealthy benefactor (Caine). First up is a Las Vegas show that involves stealing millions of euros from a Paris bank and raining them down on the audience. This attracts the attention of FBI Agent Rhodes (Ruffalo) and Interpol's Dray (Laurent), who follow them to their next shows in New Orleans and New York. As does a notorious debunker (Freeman) determined to expose their secrets.
The film never quite gets the balance right, as we're not sure if we should root for these flashy young magicians or the people they're leading on a wild goose chase. But there's plenty of eye candy to keep us happy, as each whizzy stunt goes over-the-top to make us wonder what's really happening here. Everything this quartet does has an anarchist slant, stealing from the wealthy to help the needy, which adds a tinge of topicality. Although the gratuitous action scenes and ludicrous effects leave the film about as realistic as a Road Runner cartoon.
Continue reading: Now You See Me Review
Ex-cop Luke (Statham) is working as a cage fighter when he runs afoul of the Russian mafia, because they lose millions stupidly betting against him.
Brutally hunted by the boss' son (Sikora), Luke is contemplating suicide when he spots little Mei (Chan) being chased by the Chinese mob. Suddenly kicking into gear, he rescues her and discovers that she's a numerical prodigy who has memorised an important sequence of numbers. But now the Russians, Chinese and a gang of rogue cops led by a New York police captain (Burke) are all after them.
Continue reading: Safe Review
Bombay Beach is a community on the edge of the Salton Sea, just a two-hour drive from Los Angeles. But instead of a seaside holiday destination, it's now a collection of falling-down buildings and misfit residents living in the parched desert on the edge of a saltwater lake that's surrounded by dead fish.
Instead of approaching this journalistically, filmmaker Har'el explores the lives of three residents through beautifully shot and edited fly-on-the-wall footage.
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Former elite agent Luke White lives in New York and is all too familiar with the city's seedy underbelly, which crawls with corrupt policemen, killers and gangsters. The policemen, along with the Russian mafia and the Triads, are all looking for New York's Most Wanted, who has memorised a very long safe combination that is of the utmost importance.
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Dastan (Gyllenhaal) is the adopted youngest son of Persian King Sharaman (Pickup). With his two brothers (Kebbell and Coyle) and their ambitious uncle (Kingsley) he invades the holy city of Alamut. But things go badly wrong, and Dastan ends up on the run with the local Princess Tamina (Arterton), bickering over a ceremonial dagger that turns out to have time-shifting properties. With the help of a local sheik (Molina), they return to the city and try to thwart a dark conspiracy to take over the kingdom.
Continue reading: Prince Of Persia: The Sands Of Time Review
Continue reading: The Punisher (1989) Review
So I am sitting down and now pondering which to write: the good review or the bad review, each a definite possibility, and the decision is reached: heads for good, tails for bad. But alas, the coins are upstairs and I am a lazy bum. So I guess I write option C: the mediocre review. The movie really wasn't either.
Continue reading: A Price Above Rubies Review
However, as a still agile Swayze danced with the new movie's star, Romola Garai, it dawned on me: The new movie needed Swayze, or rather his hunky heir. Part of what made the original Dirty Dancing so appealing was Swayze's presence. Physically, you couldn't take your eyes off him, and he had a cool, aloof sex appeal that set up good girl Grey to fall madly in love with him. And Grey did a masterful job falling for his charms, slowly and assuredly.
Continue reading: Dirty Dancing: Havana Nights Review
The Chats' debut album High Risk Behaviour is the most punk thing we've heard in years.
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James Righton's latest album is well-produced, well-arranged and put together very proficiently and professionally.
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