Translation: while going down a steep grade, you will be shot at. https://t.co/pHscvU5pqY
Campbell and director Sam Raimi will be back for more deadite fun in a new series to air on Starz.
Bruce Campbell will soon be back in action again as Ash Williams, in a new tv series based on the Evil Dead franchise.
Bruce Campbell will return to his role as Ash Williams
Over 30 years since the release of the first Evil Dead film, the horror classic is now being resurrected for a new series airing on the Starz channel. Campbell played the role of Ash in three Evil Dead movies, the last being 1992’s Army of Darkness.
Remaking an iconic classic is dangerous business, even if the original filmmakers are on board as producers, but at least Uruguayan writer-director Alvarez has a few clever ideas up his sleeve. And a willingness to go gleefully over-the-top with the grisliness. But aside from a few gimmicky jolts, the film is never actually scary.
There are essentially only five characters in the story, which gives the actors a chance to find entertaining details along the way. Mia (Levy) is a drug addict whose three best friends (Lucas, Pucci and Blackmore) take her to her family's creaky old cabin in the woods to go cold turkey. They're joined by Mia's aloof brother David (Fernandez). But none of them know that locals have used the basement for a sinister ritual, and they left a creepy book behind that supposedly has the power to summon a vicious demon who wants to possess them all. So is Mia's freaky behaviour because of her withdrawal, or has something evil got hold of her?
This twist is rather clever, as it adds a level of mordant wit to the film, giving texture to the relationships between these five young people who we fully expect will begin to die horribly nasty deaths one by one. Indeed, what follows is an escalating series of blood-soaked set-pieces involving dismemberment and death at the sharp edge of any implement on hand.
Continue reading: Evil Dead Review
A full length ‘red-band’ trailer for the new Evil Dead remake has hit YouTube and purists, be silenced. For this one is delightfully violent and gory. A must for any horror or gore fan, whether you are a die-hard devotee of the original or not. Complete with a cameo from Bruce Campbell, it seems that Fede Alvarez has directed this one with all the love, care and downright irreverance that you would want him to.
Rather than opting to film the gory moments with CGI, Alvarez and his team went down the ‘painstaking’ and ‘expensive’ route. “There’s no CGI in the movie,” he told io9. “Everything you will see is real, which was really demanding. This was a very long shoot, 70 days of shooting at night. There’s a reason people use CGI it’s cheaper and faster, I hate that. We researched a lot of magic tricks and illusion tricks. [Like] how you would make someone’s arm disappear.”
At the start of the trailer, you have Jane Levy as Mia, looking terrifyingly terrified and talking in a weird, terrifyingly terrified manner about something out in the woods and how it’s probably actually in the house. Mia turns bad, throughout the course of the trailer and we’re left with the image of her slicing her tongue in half and showing her split & bloody tongue down someone’s throat. What’s not to like, eh kids!? Oh hang on, no – not the kids! The kids aren’t supposed to watch this one. It’s for “mature audiences only.”
Continue reading: Be Silenced, Purists! Evil Dead Remake Is Delightfully Gory
Sam Raimi and his production team have gone in hard with the trailer for the Evil Dead remake.
Branded for mature audiences only, there are moments in this teaser that are so gory, they leave you wondering what hell they’ve put in the rest of the movie. This remake of Raimi’s classic 1981 movie starring Bruce Campbell was initially met with a degree of pessimism from horror purists but he’s back on board, with Sam Raimi and indie movie darling Diablo Cody both claiming a writing credit for the remake and with Fede Alvarez in the director’s seat, they appear to have taken no prisoners with this resurrection and the trailer alone is sure to silence the cynics.
2013’s Evil Dead stars Jane Levy as Mia. Shiloh Fernadez, Jessica Lucas, Lou Taylor Pucci and Elizabeth Blackmore all join her onscreen, as does Bruce Campbell himself, albeit briefly. Campbell, of course, is a huge part of the success of the original 1980s movies, so it’s a relief to see him on production duties here as well.
Continue reading: Sam Raimi Goes In Hard With Evil Dead Remake Trailer
The first image of the Evil Dead remake was released at New York’s Comic Con 2012.
Bruce Campbell was belligerently confident that die-hard fans will soon be swallowing all of the criticism they have spouted at the mere thought of a remake of the classic 1981 horror. Sam Raimi is back on board with the remake, whilst Bruce Campbell (who starred in the original) is one of the producers.
These days, there is hardly a horror movie left unturned these days. Remakes keep cropping up left right and centre; Carrie is one of the latest to get the modern Hollywood treatment and, of course, Tinseltown have been re-hashing Japanese (The Ring, for example) and European (take Let The Right One In, for example…) horror for years now. You don’t need to be particularly cynical to arrive at the assumption that the horror genre might be flagging a little. Not so, says Campbell, who, according to empireonline.com, insisted “Your sh*t will be just as freaked as it was in the original. We've got some really talented people who kicked their ass off. I know you fans were pissed. Don't think I didn't read about it every single day. Just wait and see the movie. I will accept all of your collective apologies. We don't want to screw this up.” Fighting talk from Campbell, there.
Continue reading: I Will Accept Your Apologies: Bruce Campbell On Evil Dead Remake
Like a comically deranged Twilight Zone episode, this colourful animated feature underscores its fantastical story with some intriguingly serious issues. But it never gets preachy, and a stream of warped humour will keep adults chuckling all the way through.
Geeky inventor Flint (voiced by Hader) has finally created something that will make him famous: a machine that makes food from water. When it's inadvertently catapulted into the clouds, it starts raining cheeseburgers, much to everyone's delight. Now famous, he remotely programmes the machine to rain everything from ice cream to spaghetti and meatballs. While Flint's mono-browed dad (Caan) doesn't really get him, the greedy mayor (Campbell) wants a piece of his success. Meanwhile, Flint meets weather reporter Sam (Faris), who might actually understand him.
Filmmakers Lord and Miller somehow manage to keep the film utterly silly, with outrageous visual flourishes and zany comical asides, while maintaining a sharp intelligence beneath the surface. As a result, grown-ups will probably find the film funnier than kids, who will be entranced by the visual antics and miss the sophisticated wit. And they quietly hide the serious subtext as well, including a knowing look at celebrity and pointed comments on how tricky it is for people to truly communicate.
But all of this is mere icing on the cake, as it were, for a film that's raucous, nonstop fun. Images of food falling from the sky are pure dreamlike fantasy, especially when Flint's machine overheats and produces oversized culinary delights that look utterly delicious even as they flatten the houses they land on. Of course, this gives the screenwriters plenty of running gags and punning opportunities, which the talented vocal cast run wild with.
Even side characters like Mr T's supercop and Bratt's Guatemalan cameraman get terrific moments along the way, while Flint's relationship with his dad has a surprising resonance. And along the way, there are some superb sequences that combine goofy humour with awkward emotion plus a hint of unhinged weirdness (such as the Jell-O palace). And as global chaos threatens to erupt, along with Mt Leftovers, the film develops into a hysterical disaster movie satire that's brilliantly animated and, for once, makes full use of 3D to throw everything right into our faces.
Dalton Trumbo's novel Johnny Got His Gun was first published in 1939. 32 years later it was made into a movie, which he wrote and directed. In 2009, it's finally available on DVD. Any questions about the movie's contemporary relevance are moot. Trumbo's motive is to capture the sheer monstrosity and hopelessness of war and the damage it does to a person's soul. Those themes aren't vanishing anytime soon.
Continue reading: Johnny Got His Gun Review
Will Stronghold (Michael Angarano) is the son of the world's greatest heroes, super-strong Captain Stronghold (Kurt Russell) and high-flying Josie Jetstream (Kelly Preston). However, despite his impressive lineage, Will's lack of astonishing abilities poses complications on his first day at Sky High, a Hogwarts-esque floating academy for exceptionally gifted teens. Because of his embarrassing ordinariness, Will is shuttled into the "Sidekick" academic track (euphemistically referred to as "Hero Support") with his hippie best friend Layla (Danielle Panabaker) and other lamely powered misfits. Sidekicks are unpopular geeks and Heroes are the cool kids at this fantastic high school, which also features a cheerleading squad made up of clones, a mixed-lineage (hero and villain) rebel as Will's brooding arch-nemesis, and bullies acting as evil henchmen for a mysterious fiend who's plotting revenge against the Stronghold clan. This passing interest in metaphorical subtext proves tantalizing during Will's admission to his dad that he's a sidekick (a moment that recalls X-Men 2's "coming out" scene), as well as with the repeated adult refrain that Will is just a "late bloomer" (thus linking his nascent strengths with puberty). Yet content to only skim the surface of its symbolic potential, the film doggedly opts for obviousness when subtlety is called for, ultimately turning its story into simply the latest misfit-makes-good-and-proves-that-dorks-are-people-too adolescent fairy tale.
Continue reading: Sky High Review
Swan gets a camera crew to tail him to Hollywood -- where Commander Courage, a supposed WWII era patriotic hero -- has been reinvented as Codename Courage, a ninja-like fighter of terrorism everywhere. But quickly he's on to the San Diego Comic-Con convention, where the bulk of the film takes place. It's hard to tell where the staged stuff for the movie ends and the fanboy ga-ga stuff begins: Among the countless shots of scantily clad fanbabes, costumed kids, and hugs with random convention exhibitors and fans there's a semblance of a story. Basically that involves Swan trying to convince everyone he meets that the old Commander Courage is better than the new Codename Courage (including a scene with Hamill and Stan Lee on a panel at the convention. Just don't think about it too much or you'll start to ask yourself just why Swan would be sent to this convention in the first place. It works only in the sense of putting the characters into oddball situations, but it's got little to do with anythig in the plot.
Continue reading: Comic Book: The Movie Review
Date of birth
22nd June, 1958
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