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The Twilight Saga: Breaking Dawn: Part 2 Trailer

Not long since the harrowing and almost fatal birth of their daughter Renesmee, newly born vampire Bella Cullen nee Swan and her new husband Edward have even more deadly drama to contend with. With prestigious Italian vampire coven the Volturi led by Vampire Irina accusing the rapidly growing Renesmee of being a demon child, Bella and Edward have no time to enjoy married life and bring her up together like regular parents. When their homelife is threatened by those who wish only to protect themselves, they realise that they must band together a formidable army to fight the Volturi down in a battle if they wish to save the life of their mortal child.

This much-adored vampire love story finally comes to a close in one of the most dramatic conclusions of fantasy fiction ever written. Based on the best-selling novels by Stephenie Meyer, 'The Twilight Saga: Breaking Dawn: Part 2' has been directed by 'Part 1's director Bill Condon ('Dreamgirls', 'Gods and Monsters') with screenwriter Melissa Rosenberg (who has written all of the other screenplays for the blockbuster series) working alongside him. This final instalment is set to become a major box office hit with its release on November 16th 2012.

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Mackenzie Foy, Peter Facinelli, Dakota Fanning, Kellan Lutz, Maggie Grace, Ashley Greene, Nikki Reed, Michael Sheen, Elizabeth Reaser, Jackson Rathbone, Jamie Campbell Bower, Boo Boo Stewart, Joe Anderson, Billy Burke, Lee Pace, MyAnna Buring, Christopher Heyerdahl, Noel Fisher, Alex Meraz, Rami Malek, Cameron Bright, Mia Maestro, Charlie Bewley, Christian Camargo, Angela Sarafyan, Julia Jones, Daniel Cudmore, Tinsel Korey, Judith Shekoni, Chaske Spencer, Casey LaBow, Kiowa Gordon, Bronson Pelletier, Omar Metwally, Tracey Heggins, Andrea Gabriel, Toni Trucks, Lisa Howard, Patrick Brennan, Tony Bentley, Valorie Curry & JD Pardo.

The Twilight Saga: Breaking Dawn - Part 2 Trailer

After their reckless marriage ceremony and the traumatic near-death-experience that was the birth of their daughter Renesmee in 'The Twilight Saga: Breaking Dawn Part 1', newly turned vampire Bella Swan and Edward Cullen think they have overcome the worst. However, 'Breaking Dawn Part 2' forces them to face a vicious battle with the Volturi after they hear a false claim the rapidly growing Renesmee is an immortal child; the conception of which is outlawed due to fact that immortal children can become out of control and dangerous. Bella and Edward must protect their daughter and themselves from assassination from the Volturi and find a way to prove that Renesmee is not in fact immortal.

Continue: The Twilight Saga: Breaking Dawn - Part 2 Trailer

The Twilight Saga: Breaking Dawn - Part 2 Trailer

Bella Swan is finally a vampire. She discovers that the world seems somewhat brighter now and learns about the heightened senses that vampires have. Her body temperature now matches Edward's, so she no longer finds him cold to the touch. She takes quickly to vampire life - very quickly, to the surprise of the Cullens, who were anticipating that it would take decades - even centuries - for Bella to adjust.

Continue: The Twilight Saga: Breaking Dawn - Part 2 Trailer

The Twilight Saga: Eclipse Trailer

Robert Pattinson, Kristen Stewart and Taylor Lautner once again take up their much loves roles for the latest instalment in the Twilight series. Eclipse is the third part to the saga and the script stays loyal to Stephenie Meyer's book of the same name.

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Cameron Bright Monday 16th November 2009 The Los Angeles Premiere of 'The Twilight Saga: New Moon' held at Mann Village and Bruin Theater in Westwood Los Angeles, California

The Twilight Saga: New Moon Trailer

Watch the trailer for The Twilight Saga: New Moon

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Running Scared Review

By David Thomas

Good

Like Paul Walker's character in it, Running Scared is a lot smarter than it looks. Unfortunately, it spends as much time being dumb as acting dumb, making for an experience that can be as frustrating as it is entertaining. The film is basically three different movies: One, a straightforward crime drama, probably its strongest suit. Two, a satire of the genre, working on many levels from Peckinpah-esque examination of the male psyche to urban Grimm fairy tale. And, sadly, three, a genuinely clunky thriller. Unfortunately, you never know which you'll get from scene to scene, or even moment to moment.Paul Walker plays Joey Gazelle (Get it? He runs. This would be the less clever part.), a family man in suburban Jersey who also happens to work for the local mob. After a deal gone wrong ends up with a lot of dead people, some of them dirty cops, Joey is charged with his usual task of disposing of the gun that killed said cops. Joey, however, has been stashing the guns he's supposed to have ditched as an "insurance policy." When his son Nicky (Alex Neuberger) and his neighbor's kid Oleg (Cameron Bright) witness him adding the weapon to his collection, Oleg sees an opportunity to settle the score with his abusive father, Anzor (Karel Roden).Soon, Anzor is wounded, Oleg is on the run, and Joey has one night to get the gun back or end up dead at the hands of his own people. Since Nicky might know where to find Oleg, what ensues is the worst Take Your Kid To Work Day ever.Writer/director Wayne Kramer (The Cooler) displays an appetite for flashy camera tricks, but we're not in Domino territory here, thank God. Unlike Tony Scott, Kramer shows some restraint and variety, but the frequent double exposures still wear thin. Just as often, though, he creates intimate spaces where his characters can interact, isolated from the surrounding chaos.The writing varies from sly satire to witless implausibility. Chazz Palminteri's character, a dirty cop, steps into more than one commercial parody in the film, making a passing reference to the actor's own Vanilla Coke ad in the process. At the same time the film relies far too much on coincidence to further the plot.The performances here are all adequate. Walker shows that he can do a convincing Jersey accent. Vera Farmiga's performance as Joey's wife is uneven, but effective when it really counts. Bright pulls off the eerie thousand-yard stare of a kid who's seen too much at home, and so is unfazed by the monsters he encounters in the real world.The deliberate nature of some of Kramer's choices suggest something bubbling under the surface. He sets a key action scene in a hockey rink, a place of socially acceptable violence. Anzor has a tattoo of John Wayne on his back, and carries an obsession with the actor that might serve as a commentary on film violence. References to ultra-violent films like Scarface surface from time to time. It's clear that Kramer's trying to say something, but what?Unlike Revolver, which pretentiously aspires to levels it never achieves, Running Scared aspires to levels it occasionally achieves without ever taking itself too seriously, and while being massively entertaining even when it's not making a whole lot of sense. Kramer's sophomore effort shows flashes of brilliance but smacks of an artist still working out what he wants to say and how he wants to say it. It may not be Peckinpah, but if you're a fan of the genre, it's probably worth a look.The DVD includes a commentary track, storyboards, and behind-the-scenes featurette.Sitting unscared.

Thank You For Smoking Review

By Annette Cardwell

Excellent

Striding up alongside such great anti-heroes as Tony Soprano and Scarface comes Nick Naylor, a silver-tongued lobbyist with such a tremendous gift for gab that he actually successfully defends the tobacco industry. And as much as you probably think cigarette makers are evil, you'll find yourself - as with all anti-heroes - actually rooting for this scumbag.

Why? Well, besides star Aaron Eckhart's flawlessly sumptuous performance as Naylor, I'll just quote a line from Naylor himself: "The beauty of argument is that if you argue correctly, you're never wrong." In the end, Nick Naylor is not just right; he's unquestionably the most passionate, most seductive man on the screen, and everyone else just looks limp and dull beside him.

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Birth Review

By Sean O'Connell

Bad

Jonathan Glazer's stylish debut Sexy Beast stood out for the uncharacteristically explosive and vicious performance the director coaxed out of stately Ben Kingsley. Evidence of any such energy all but escapes Birth, Glazer's anticipated follow-up to his kinetic gangster picture. A plodding and pretentious thriller, this beyond-the-grave affair ends up being too art-house for the mainstream crowd and too mainstream for the art-house crowd. Loosely translated, that means it doesn't work for anyone.

Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.

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Godsend Review

By Sean O'Connell

Weak

Watching Godsend compares to eating a gallon of fudge-filled chocolate ice cream minutes before going to bed. You know it's bad for you, but the experience is tons of fun. Soon enough, though, the gooey dessert stops tasting so good. By the time you near the bottom of the container, you can't even justify why you continue to swallow spoonfuls, but you keep eating despite the fact that it doesn't make sense to continue.

That also explains director Nick Hamm's jackhammer approach to his material. He knows he's working with a cheesy campfire story, the kind best whispered to terrified boy scouts in the dead of night. But he's sadly unaware of when enough is enough, and his final act becomes a series of ludicrous scientific explanations offset by cheap jolts to our nervous system.

Continue reading: Godsend Review

Cameron Bright

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