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Cars 3 - Extended Trailer


Former Piston Cup Champion Lightning McQueen was a hero in his day, but it seems in the last few years technology has improved so much that he is constantly being out-run by newer and more advanced models. His latest rival is the super-speedy newcomer Jackson Storm, whose arrogant attitude makes McQueen desperate to beat him once and for all. Naturally, he's being bugged constantly about his plans for retirement, but to him it only feels like yesterday that he was a rookie himself making waves in the racing world. It doesn't matter how many tricks he learns to up his game, however, he'll never be the racer he once was. But his friends are nonetheless determined to train him up to be the best he can be, led by the young and enthusiastic technician Cruz Ramirez. He might never be able to match Jackson's speed, but that doesn't mean he can't outsmart him on the track.

Continue: Cars 3 - Extended Trailer

Live By Night Review

Good

Ben Affleck launched his directing career 10 years ago with his film of Dennis Lehane's novel Gone Baby Gone, and he now returns to the author to adapt this Prohibition-era gangster drama. It's a big, beefy story with colourful characters and a snaky, expansive plot. And it's beautifully assembled by a skilled cast and crew. Even so, the film never quite generates quite enough energy to engage properly with the audience.

In 1927 Boston, Joe (Affleck) is a war veteran who has turned to crime to survive. But problems arise when he launches a torrid affair with the moll (Sienna Miller) of the Irish mob boss (Robert Glenister). With his life in danger, he turns to the rival Italian mafioso (Remo Girone) for a job, and is sent to Tampa to run their rum-smuggling operation. Working with his pal Dion (Chris Messina), Joe makes a success of a string of speak-easy bars and finds love with a the sister (Zoe Saldana) of a Cuban gangster. Then as he plans to open a huge casino, his gentlemanly agreement with the local police chief (Chris Cooper) is threatened. And it doesn't help that the boss in Boston begins to meddle.

Everything is assembled with a sumptuous sense of style, from the cool cars to the epic suits and hats. The film looks gorgeous, shot with muted colours that echo the subdued emotions of people who never quite say what they think. Of course, this creates a big problem, because it leaves Affleck's Joe looking like a blank slate, intriguing to watch but impossible to sympathise with. Nothing feels properly developed, with romances that seem to exist for no real reason and business relationships that appear to be based on some sort of unexplained subterfuge. The most riveting element of the story is Joe's clash with the KKK, a powerfully bull-headed group that refuses to play by the usual mob rules.

Continue reading: Live By Night Review

Live By Night Trailer


Joe Coughlin was born and raised in a good family, his father was the police captain and they were a respected family in the neighbourhood. Joe was the dark horse and fell in with the wrong crowd from an influential age. It was 1920's and Joe and the rest of the Coughlin family lived in the thriving city of Boston. Joe constantly seemed to be pulling in a different direction to that of his father and mixed with some of the town's most feared bosses responsible for any number of crimes from running alcohol to robbery.

Caught in the middle of a war between mob bosses, Joe ends up ripping off the wrong guy in more than one way as he also steals his woman. Everything appears to be going for Joe and his small gang but their next heist is a chance too far and sees Joe being put in prison for robbery. Once again, Joe finds himself falling in with another powerful boss who offers him protection in prison - but at a cost.

With his eventual release, Joe moves to Florida to begin over seeing a rum smuggling operation but as Joe finds love he begins to realise that there's more to life than working on someone else's terms but perhaps he's too deeply connected to ever be able to give up the life he's made for himself.

Demolition Review

Extraordinary

With its darkly emotive themes and brittle humour, this well-made drama by Jean-Marc Vallee (Dallas Buyers Club) isn't quite what it appears to be. It's not, for example, an exploration of grief, although that's in here. And it also isn't meant to be taken literally, because it's more of a parable. The main clue is in the moment when the central character comments that everything in his life seems to be a metaphor. Indeed it is. And this heightened sense of meaning makes the entire film unusually vivid.

The film opens as Wall Street banker Davis (Jake Gyllenhaal) emerges unscratched from a car crash that kills his beautiful wife Julia (Heather Lind). Unable to grieve, he begins to feel like the world around him is shifting inexplicably. So he starts taking things apart to see how they work, or why they don't. Soon he's dismantling his entire house. His father-in-law Phil (Chris Cooper), who is also his boss, becomes increasingly perplexed at Davis' erratic behaviour. And the only person Davis confides in is customer services rep Karen (Naomi Watts) and her confused 15-year-old son Chris (Judah Lewis). As Davis worms his way into their world, he slowly begins to see his own life more clearly.

This is a film about how some people let themselves drift along in the expected ways, never questioning what happens even though it doesn't feel quite right. In Davis' case, his wife's death jolts him awake. He begins to see the real world around him for the first time, including the absurdities of the life he had built around himself. Gyllenhaal invests Davis with remarkable layers of emotion as a generally cheerful guy being pulled apart from within by something he initially can't understand. His reactions to people around him grow increasingly more honest as the film progresses. And by the end, he's defying expectations and conventions in ways that feel shocking but are actually bracingly truthful.

Continue reading: Demolition Review

Chris Cooper - New York premiere of 'Joy'- Red Carpet Arrivals - New York City, New York, United States - Sunday 13th December 2015

Chris Cooper

Chris Cooper - Toronto International Film Festival - Demolition - Premiere - Toronto, Canada - Thursday 10th September 2015

Chris Cooper
Chris Cooper
Chris Cooper

Jake Gyllenhaal and Chris Cooper - Filming takes place on the set of 'Demolition' - New York City, New York, United States - Friday 24th October 2014

Jake Gyllenhaal and Chris Cooper
Jake Gyllenhaal
Jake Gyllenhaal
Jake Gyllenhaal
Jake Gyllenhaal and Chris Cooper
Jake Gyllenhaal and Chris Cooper

Chris Cooper - The 19th Annual Critics' Choice Movie Awards at the Barker Hangar - Arrivals - Los Angeles, California, United States - Thursday 16th January 2014

Chris Cooper
Chris Cooper
Chris Cooper

Video - Pharrell Takes His Hat To 'The Amazing Spider-Man 2' NY Premiere - Part 3


'Happy' singer Pharrell Williams and his famously large hat were spotted amongst the crowd at the New York premiere for 'The Amazing Spider-Man 2' alongside various other actors from the movies.

Continue: Video - Pharrell Takes His Hat To 'The Amazing Spider-Man 2' NY Premiere - Part 3

Chris Cooper - The Amazing Spider-Man 2 - New York Premiere at the Ziegfeld Theater - New York, New York, United States - Thursday 24th April 2014

Chris Cooper
Chris Cooper

Chris Cooper - The 20th Annual Screen Actors Guild (SAG) Awards held at The Shrine Auditorium - Arrivals - Los Angeles, California, United States - Saturday 18th January 2014

Chris Cooper
Chris Cooper
Chris Cooper

Chris Cooper - California - West Hollywood, California, United States - Saturday 18th January 2014

Chris Cooper
Chris Cooper
Chris Cooper
Chris Cooper

Chris Cooper - Celebrities attend the 19th Critics' Choice Movie Awards Ceremony LIVE on The CW Network at The Barker Hangar. - Los Angeles, California, United States - Thursday 16th January 2014

Chris Cooper
Chris Cooper
Chris Cooper

August: Osage County And Meryl Streep Win Big At Capri, Hollywood Film Festival


Meryl Streep Julia Roberts Chris Cooper Idris Elba Naomie Harris

After early predictions pegged the Meryl Streep and Julia Roberts starrer August: Osage County as a frontrunner for awards season 2014, the film has now picked up four awards at the Capri, Hollywood Film Festival.

Meryl Steep, Village Voice Obie Awards
Streep received the Best Actress awards, possibly setting her up for a successful awards season.

The film centers on the reunion on a dysfunctional family in which Streep plays the prescription drug addicted matriarch Violet. The Tracy Letts adaptation won Film of the Year, while Streep (naturally) won the Best Actress award for her role. The cast also picked up the Best Ensemble award. Co-star Chris Cooper was honored with a Lifetime Achievement award.

Continue reading: August: Osage County And Meryl Streep Win Big At Capri, Hollywood Film Festival

Chris Cooper - The New York premiere of August: Osage County held at the Ziegfeld Theatre - Arrivals. - New York, New York, United States - Thursday 12th December 2013

Chris Cooper
Chris Cooper

Chris Cooper - AFI FEST 2013 Presented By Audi - "August Osage County" Premiere at TCL Chinese Theatre - Hollywood, California, United States - Saturday 9th November 2013

Chris Cooper
Chris Cooper
Chris Cooper
Chris Cooper
Chris Cooper

August: Osage County Trailer


The Weston family know they are probably one of the most dysfunctional families around, but they do understand that sometimes it's best to stick together. Violet Weston is the family matriarch suffering from mouth cancer and heavily addicted to prescription drugs which only gets worse after the apparent suicide of her husband Beverly. As the funeral approaches, Violet's three daughters Barbara, Ivy and Karen and their families arrive at the house they grew up in, along with some other estranged relatives, hoping to get the whole ordeal over and done with fairly quickly. However, things don't go as smoothly as they, perhaps naively, hoped as they discover a whole load of closet skeletons they'd rather have not known about.

'August: Osage County' is a remarkable dark comedy directed by multi-Emmy winning John Wells ('The Company Men') and based on the Pulitzer Prize winning play of the same name by Tracy Letts ('Bug', 'Killer Joe'). It has been produced by George Clooney and Harvey Weinstein and is a warts-and-all story about the trials and tribulations of family affairs, uncovering both the heartwarming and the heartbreaking secrets that underline all families. It is set to be released in the UK on January 3rd 2014.

Click Here To Read: August: Osage County Movie Review

Paul Giamatti Continues American Invasion Of Downton Abbey With Season Four Appearance


Paul Giamatti Maggie Smith Hugh Bonneville Jamie Foxx Chris Cooper Shirley Maclaine

Paul Giamatti will become the next American actor to appear in the hugely successful British period drama Downton Abbey, with the American Splendour actor set to appear as a maverick American playboy during the upcoming fourth season of the show.

Giamatti will appear in the Christmas special airing this December, which will follow on directly from the upcoming fourth season of the hit costume drama. He will play Harold, the life-loving brother of Elizabeth McGovern's Cora, and the son of Shirley Maclaine's Martha. MacLaine will also be reprising her role for the Christmas special.

See more images of Paul as Rhino in the upcoming Amazing Spider-Man 2

Continue reading: Paul Giamatti Continues American Invasion Of Downton Abbey With Season Four Appearance

August: Osage County Unites A Stellar Cast Of Actors, Headed By Meryl Streep


Meryl Streep Julia Roberts Abigail Breslin Ewan McGregor Chris Cooper Sam Shepard

The trailer for August: Osage County hit the airwaves today and, if you didn’t know that was a film you wanted to see, you should now. Generally, just the presence of Meryl Streep on the castlist is enough to get a film onto the list, but August has a lot more going for it as well, with a cast, absolutely packed with star power - Julia Roberts, Ewan McGregor, Juliette Lewis, Abigail Breslin, Sam Shepard, Chris Cooper and Benedict Cumberbatch all star in this tale of a family reunion and a family breakdown and (hopefully) one final reunion. The film, directed by John Wells, centers on a dysfunctional Oklahoma family whose drug-addicted matriarch, Streep, is dying of mouth cancer.

The trailer shows some trademark Streep moments in the film, but it also highlights the roles of Roberst and Lewis as antagonistic sisters and everyone seems to work well enough together to create a believable picture of a family on the brink of collapse. The film is based on Tracy Letts’ 2008 Pulitzer Prize-winning play, which received shining praise on its release in 2007. When "August: Osage County" played at the Ahamson Theater in 2009, Times theater critic Charles McNulty wrote: "The play’s pedigree could be expanded in ways both high and low, but 'August' brews its own distinctive mix of tragicomic gravitas and florid pop." The film adaptation is due for an early November release. Did someone say Oscar bait?

Continue reading: August: Osage County Unites A Stellar Cast Of Actors, Headed By Meryl Streep

The Muppets Review


Excellent
Using their long absence from the screen as a premise, this film astutely taps into the nostalgia former fans still feel for these anarchic, loveable characters while winning over new followers. And even though it's very silly, it's still hugely enjoyable.

In Smalltown America, Walter (Linz) has always felt different from his brother Gary (Segel). He has longed to meet the Muppets, his childhood heroes, and gets the chance when Gary and his girlfriend Mary (Adams) take him on a trip Los Angeles. But the Muppet Theatre is in ruin, and an evil tycoon (Cooper) is planning to tear it down and drill for oil. After meeting Kermit (Whitmire), Walter, Mary and Gary hatch a plan to save the theatre. But most of the Muppets have moved on with their lives.

Continue reading: The Muppets Review

The Company Men Review


Excellent
Strangely sidelined during awards season, this downsizing drama might be a bit downbeat, but it's sharply observant and extremely well-played by an impressive cast. It also says some very important things about the effects of capitalism.

Bobby Walker (Affleck) is a high-flying shipping executive stunned when he's fired after 12 years on the job. Company founder Gene (Jones) is furious at the CEO (Nelson) for sacrificing thousands of employees to guarantee bigger profits for stockholders and executives. And his 30-year-veteran colleague Phil (Cooper) is worried that he might get the chop in the next wave of cuts. While Bobby struggles to accept his unemployment, his wife (DeWitt) is more realistic, suggesting that Bobby take a job with her builder brother (Costner) to tide them over.

Continue reading: The Company Men Review

The Tempest Trailer


For over 12 years Prospera and her daughter Miranda have been exiled by Prospera's brother to a baron island where they live a life of solitude accompanied only by spirits and one non-spiritual occupant; Caliban, the son of a witch who died just before the arrival of the two human souls.

Continue: The Tempest Trailer

Remember Me Review


Weak
Even before the manipulative final act, this film will get on the nerves of most viewers with its over-serious tone and sentimentalised plot. And the main problem is that all of this leaves the cast with little to do besides mope.

Tyler (Pattinson) is a 21-year-old student who still hasn't recovered from the suicide of his big brother six years ago. He devotes himself to his little sister Caroline (Jerins) and rebels against their wealthy father (Brosnan). When he's brutally arrested by a cop (Cooper), his chucklehead flatmate (Ellington) suggests that he get even by dating the cop's daughter Ally (de Ravin), a fellow student. It turns out that Ally also has a personal tragedy in her life, and of course they fall in love as they try to sort out their issues.

Continue reading: Remember Me Review

Great Expectations (1998) Review


Weak
You know, I didn't like the book Great Expectations when I was in high school, so I don't know why anyone thought it would be liked any better now. Hawke's meddling with the story is well-documented (including changing the main character's name from Pip to Finn). Then there's the updating to the 20th century, making Pip, er, Finn an artist (and a bad one at that), Bancroft's horrific drag-queenish dance instructor. De Niro's lost expression. Ugh. I'll take the book over this.

The Bourne Identity Review


Very Good
Last year, Christopher Nolan took memory loss to a new level with his masterful thriller Memento, in which the hero tattoos notes on his body to help him cope with his condition. This year, the amnesiac champion of The Bourne Identity uses brains and brawn as a means of sorting out his memory loss. Doug Liman directs Identity with the same degree of creativity as he demonstrated with Swingers and Go, despite some reportedly epic studio and script squabbles. This time, however, he works on a much grander scale.

The Bourne Identity is based upon Robert Ludlum's famous series of spy thrillers about the elusive and extra-human Jason Bourne. Matt Damon plays Bourne, a spy who survives a shipwreck in the middle of the Mediterranean Sea but does not remember his identity or past. Implanted in his back are a series of bullets and a capsule containing an account number for a safety deposit box in Zurich. Once inside the box, he uncovers a supply of passport identities, money, and weapons - which only adds to his confusion.

Continue reading: The Bourne Identity Review

Silver City Review


OK
What are they using on the moviemaking plantation this election year to have produced such a bumper crop of Democrat-leaning political films? The fertile harvest may have something to do with outright fear of a Bush win in November. Or, determination to clarify the issues for swing voters still formulating their judgments.

Now, after Michael Moore's Fahrenheit 9/11, Robert Greenwald's Uncovered: The War on Iraq, France's The World According to Bush, the upcoming Bush's Brain, and many more, filmmaker John Sayles adds his satiric shovelful with Silver City, a (fictional) feature film which explores the ramifications of a political system that lends itself to corrupt and unseemly influences.

Continue reading: Silver City Review

American Beauty Review


Excellent

Every time I see a new Kevin Spacey movie, I expect the world from him, and every time he delivers the galaxy.

Arguably the greatest actor currently working in motion pictures, he is capable of putting across leagues of depth with the subtlest, most insignificant glance. He can play menacing or meek, ardent or indifferent, nervous or non-nonchalant with equal dexterity.

Look at "Midnight in the Garden of Good and Evil," "The Negotiator," "L.A. Confidential," "The Usual Suspects" or any of his recent roles and just try to imagine another actor in the part. It simply can't be done. Spacey doesn't act, he embodies his characters viscerally from the inside out.

Continue reading: American Beauty Review

October Sky Review


Excellent

Although "October Sky" is a film with no surprises from its soundtrack of '50s rock 'n' roll standards to its triumph over adversity themes, this teen-years biography of a NASA scientist who got his start building rockets in his basement is so full of spirit and letter-perfect filmmaking that I defy anyone to watch this movie without getting a tingle in his or her heart.

Thrilling in the best sense of the word, traditional without being corny and with a script, photography and symbolism that could be the basis of a film literature textbook, "October Sky" is a classic in the making. It's just a pity it wasn't released in time for Oscar consideration.

The picture stars Jake Gyllenhaal as Homer Hickman, a coal miner's son determined to break away from his assumed destiny following in his father's bleak and dangerous subterranean footsteps.

Continue reading: October Sky Review

Me, Myself & Irene Review


Weak

If only Jim Carrey's uninhibited and completely unhinged, sweet-and-sour insanity was by itself enough to carry a movie, it might not matter so much that the plot of the Farrelly Brothers' "Me, Myself and Irene" is nothing but an undercooked on-the-run road movie.

Full of crooked cops and rich, double-crossing ex-boyfriends, it's a dim bulb script the boys had shelved ages ago and dusted off last year only after a couple post-"There's Something About Mary" projects fell through.

Sustained only by its outrageousness (breast milk gags, anyone?) and Carrey's hammy physical humor, the movie does have its fair share of laughs. But between guffaws there's nothing to keep the uneven "Irene" from collapsing under its own dead weight.

Continue reading: Me, Myself & Irene Review

The Patriot Review


OK

For a relentlessly unoriginal, pandering and predictable, two-and-a-half hour Revolutionary War epic that white-washes slavery, chooses exaggerated slow-motion action over any interest in historical accuracy and is helmed by a director who has demonstrated little talent for anything but overblown textbook filmmaking, "The Patriot" isn't a bad movie.

It's a mimeographed knock-off of "Braveheart" in buckskin vests and powdered wigs, but that doesn't seem to bother Mel Gibson, who won an Oscar for directing that film and stars in this one as another tread-upon colonial who takes up arms against England for his nation's freedom.

A hero of the French and Indian War who has since pledged to raise his children as a pacifist plantation farmer in South Carolina, Benjamin Martin (Gibson) is an amalgam of real revolutionary war figures, fantasized by screenwriter Robert Rodat ("Saving Private Ryan") as a politically correct hero who is a wonderful widower father, who communes with the natives (he's versed in the deadly use of a Tomahawk hatchet), who employs his plantation workers instead of enslaving them, and who takes up arms again only after a stuffy, sadistic redcoat Colonel named Tavington (Jason Issacs) kills one of his sons in cold blood when he finds Martin's home filled with rebel soldiers receiving first aid after a battle.

Continue reading: The Patriot Review

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Chris Cooper Movies

Cars 3 Movie Review

Cars 3 Movie Review

It's been six years since the last Cars movie (there were two Planes movies in...

Cars 3 Trailer

Cars 3 Trailer

Former Piston Cup Champion Lightning McQueen was a hero in his day, but it seems...

Live By Night Movie Review

Live By Night Movie Review

Ben Affleck launched his directing career 10 years ago with his film of Dennis Lehane's...

Live By Night Trailer

Live By Night Trailer

Joe Coughlin was born and raised in a good family, his father was the police...

Demolition Movie Review

Demolition Movie Review

With its darkly emotive themes and brittle humour, this well-made drama by Jean-Marc Vallee (Dallas...

Demolition Trailer

Demolition Trailer

Davis Mitchell is very successful in what he does for a living, though he's not...

The Amazing Spider-man 2 Movie Review

The Amazing Spider-man 2 Movie Review

As with the too-early franchise reboot in 2012, this sequel struggles to balance the demands...

The Amazing Spiderman 2 - Clips Trailer

The Amazing Spiderman 2 - Clips Trailer

Peter Parker is facing a period of deep confusion in every aspect of his life....

August: Osage County Movie Review

August: Osage County Movie Review

Tracy Letts adapts his own prize-winning play into a blistering depiction of one of cinema's...

The Amazing Spider-Man 2 Trailer

The Amazing Spider-Man 2 Trailer

Peter Parker has always had difficulty trying to prioritise his life. There's the personal side...

August: Osage County Trailer

August: Osage County Trailer

The Weston family know they are probably one of the most dysfunctional families around, but...

The Company You Keep Trailer

The Company You Keep Trailer

Ben Shepard is a young and ambitious reporter determined to make a name for himself...

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