Mel Gibson is honoured at Czech festival, while the Apes sequel and What If premiere in New York, and Legend and Grimsby film on streets around London. Plus new trailers for heavy-hitters Exodus, Gone Girl and Foxcatcher...
This is a week when most attention was on the sporting world, with the Wimbledon finals, the Formula One British Grand Prix and the Tour de France starting in Britain, and of course the World Cup in Brazil. So most people didn't notice that the Karlovy Vary Film Festival kicked off in the Czech Republic by awarding Mel Gibson with the Crystal Globe for outstanding artistic contribution to world cinema. The festival wraps up on Saturday. Here's Mel Gibson at the 49th Karlovy Vary International Film Festival - Mad Max screening .
Meanwhile in New York, the stars turned out on Tuesday for the premiere of Dawn of the Planet of the Apes. Cast members Andy Serkis and Keri Russell were joined by visiting filmmakers Darren Aronofsky and Paul Haggis and actors Alex Karpovsky and Bridget Moynahan. The film opens this week in the US and next week in the UK. Here's a Dawn Of The Planet Of The Apes clip to get you in the mood.
'The Leftovers' could be the next big thing.
Fans of Game of Thrones who bothered to pay attention to the ads before last night's season premiere were treated to a preview for HBO's new show The Leftovers, which looked pretty awesome. The handy work of Lost's Damon Lindelof, the forthcoming drama series is based on the bestselling 2011 novel by Tom Perrotta.
Justin Theroux Stars in 'The Leftovers'
It stars Justin Theroux as police chief Kevin Garvey who attempts to maintain calm in the wake of a global Rapture that causes two per cent of the world's population to suddenly disappear. The show focuses on the members of Garvey's suburban community, who are left confused, angry and traumatised by the disappearance of their loved ones.
Continue reading: Is HBO's 'The Leftovers' The New Breaking Bad, True Detective, Etc?`
Chris Hemsworth and Tom Hiddleston talk about the upcoming 'Thor: The Dark World' in a short featurette revealing a snippet of what the film will bring to the Marvel film franchise on its release on October 30th 2013.
'Thor is the God of Thunder, he's from a place called Asgard which is within the nine realms in another universe', Chris explains, with Tom adding, 'Thor's brother, Loki, is this mischievous prince. At the end of 'Avengers', Thor takes them back to Asgard.' They explain that the movie picks up from events that happened in 'Avengers Assemble', but this time they are 'bound together on the same journey with the same goal'.
Tom Hiddleston sent the Comic-Con crowd into frenzy with a cleverly organised stunt.
Tom Hiddleston was one of the marquee names at this year's Comic Con: San Diego and we caught up with him on the red-carpet to talk about the amazing reception he received during the Thor: The Dark World press conference, at which new footage was screening.
In one of the most innovate and exciting panels from this year's event, Hiddleston appeared in full regalia as his villainous Loki character to unveil the new promo. The Marvel panel was plunged into darkness before the British actor addressed the gathered crowd in Hall H.
Continue reading: Tom Hiddleston On 'Thor: The Dark World' Comic-Con 'Car Crash' [Video]
In 1928, Amelia Earhart (Swank) bursts onto the dawning aviation scene as a confident pilot giving men a run for their money. Quickly snapped up by promoter George Putman (Gere), her aerial achievements instantly grab media attention. Reluctantly agreeing to marry George if she can keep her independence, she works rather too closely with the government's first aviation chief Gene Vidal (McGregor). And then in 1937 she sets off to fly around the world with navigator Fred Noonan (Eccleston).
Continue reading: Amelia Review
US soldiers Duke and Ripcord (Tatum and Wayans) are guarding a terrifying new nano-weapon when they're attacked and then defended by two outrageously high-tech assault forces. They of course eventually join the good side, the G.I. Joes, an elite team led by General Hawk (Quaid). These top commandos (including Nichols, Taghmaoui, Akinnuoye-Agbaje and Park) are hunting Duke's ex Ana (Miller), who has gone over to the dark side to help supervillain arms dealer McCullen (Eccleston) and his Vader-esque evil-doctor sidekick with their nefarious plan for world domination.
Continue reading: G.I. Joe: The Rise Of Cobra Review
The oddly titled film, adapted from Jennifer Egan's book, tells of Phoebe (Brewster), a mid-70s San Francisco teenager who is compelled to trace the European travel path of her sister Faith (Diaz), whose trip six years earlier apparently ended in her suicide.
Continue reading: The Invisible Circus Review
The recipe for 28 Days Later is quite simple: half Outbreak, half Night of the Living Dead, and maybe a dash or two of Planet of the Apes. While the ingredients are familiar, thankfully, director Danny Boyle, who also helmed the bizarre Trainspotting, contributes his own unique seasonings, turning this acidic dish into a journey through hell-on-earth; it's one of the most frightening movies of the year.
Continue reading: 28 Days Later Review
450 years ago, no one would've thought a thing about a little intern boinking. Today, that's obviously big news, and it should have made the sexual, political, and religious escapades of Elizabeth all the more thrilling.
Continue reading: Elizabeth Review
It's not quite that simple. In The Second Coming, Christopher Eccleston is a garden-variety drunk named Steve who disappears for 40 days, then reappears and announces himself to be the Second Coming of Christ. Is he crazy? Well, he tosses off a few miracles: turning night into day over the local soccer stadium and later surviving a bomb that goes off right next to him. He also announces that Armageddon will arrive in five days if he is not presented with a "Third Testament." (Exactly what this Third Testament is supposed to be remains a mystery throughout the film -- even to Steve -- and stands as one of the more perplexingly weak facets of the movie.) Hysteria ensues, though fortunately it seems confined to England.
Continue reading: The Second Coming Review
What people will forget to tell you is that there's more than 90 minutes of an OK horror movie to watch before a glorious 10 minutes. Take away the ending--which ties the script's agnostic themes together too perfectly--and you get The Haunting, just with superior acting and production values.
Continue reading: The Others Review
So I am sitting down and now pondering which to write: the good review or the bad review, each a definite possibility, and the decision is reached: heads for good, tails for bad. But alas, the coins are upstairs and I am a lazy bum. So I guess I write option C: the mediocre review. The movie really wasn't either.
Continue reading: A Price Above Rubies Review
No! You take a role in Gone in 60 Seconds, and try to extend your movie muscle even further! Here's a movie that's pure, unabashed Hollywood: Randall "Memphis" Raines (Cage), in order to convince a mean criminal to spare the life of his brother (Giovanni Ribisi), must BLOW UP 50 cars in the next 72 hours!
Continue reading: Gone In 60 Seconds (2000) Review
From the get-go, this film begins to close its fingers around your neck and never lets go. The eerie feeling that something is just not quite right is present from the beginning, even before things take a turn for the worse. Of course they inevitably do, when the trio's newly found roommate, Hugo, suddenly dies in his room. Lo and behold, next to the body the three find a suitcase containing a million pounds, and after some debate, they decide to keep it and bury its previous owner in--you guessed it--a shallow grave.
Continue reading: Shallow Grave Review
The eerily and utterly empty streets of a looted London in the early scenes of "28 Days Later" are a perfectly chilling primer for the gritty neo-B-movie horror to follow in this incisive, underground-styled revival of the zombie flick genre.
Seen through the eyes of Jim (Cillian Murphy), an injured bicycle messenger who has just awoken from a coma in a deserted hospital, it seems as if he's the last person alive as he stumbles alone down street after echoing street in stolen scrubs and tennis shoes, bellowing "Helllloooo!" and getting no response except from frightened pigeons.
But he's not alone. Oh, boy is he not alone.
Continue reading: 28 Days Later Review
"Gone in 60 Seconds" wants to be a dusky, adrenaline-driven joy ride of car chases and ultra-cool criminal heroes, but it's so bland that it only manages to be exciting for about 20 seconds at a time.
This year's brain-dead summer action entry from producer Jerry Bruckheimer -- king of expensive, MTV-edited, cookie-cutter, popcorn crap pics for the easily entertained ("The Rock," "Con Air," "Armageddon") -- it stars Nicolas Cage as Memphis Raines, a reformed car thief forced back into "the game" when his inept younger brother (Giovanni Ribisi) bungles an assignment to swipe 50 rare cars for smuggling overseas.
A furniture-obsessed mobster ("They call him The Carpenter. He's bad. Really bad."), played by former art film denizen Christopher Eccleston, has threatened to kill Ribisi if Cage doesn't deliver the same 50 cars in 72 hours. So he abandons his modest, honest job running a go cart race track in a desert town and re-assembles his old crew of generically eccentric tough guys from central casting (with oh-brother nicknames like Mirror Man, Tumbler, The Sphinx), and one sexy tomboy ex-girlfriend (Angelina Jolie in a blond dreadlock wig), to pull off the heists -- all in one night.
Continue reading: Gone In 60 Seconds Review
Abandon the deep-seeded sexual-social metaphors and waterdown the ick factor, and DavidCronenberg's "eXistenZ" could be aSci-Fi Channel movie.
Something of a cautionary tale about the future of virtualreality, featuring seamless multiple-layer story-within-story scenarios,Cronenberg's foundation here is the kind of what-is-reality? plot linethat has also been the basis of dozens of "Outer Limits" episodesand several recent feature films ("Dark City," "TheMatrix").
But because "eXistenZ" has been born of the mindof North America's most intelligent, off-the-wall auteur, there's so muchmore going on here, including themes of terrorism, experimental sexualityand humanity merging with technology (and vice versa).
Continue reading: Existenz Review
Determined to get to the bottom of her happy hippie sister's inexplicable suicide, a wistful teenager (Jordana Brewster) travels to Europe in 1977 with a fist full of postcards she uses to trace what happened seven years before, during her older sibling's last days.
A fondly crafted adaptation of a Jennifer Egan novel, "The Invisible Circus" is an absorbing story about hope, youthful ardency and shattered illusions that creates a bonding empathy between the audience and its pensive young heroine.
As soon as she turns 18, Phoebe (Brewster), who has been haunted by her sister's death all throughout her teens, disappears from her San Francisco home, leaving her alienated mother (Blythe Danner) an apologetic note, and flies to Amsterdam with little more than a backpack and her tenacity.
Continue reading: Invisible Circus Review
Date of birth
16th February, 1964
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