Long before Harry Potter - or his parents - took up residence at Hogwarts, there was a student called Newt Scamander. An inquisitive boy who was constantly on the lookout for new magical creatures found himself being expelled from the school for endangering the lives of the pupils. Though Newt was expelled for his actions, a certain teacher going by the name of Albus Dumbledore stuck up for the young wizard.
Long before the time of Harry Potter, wizards and witches still lived their lives in the muggle world as well as the wizarding world that was still governed by the ministry of magic.
Even though 'he who shall not be named' wasn't causing chaos for the wizards, they still had problems of their own. Largely these were monsters and beasts that come from far and distant lands. Newt Scamander is one particular wizard who is fascinated by these creators and when a selection of these terrible beasts are mistakenly released into the muggle world, Newt finds himself suddenly thrown into untrodden territory.
Fantastic Beasts and Where to Find Them was originally written as a book by JK Rowling. The book studies 83 of these mystical creators all of which Newt has discovered.
True Detective season 2 is getting closer...
The first teaser trailer for True Detective season 2 has premiered online, with Colin Farrell taking center stage as the compromised detective Ray Velcoro. The first season of the show was a monster hit, with Matthew McConaughey and Woody Harrelson turning in stellar performances to compliment Nic Pizzolatto's taut script.
Colin Farrell plays detective Ray Velcoro in True Detective season 2
Season two stars co-stars Vince Vaughn as Frank Semyon, a criminal and entrepreneur in danger of losing his life's work. Rachel McAdams plays Ani Bezzerides, a Ventura County Sheriff's detective at odds with the system she serves, while Taylor Kitsch plays a war veteran and motorcycle cop for the California Highway Patrol who discovers a crime scene which triggers an investigation involving three law enforcement groups.
Continue reading: 'True Detective' Season 2 Debuts Eerie, Slick Trailer
Vince Vaughn and Colin Farrell. This should be interesting.
Another one of those True Detective rumours has been confirmed – Vince Vaughn has indeed signed on for a part in the show’s second season. HBO confirmed that news that Vaughn and Colin Farrell will co-star in the brand new story that Nic Pizzolatto and co. are working on. There’s a twist though – Vaughn and Farrell will not join forces onscreen, a la Rust and Marty. Instead, Vaughn will play the criminal to Farrell’s cop character. Irish actor Farrell, 38, will star as compromised detective Ray Velcoro and Vaughn, 44, will star as criminal mastermind Frank Semyon in the drama’s next run.
Vaughn fits in with True Detective's strategy of casting older, established film actors, which helped the first season's popularity.
Specifically, the latter will take on the role of a “career criminal in danger of losing his empire when his move into legitimate enterprise is upended by the murder of a business partner” – description courtesy of HBO’s statement, via Entertainment Weekly.
'True Detective' season 2 will feature Colin Farrell as the anti-hero type cop, with Vince Vaughn playing the chief antagonist.
After months of rumors, speculation and a drip-feed of information for Nic Pizzolato and individuals connected with HBO, we've finally got some solid information on what we can expect from 'True Detective' season 2. Filming is set to go ahead in October, with Colin Farrell and Vince Vaughn the most high profile stars.
Colin Farrell will take the reigns from Matthew McConaughey on 'True Detective' season 2
According to a new HBO press release - which confirmed both actors for the roles - the plot will revolve around a murder that police officers and a criminal must navigate around for their own sake. We now know that Farrell will play Ray Velcoro, a "compromised detective whose allegiances are torn between his masters in a corrupt police department and the mobster who owns him," while Vaughn has been cast Frank Semyon, "a career criminal in danger of losing his empire when his move into legitimate enterprise is upended by the murder of a business partner."
Colin Farrell is the first cast member to be announced for 'True Detective' season 2.
Irish actor Colin Farrell has confirmed he will star in the second season of HBO's 'True Detective', ending months of speculation that linked the likes of Brad Pitt and Christian Bale with the role. Speaking to Ireland's Sunday World, Farrell said: "I'm doing the second series. I'm so excited."
Colin Farrell is in True Detective season 2
The news won't come as a huge surprise to fans that have followed the rumors. Back in July, The Wrap reported that Farrell was "in talks" for a key role in the series and that he was likely to be joined by Taylor Kitsch and Vince Vaughn.
The cast of HBO's latest runaway hit is beginning to take shape.
Big news, True Detective fans! The latest cast announcement from HBO’s runaway hit is that Colin Farrell will join the lineup starting next season. Farrell made the announcement himself, saying he was “so excited” about the role in an exclusive for Sunday World, an Irish newspaper.
Meet your new True Detective star.
For the second season, Farrell will find himself in the midst of a whole new plot alongside an entirely different cast. With the conclusion of the plot from season one, showrunner Nick Pizzolotto has crafted an entirely new story for True Detective’s next outing. Rumors have been flying around about the show’s possible new stars, but Farrell is the first confirmed actor to join the show.
As True Detective season 2 gears up, the first is still mopping up the awards
Having just processed the latest True Detective season 2 plot rumors, we saw the show pick up the TCA award for Best Miniseries (Emmy rules don’t apply), while Matthew Mcconaughey walked away with the male acting gong. Scroll down for the full list of winners.
Matthew McConaughey stars as Rust Cohle in True Detective
He beat out Bryan Cranston who polished of the role of a lifetime as Walter White in Breaking Bad’s fifth season. But McConaughey’s 8-episode stint as Rustin Cohle, the lone wanderer prone to existential mumblings, didn’t surprise anyone, such is the quality of writing on HBO’s hauntingly gothic miniseries.
The Hunger Games shoots in Paris, Warren Beatty films his Hughes biopic in L.A., and Rachel Weisz and Colin Farrell hit the set in Dublin. Trailers reveal more of The Expendables 3 and the Ninja Turtles reboot. And there's a back-stage glimpse of The Giver, while new clips build anticipation for X-men: Days of Future Past...
In Paris, Jennifer Lawrence was caught on camera as she shot scenes for The Hunger Games: Mockingjay Part 2 involving a huge crowd of elaborately costumed extras. The hotly anticipated Mockingjay Part 1 opens this coming November, with Part 2 coming in 2015. Check out photos from 'The Hunger Games: Mockingjay - Part 2' film set in Paris - May 2014.
Meanwhile in Los Angeles, Warren Beatty was shooting his new Howard Hughes movie out on the streets where photographers caught Matthew Broderick and a glammed-up Lily Collins at work. The still-untitled film centres on an affair the elderly Hughes (played by Beatty) had with a younger woman. Costars include Annette Bening, Martin Sheen, Alden Ehrenreich, Brooklyn Decker, Oliver Platt and Candice Bergen. The film will be out next year. Take a look at the photos of Lily Collins and Matthew Broderick prep for filming 'Untitled Warren Beatty Project' - May 2014.
Colin Farrell - Variety's Creative Impact Awards And 10 Directors to Watch Brunch Presented By Mercedes-Benz At The 25th Annual Palm Springs International Film Festival - Palm Springs, California, United States - Sunday 5th January 2014
Colin Farrell and Ewan McGregor - 25th Anniversary Palm Springs International Film Festival held at the Palm Springs Convention Center - Arrivals - California, United States - Saturday 4th January 2014
Osbourne appeared on British chat show 'The Graham Norton Show' where she revealed that she has had her lady parts tightened
Sharon Osbourne isn't exactly known for being closed off or unwilling to delve into her private life and when she appeared on the BBC's The Graham Norton Show earlier this week, Sharon lived up to her billing as an open book. Discussing plastic surgery procedures, Sharon revealed that she has been under the knife, but not necessarily where you'd expect the knife to go.
Sharon is no stranger to the plastic surgeon's knife
Osbourne was a guest on the show on Friday, 29 November, with the interview going to air on 7 December. Whilst on the show, Osbourne was complimented on her looks by host Graham Norton when she revealed that she is no stranger to the surgeon's scalpel. Admitting to having gone under the knife to keep her youthful looks, Sharon went on to explain that she has also had a few other procedures done, including having her "vagina tightened."
Colin Farrell - The Hollywood Foreign Press Association (HFPA) And InStyle 2014 Miss Golden Globe Announcement/Celebration At Fig & Olive - West Hollywood, California, United States - Friday 22nd November 2013
The 'Phone Booth' actor could be in line for the fantasy role.
It’s pretty simple: if millions upon millions of people are playing a videogame, it’s time to push the envelope and turn that videogame into a film. The franchise is developing nicely, and Deadline has reported that a cast is beginning to assemble, with Colin Farrell and Paula Patton heading it up.
Is Farrell mulling over a role in Warcraft?
According to the ever-reliable film site, Farrell has been offered the role, but it’s not certain whether he’ll accept or not. In fact, sources have suggested that the chances of him adopting the role are 50/50. Director Duncan Jones is reportedly testing out other high-profile stars in case his first choice doesn’t bite.
Continue reading: Warcraft Movie Update: Colin Farrell And Paula Patton Handed Leads?
Colin Farrell talks about what it's like to make the transition from live action to animated film with his new movie 'Epic' in an interview during the movie's premiere.
Whilst filming a press junket interview for the actor’s new film, the trio of stars were asked to read lines from a mock-audition for the Honey Boo Boo Movie, with all exceeding in their roles. The show, which airs on The Learning Channel, teaches viewers how a Georgian family go about their daily lives and struggles, with the actors reciting some awe-inspiring lines lifted directly from the show including: “My momma has told me in the past that if you fart 12-15 times a day, you could lose a lot of weight, so I think I'm gonna lose a lot of weight.”
Marty is a budding screenwriter in LA with hopes of completing his major screenplay 'Seven Psychopaths' but involuntarily gets mixed up in his friends Hans and Billy's career of dog kidnapping; a way of earning money that involves stealing people's pet pooches and returning them some days later to claim the reward. Billy is an actor and Marty's best friend who tries desperately to keep him safe when he is almost killed after Billy and Hans steal the much-loved Shih Tzu of unhinged gangster, Charlie; a man whose fury and devastation at losing his dog is enough drive to execute whoever he thinks is involved. Hans is religious with a violent past but now recognises non-violence as a better way to live. However, he, Billy and Marty will struggle avoiding violence at the hands of Charlie especially as they choose to ignore their worried and annoyed girlfriends' suggestions to return the dog.
'Seven Psychopaths' is a wonderful crime comedy that spoofs the trend of all the serious gangster movies that have been released this year. Directed, written and produced by the Oscar winning Martin Mcdonagh ('In Bruges', 'Six Shooter'), this star-studded flick is definitely one for dog lovers and gangster film lovers alike. It is scheduled for release in the UK this winter on December 7th 2012.
Starring: Sam Rockwell, Colin Farrell, Christopher Walken, Woody Harrelson, Abbie Cornish, Olga Kurylenko, Zeljko Ivanek, Tom Waits, Helena Mattsson, Gabourey Sidibe, Kevin Corrigan, Brendan Sexton III, Sandy Martin and Ronnie Gene Blevins.
High school nerd Charley Brewster is in his senior year of high school and dating the popular beautiful British exchange student, Amy. When fellow classmate Adam Johnson goes missing, Charley isn't bothered by this - Adam is most likely skipping class, in his opinion. But his best friend, 'Evil' Ed, is concerned.
Continue: Fright Night Trailer
Nick, Kurt and Dale (Bateman, Sudeikis and Day) are three friends who like their jobs but are tormented by their evil bosses (Spacey, Farrell and Aniston, respectively). When they decide they can't take any more abuse, they decide to do something drastic, hiring an inner-city hitman (Foxx) with an unprintable name and then trying to find key information about their bosses that they can use to bump them off. And of course nothing goes to even their pathetic attempt at a plan.
Continue reading: Horrible Bosses Review
In 1939 Poland, Janusz (Sturgess) is charged by the Soviets with spying and sent to a Siberian gulag. In the middle of the bitter winter, he and six other prisoners manage to escape: veteran American (Harris), hothead Russian criminal (Farrell), helpful comic (Bucur), artist (Potodean), nice-guy Latvian (Skarsgard) and night-blind youngster (Urzendowsky). The first 300 miles to Lake Baikal almost kills them, but they've only just begun the 4,000-mile trek to freedom in India. And they've also picked up a young Polish girl (Ronan).
Continue reading: The Way Back Review
For anyone in the 1940 being held prisoner in a Siberian gulag they knew their lives might not last much longer, when seven inmates hatch -and successfully carry out - a plan to escape under the cover of a blizzard they do not know what their next move will be. Surrounded by unforgiving terrain and traitorous weather conditions, the group decide their only hope is to walk to safety.
Continue: The Way Back Trailer
Bad Blake (Bridges) is a successful 57-year-old musician whose career and personal life have been derailed by alcoholism. Playing to bowling alleys and bars across New Mexico, he's interviewed by a journalist Jean (Gyllenhaal) and is surprised when a spark of attraction develops between them. His next stop is Phoenix, where he plays a gig with former band member Tommy Sweet (Farrell), who's now a mega-star but hasn't forgotten the debt he owes to Bad. The question is whether Bad can get himself together long enough to make either relationship work.
Continue reading: Crazy Heart Review
Travelling showman Parnassus (Plummer) performs on the backstreets of London with his lively troupe: his elfin daughter Valentina (Cole), the eager Anton (Garfield) and the tiny Percy (Troyer). One night they encounter an amnesiac, Tony (Ledger), who joins the gang and suggests modernising the show to attract a better audience. What Tony doesn't know is that Parnassus has made a pact with the devilish Nick (Waits), buying immortality in exchange for Valentina's soul on her 16th birthday, which is coming soon. And Tony has some secrets as well.
Continue reading: The Imaginarium Of Doctor Parnassus Review
Director Gavin O'Connor certainly understands the difference between the two. Though Glory lays out a complex yet solvable mystery, it's far more interested in loyalty and the familial bonds that exist among lifetime police officers. It also wears its adoration for the badge -- and those who wear it -- on its sleeve.
Continue reading: Pride And Glory Review
Writer/director McDonagh has dabbled in fairy tales before, in his grimly funny and ultraviolent stage plays like the Tarantino-esque The Lieutenant of Inishmore and, particularly, The Pillowman, which knocked Broadway audiences for a loop back in 2005 with its mix of bloody, Grimm-like Germanic storytelling and anonymous, Kafkaesque modernity. With his feature directorial debut (his short film, Six Shooter, won an Oscar in 2006), McDonagh takes his particular theatrical affinity for finding cockeyed laughs in horrendous situations and creates a precisely structured and knock-you-down hilarious comedy of violence with a film that (hopefully) announces a great new cinematic talent.
Continue reading: In Bruges Review
Cassandra's Dream is Allen's most grim and uncomfortable film to date, surpassing even Crimes and Misdemeanors and Match Point. At least in those films the upper class criminals get away with their deeds and get on with their lives (however psychically diminished those lives may be). Not so in Cassandra's Dream, where two lower-middle-class brothers commit a dark crime (almost a British translation of Before the Devil Knows You're Dead) that not only shatters their humanity but also destroys their family ties and much more.
Continue reading: Cassandra's Dream Review
Twenty-year-old aspiring Italian-American writer Arturo Bandini, Fante's literary alter ego, is brash yet sensitive, fundamentally moral yet driven by an unquenchable, uniquely American thirst for love, lust, and romantic adventure. Bandini's conflicting values jolt and jostle inside him, finding expression primarily through Bandini's typewriter, as he tries to alchemize his experiences into fiction.
Continue reading: Ask The Dust Review
Malick ended the silence which followed his fantastic 1970s one-two punch of Badlands and Days of Heaven - airy, wind-swept paeans to wide-open skies and the loneliness that lies like a bruise on the land beneath them - with 1998's star-stuffed adaptation of James Jones' battle epic The Thin Red Line. It would have been the World War II movie to end the century with, but for a little something called Saving Private Ryan, out that same year. Up against Ryan's self-consciously stomach-churning gore and herky-jerky camerawork, not to mention its resolutely action, action, ACTION! pacing, Malick's moony meditation on the thin line (if any) between civilization and savagery couldn't help but come off as impossibly arch. Never mind that Malick's battle scenes were even more vicious and realistic than Spielberg's, given their eschewing of comforting action film tropes in favor of pure hot chaos. A strike (well, several strikes) against Malick was his habit of telling the story via overlapping voiceovers, as each of the characters thinks Big Important Thoughts about life and war and love. By jettisoning Jones' pungent prose, all the characters ended up sounding exactly the same, like Malick just thinking aloud in the sort of white-noise pseudo-philosophical jumble that Godard litters his films with.
Continue reading: The New World Review
The story resembles one of those studio pictures of the 1940s and 1950s made famous by the likes of William Holden and Gary Cooper. Willis plays Col. William McNamara, the highest-ranking officer in German prisoner camp Stalag IV during the tail end of the WWII. McNamara retains the dignity of his fellow American soldiers held captive and silently plans to strike back against the enemy under the suspicious eyes of German Col. Werner Visser (Marcel Iures). When a murder occurs in the camp, McNamara sets in motion a plan of attack against his German counterparts by orchestrating a court martial headed by Lt. Tommy Hart (Colin Farrell), an Army desk jockey with a senator for a father who was recently captured in Belgium. As the tensions mount and sides are taken, both friend and foe uncover duplicities within their own ranks, values of lives are weighed against the duties of soldiers, and the question of honor versus freedom plays out to the final whopper of an ending.
Continue reading: Hart's War Review
What Intermission resembles just as handily, though, is an Irish Love Actually, which is to say it's like Love Actually with a lot more drinking and violence. This is unlikely to placate anyone who truly hated Love Actually and, as such, would require something on the order of a soccer riot to feel fully cleansed. But if you (like me) merely thought a few of those charmingly stammering Englishmen could use a good deck, Intermission is the punch-throwing, rock-chucking romantic comedy for you.
Continue reading: Intermission Review
Those days are gone. Now we have crap like Wild Wild West to pass for the western. And that record is not improved with the unbearable tale of American Outlaws.
Continue reading: American Outlaws Review
None of these leads really grabbed me, but then again, neither did The Recruit. It's a glossy and well-massaged thriller, designed to give you two hours of eye candy and gently massage your brain -- but not too much! After all, a fickle mass audience might be weighing their investment against the simplicity of Kangaroo Jack.
Continue reading: The Recruit Review
And from the looks of it, everyone stayed out of Veronica Guerin's way. The real Guerin (her story was previously made as the morose When the Sky Falls, starring Joan Allen) was a star columnist for Dublin's Sunday Independent in the 1990s who decided to start writing about the gangsters behind the explosion of drug trade sweeping across the city. As presented by Blanchett, Guerin was a pretty fearsome, fearless creature, not afraid to simply walk into Dublin's worst slums, stepping over the syringes carpeting the ground, and start asking questions of the junkies and even the dealers. She has a convenient stool pigeon in arch-criminal John "The Coach" Traynor (the marvelous Ciarán Hinds), whom she treats as an underworld rock star of sorts in her column, in exchange for information. It's an education in charm just watching Blanchett stalk into a room, fix on the person she needs to get something out of, be it The Coach, a friendly police detective, or even a member of Parliament, and just about always get what she wants. She's like a bulldozer in a sharp suit. And when Dublin's worst start pressuring her to back off the story - a fist to the face, a bullet through the window of her study - it just adds fuel to the fire.
Continue reading: Veronica Guerin Review
The premise is a mind-bending puzzle on the scale of Memento, courtesy of sci-fi legend Steven Spielberg and his first collaboration with a stellar Tom Cruise. It's also Spielberg's best work since 1993's Schindler's List and flirts with threatening Blade Runner and A Clockwork Orange as the best paradoxical utopic/dystopic view of the future.
Continue reading: Minority Report Review
It's those same sympathetic souls who'll most appreciate director Mark Steven Johnson's Daredevil, a lackluster introductory installment that remains faithful to the character's origins but drops the ball whenever the hero dons his fetishistic leather mask.
Continue reading: Daredevil Review
Fictionalizing and romanticizing the exploits of Old West outlaws has been a pastime of the entertainment industry since the day the James Gang robbed its first bank in 1866. From the pulpy serialized dime publications of the Old West itself to the rock'n'roll, brat pack Billy the Kid flick "Young Guns," horseback bandits have made for popular folk heroes.
It's a simple formula: Invent some noble cause that the outlaws are fighting for so they can be passed off as gallant, cast up-and-coming pretty boy actors in the leads, cast surly types as the law (and dress them in black), toss in a few gunfights riddled with hitchin' post clichés and a pretty lass to kiss just before the credits roll -- and voila! Instant Western.
"American Outlaws" is the slick Generation Y model from this blueprint, starring scruffy baby-face Colin Farrell ("Tigerland") as a Jesse James who robs banks to hurt Yankee railroad barons that done killed his maw when she wouldn't sell the family farm so they could lay down tracks.
Continue reading: American Outlaws Review
Spy movies generally fall into two categories: Intellectual thrillers or gadgets-and-stunts actioners. There's no point in expecting much more than amusement-park entertainment from the latter. But in a picture as ostensibly cunning as "The Recruit" -- about a rookie CIA spook hunting down a mole within the Agency -- the very least the filmmakers could do is not give away their supposed surprises with billboard-sized clues in every other scene.
From almost his first line of dialogue, secret agent headhunter Al Pacino drums home two points -- "nothing is what it seems" and "everything is a test" -- with such deliberateness that long before any real intrigue begins, the film's litany of elementary plot twists is stretched out on the screen like a road map.
Since Pacino's purportedly promising young apprentice, a pretty-boy MIT programming genius played by Colin Farrell ("Minority Report"), can't seem to read these signs, he spends most of the movie three steps behind any astute moviegoer. So it's more than a little hard to believe it when he's plucked from spy school to go undercover at CIA headquarters, working to weed out a double agent while pretending to be a washout trainee who settled for a data-entry job.
Continue reading: The Recruit Review
The unnerving concept behind the almost riveting real-time urban thriller "Phone Booth" is chilling and inspired in its simplicity: An unseen sniper calls a pay phone and threatens to kill the man who answers if he dares to hang up.
It's the kind of idea Alfred Hitchcock could have spun into cinematic gold. But in the hands of high-gloss director Joel Schumacher ("Bad Company," "Batman and Robin") the film's intelligence and creativity have to fight for screen time with invasive popcorn-movie superficiality.
Although the story takes place almost entirely within an old glass-box telephone booth at 54th St. and 8th Ave. in Manhattan, "Phone Booth" opens in outer space with a superfluous shot of a communications satellite. A zoom in on the Earth follows, passing down through the clouds until it reaches the pay phone in question while a "Twilight Zone"-like narrator invites us to "meet the man who will be the final occupant of that booth."
Continue reading: Phone Booth Review
One might think that after 60 years of World War II pictures, big budget Hollywood's supply of fresh ideas for such ventures would be fully exhausted. But the court-martial-within-a-POW-escape drama "Hart's War" breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters.
Adapted from a novel by John Katzenbach, the film's recipe combines the prisoners' internal mistrust from "Stalag 17" with the wrongly-accused military trial from "A Few Good Men," leavened with a racial element and accentuated by a tunneling-to-freedom subplot from "The Great Escape" for good measure. Director Gregory Hoblit ("Frequency," "Primal Fear") proves himself a good cook, seamlessly blending these ingredients into a fresh and appetizing dramatic stew.
Talented but over-hyped Colin Farrell ("Tigerland," "American Outlaws") stars as Lt. Thomas Hart, a senator's son with no combat experience and a safe desk job in intelligence near the German lines in 1944. Captured in a roadblock ambush while escorting a commander back to the front, he's interrogated by the SS in a series of scenes that let the our imaginations get the worst of us.
Continue reading: Hart's War Review
It's anybody's guess what Oliver Stone was thinking by making a film about Alexander the Great that skips over nearly every historical event that earned him that moniker. Whatever his intent, in "Alexander" the director has concocted little more than a surface-skimming soap opera bloated with professorial exposition.
Star Colin Farrell, his hair dyed blonde and given a poufty 1970s "dry look," doesn't have much to work with in terms of character development because every event that shaped Alexander as a man, a leader and a warrior happens off-screen.
The film skips over his first battle commanding at his father's side, and skips over his pivotal creativity in that victory, which established his natural instincts on the battlefield. It skips over his father's murder (although two hours later Stone returns to it in a flashback), skips his ascent to the throne, pays only lip service to his mother's orders to execute his half-brother, and gets the facts wrong about the death of that boy's mother -- his father's more favored wife.
Continue reading: Alexander Review
Before I launch into what could read like an unabashedly positive review of the Steven Spielberg-Tom Cruise sci-fi collaboration "Minority Report," let me get off my chest the two things that ultimately torpedo the movie's excitement and stylistic brilliance. Both problems come toward the end of the film, but I'll be vague so as not to spoil anything.
1) The whole plot resolution hinges on that tired and idiotic cliché of an antagonist giving himself/herself away through a verbal slip-up. ("Wait a minute!" replies a protagonist, "I never said...")
There is just no excuse for this kind of screenwriting shortcut in this day and age. It's an insult to intelligent moviegoers, especially in a film that is so enthralling until such bogus Hollywood gimmickry leaves it with a bad aftertaste.
Continue reading: Minority Report Review
When even the dynamic, charismatic, scenery-chomping Samuel L. Jackson seems so bored that he might as well be phoning in his performance, you know your action movie is a lifeless failure.
For the first hour of "S.W.A.T.," an assemble-the-team super-cop movie long on testosterone clichés and short on everything else, there isn't even a plot -- just shopworn stock scenes recycled from 100 other cop movies. Shaky, pseudo-gritty "Cops"-style footage shows fearless tactical teams taking down violent bank robbers in a massive shoot-out! Order-disobeying heroes are chewed out and busted down to menial posts by WASPy, career-minded higher-ups who just don't know what it's like on the streets! Training montages set to grinding, angry-white-boy rap soundtracks that provide zero insight into what S.W.A.T. teams really do! Tons of laughably conspicuous soft-drink and fast-food product placement!
The movie's only capacity for holding one's interest in its first 90 minutes seems to be counting its stupid gaffes in common sense. Why, for example, do police sharpshooters at the robbery fire at a getaway driver through a car's windshield but don't even bother taking aim at a masked gunman standing in the open and firing at bystanders?
Continue reading: S.W.A.T. Review
Date of birth
31st May, 1976
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