Nicholas Sparks strikes again with yet another film based on a misty-eyed novel about tormented seaside romance in the romanticised American South. It's so trapped in Sparks' cliche-ridden universe that we know the entire plot right from the start, including expectations of a maudlin, possibly supernatural twist along the way and an over-sentimental climax. Fans of this sort of thing will love it, but everyone else will struggle to see it as anything more than simplistic rubbish.
The woman in peril this time is Katie (Hough), who is introduced while on the run, dying her hair blonde and jumping on a midnight bus out of Boston. When she arrives in a picture-postcard North Carolina fishing town, she takes one look at hunky shopkeeper Alex (Duhamel) and decides to stay. Not only is he handy with home repairs, but he has two smart, observant young children (Kirkland and Lomax) he's raising on his own. Even Katie's new neighbour (Smulders) thinks she should grab him while he's single. But she is of course running from something, and a tenacious cop Kevin (Lyons) on her trail.
In every movie based on a Sparks novel, we know exactly who is good and evil from the start. Sure enough, Kevin is clearly bad because he drinks vodka and is accompanied by menacing music every time we seen him. We also know there will be a surprise along the way, something that stretches the already fragile story logic beyond the breaking point. And in this film, it's also something cunningly designed to wrench tears from sensitive audience members. But everyone else in the audience will laugh at how inane it all is, bravely resisting the manipulative storytelling all the way to the happiest possible ending.
Continue reading: Safe Haven Review
He may have a point, but I don't think For Love of the Game is fundamentally a sports movie. Sure, suit Kevin Costner up in a baseball uniform and you might think you're looking at another Field of Dreams, but For Love of the Game is something we don't see a lot of. Allow me to explain.
Continue reading: For Love Of The Game Review
But I like Herek - a sort of populist Cameron Crowe - because he specializes in dreams and dreamers, yet still understands enough about pacing and characterization to prevent his films from drifting off into the stratosphere before they reach their natural conclusion. He may be light, fluffy and conventional, but his films contain an unforeseen element of stability and (as a result) respectability.
Continue reading: Life Or Something Like It Review
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