Notorious British filmmaker Nick Broomfield teams up with Austrian music documentary producer Rudi Dolezal to tell the story of Whitney Houston's tumultuous life. As the title suggests, what haunted the iconic singer most was an inability to live on her own terms. With strong echoes of 2015's Amy, this film presents a range of never-seen footage without commenting on it.
Broomfield assembles his movie around Dolezal's unfinished documentary about Houston's 1999 world tour, which turned out to be her final triumphant performances. As she travelled the globe, her world was unravelling around her. But the issues go back to her early childhood as a singing prodigy sculpted into a pop princess by her controlling mother, the gospel singer Cissy. And her record company maintained the popstar image. Meanwhile, her personal life was shaped by two key figures: her husband Bobby Brown and her manager-assistant Robyn Crawford, who clashed loudly about who should make decisions about Whitney's life. All of this led to crippling self-doubt, fuelled by a drug habit that had started when Whitney was a teen.
The story is edited out of sequence, circling around Houston's life. Much of the 1999 backstage footage is shockingly intimate, revealing aspects of the singer's personality and relationships with unexpected openness. And since it's accompanied by archive interviews and present-day comments from people who were there, each moment comes with a strong kick of resonance. The most striking interviewee is bodyguard David Roberts, who in 1995 warned the family of coming tragedy if they didn't make changes (he was sacked for speaking out of turn). Most glaringly absent are Brown and Crawford, who have simply refused to clear up the biggest rumours that have surrounded Houston's life, including the one relating to her sexuality.
Continue reading: Whitney: Can I Be Me Review
Michael Buble was told by David Foster, who has worked with the likes of Whitney Houston and Celine Dion, that his ''genre of music'' wouldn't sell well.
Michael Buble was told his music wouldn't sell.
The 'Haven't Met You Yet' hitmaker has revealed that David Foster, who has worked with the likes of Whitney Houston and Celine Dion, told him he would be happy to produce a record for him if he was to pay $100,000 a track.
He said: ''[David told me,] 'You will never be signed to my label, I will never produce you. You are talented but I see no record sales for this genre of music. To dismiss me, [Foster] said, 'For $100,000 a track, I will produce on spec a record for you, and because I'm an executive of Warner Bros they'll get first right of refusal. And then he pushed me out the door thinking he would never see me again.
Continue reading: Michael Buble Was Told His Music Wouldn't Sell
While the family of Whitney Houston chose not to attend the première of the late singer's biopic, the cast and various celebrities were seen in attendance.
It would probably be an understatement to say that Whitney Houston was a beloved musician. The singer, actress and model has been often hailed as the most awarded musician of all time, and whether you listen to her songs as part of the soundtrack for a critically-polarising movie or while dancing the year away on 31st December each year, Houston is still the only artist to have seven consecutive top charting singles.
In the upcoming Lifetime biopic, 'Whitney', the life of the performer and her relationship with husband Bobby Brown, is charted from the days of her humble church choir beginnings up until her tragic death from a combination of heart failure and drowning at the guest room of The Beverly Hilton. Coincidently, just a few blocks away from the site of her death stands The Paley Centre for Media - the site of the premiere for 'Whitney'.
Continue reading: The Stars Come Out At The Whitney Houston Biopic Première [Photos]
Yolanda Foster and David Foster - 2014 Pre-Grammy Gala & Grammy Salute to Industry Icons - Clive Davis at The Beverly Hilton Hotel - Beverly Hills, California, United States - Sunday 26th January 2014
Anna and Jacob are college seniors in Los Angeles. Jacob is studying design, while Anna is a British exchange student. Anna is instantly attracted to Jacob and so takes the risky first step of asking him out. She does this by placing a note on the windshield of his car. Jacob likes what he reads and later that night the pair embarks on an awkward first date.
Continue: Like Crazy Trailer
You can thank Short Circuit for all of this. Massively successful and influential in its era, it's a story of an evil military corporation vs. one man. Or rather, one robot who thinks he's a man: The now-infamous Number 5.
Continue reading: Short Circuit Review
Julie Christie, David Foster and Vimos Zsigmond - Julie Christie, David Foster and Vimos Zsigmond Los Angeles, California - Master of Ceremonies Bill Paxton hosts 'Into The Limelight' project - Eighth Annual Ojai Film Festival 2007 Friday 5th October 2007
The Fog is a terrible movie. Simply put, it sucks. It should have gone straight to video. No, even that is a better fate. It should have gone directly to the Sci-Fi Channel, the latest repository for "new" terrible films.
Continue reading: The Fog (2005) Review
When the core of our planet stops spinning on its axis - a reason is given, though it makes little sense - a motley crew of hastily-trained scientists must accompany two astronauts (Bruce Greenwood, Hilary Swank) to the Earth's center so they can jump-start our globe using nuclear weapons.
Continue reading: The Core Review
Continue reading: McCabe & Mrs. Miller Review
The story resembles one of those studio pictures of the 1940s and 1950s made famous by the likes of William Holden and Gary Cooper. Willis plays Col. William McNamara, the highest-ranking officer in German prisoner camp Stalag IV during the tail end of the WWII. McNamara retains the dignity of his fellow American soldiers held captive and silently plans to strike back against the enemy under the suspicious eyes of German Col. Werner Visser (Marcel Iures). When a murder occurs in the camp, McNamara sets in motion a plan of attack against his German counterparts by orchestrating a court martial headed by Lt. Tommy Hart (Colin Farrell), an Army desk jockey with a senator for a father who was recently captured in Belgium. As the tensions mount and sides are taken, both friend and foe uncover duplicities within their own ranks, values of lives are weighed against the duties of soldiers, and the question of honor versus freedom plays out to the final whopper of an ending.
Continue reading: Hart's War Review
Hopkins's performance aside, The Mask of Zorro somehow managed to keep itself afloat despite steamrolling through almost every action movie cliche in the books. In retrospect, The Mask of Zorro never loses its freshness precisely because we are continually presented with new formations of the action movie spectacle in a genre we haven't seen much of in a while. Part Robin Hood, part disaster movie, part young warrior in training movie, another part Robin Hood, Zorro seems to take the most classical elements of all of these action genres and put them together in a way that we know we've seen it all before, yet still enjoy the ride.
Continue reading: The Mask Of Zorro Review
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