Don Cheadle and Bridgid Coulter - Shots of a host of stars as they attended the premiere of Marvel's "Avengers: Age Of Ultron" which was held at the Dolby Theatre in Hollywood, California, United States - Tuesday 14th April 2015
Don Cheadle - Shots of a host of stars as they attended the premiere of Marvel's "Avengers: Age Of Ultron" which was held at the Dolby Theatre in Hollywood, California, United States - Tuesday 14th April 2015
Matt LeBlanc, Emmy Rossum, Don Cheadle and William H. Macy - Shots as Showtime celebrated the launch of new seasons Of TV shows "Shameless," "House Of Lies" and "Episodes" The event was held at Cecconi’s Italian restaurant in West Hollywood, California, United States - Tuesday 6th January 2015
Matt LeBlanc, Emmy Rossum, Don Cheadle and William H. Macy - Photographs as Showtime celebrated the launch of new seasons Of TV shows "Shameless," "House Of Lies" and "Episodes" The event was held at Cecconi’s Italian restaurant in West Hollywood, California, United States - Tuesday 6th January 2015
Don Cheadle and Bridgid Cheadle - Stars attend the pre-fight party ahead of the Mayhem: Mayweather vs. Maidana 2 fight held at MGM Hotel & Casino in Las Vegas, Nevada, United States - Saturday 13th September 2014
Michael Bearden, Anthony Anderson and Don Cheadle - The 6th Annual George Lopez Celebrity Golf Classic To Benefit The Lopez Foundation - Dinner Party - Toluca Lake, California, United States - Monday 6th May 2013
Tony Stark may be Iron Man, but he's feeling less than unbreakable these days. Plagued by nightmares and guilty feelings, he is forced to doubt himself and his ability to protect himself and the ones he loves against a new enemy; the formidably ruthless Mandarin. His doubts are only amplified when his world and his power source are brutally snatched from him and left to burn at the hands of his enemy and he is left with his own internal strengths and resourcefulness alone to find the perpetrator and end his reign of terror. Stark is finally made to confront himself and his superhero identity as Mandarin sets out to prove there are no real heroes in the world.
The third instalment of this Marvel adventure, 'Iron Man 3' is set to be the most hard-hitting of the movies so far with questions being raised less about Iron Man and more about the true Tony Stark and his deeper abilities. It has been directed by Shane Black (the writer of the 'Lethal Weapon' film series) who also co-wrote the comic action flick with Drew Pearce ('Lip Service', 'No Heroics'). It is set for a spectacular release in cinemas on April 26th 2013 in the UK.
Starring: Robert Downey Jr, Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley, Paul Bettany, William Sadler, Stan Lee, Yvonne Zima, Dale Dickey, Ashley Hamilton, Ty Simpkins & Spencer Garrett.
Continue: Iron Man 3 Trailer
Sergeant Gerry Boyle is a cop, working in a small town in County Galway, in the western part of Ireland, with a love of prostitutes, dropping acid on his days off and a dying mother. Whilst on the job, he doesn't follow the rulebook and he thinks that everyone he's met is an idiot.
Continue: The Guard Trailer
Three Brooklyn cops are confronting moral dilemmas on the job. Eddie (Gere) is a week away from retirement when he's asked to help a couple of rookies learn the ropes. But he'd rather just keep his head down. Tango (Cheadle) is deep undercover in a drug sting, threatened by a tough FBI agent (Barkin) to set up his childhood friend (Snipes). And Sal (Hawke) is looking to steal some drug-bust cash to top up his salary so he can look after his pregnant wife (Taylor) and children.
Continue reading: Brooklyn's Finest Review
After saving the world, cocky arms-maker Tony Stark (Downey) is riding on his laurels and fending off attacks from his smarmy competitor (Rockwell) and a pushy senator (Shandling). Then a mysterious Russian (Rourke) nearly kills him with technology that matches his own. But Tony has another secret problem: his mechanical heart is killing him. He won't confide in his faithful assistant Pepper (Paltrow) or his best pal Rhodes (Cheadle), but he prepares to leave everything to them. Then the shady Nick Fury (Jackson) offers him another option.
Continue reading: Iron Man 2 Review
Hotel for Dogs clearly wants to rank alongside films such as Anna to the Infinite Power, The Goonies, E.T., and Radio Flyer, films that balanced lighthearted playfulness with a darker, grittier reality. Like the recent Spiderwick Chronicles, Hotel for Dogs plays all the same Spielberg/Donner riffs (a cast of doe-eyed youngsters wise beyond their years dressed in corduroy and plaid, moments of adult menace cut with "oh, thank goodness" relief) and even apes the look of these early '80s flicks. Yet for all its nostalgic bravado, the film never feels more than surface, more than flash.
Continue reading: Hotel For Dogs Review
Samir Horn (Cheadle) was 12 when his cleric father was killed by a car bomb. After years struggling with Islam, he becomes an explosives expert, working within a radical faction. When FBI agents Roy Clayton (Guy Pearce) and Max Archer (Neal McDonough) storm their headquarters in Yemen, Samir and his cohorts are jailed. Soon, he is befriended by Omar (Said Taghmaoui) who recruits him to join his latest mission. Under the guidance of leaders Fareed (Aly Khan) and Nathir (Raad Rawi), Samir will construct 50 bombs, each one destined for a trip on a U.S. cross-country bus come Thanksgiving. As a man of conscience (and secrets), involvement in such a plot will test every fiber of his being -- and his loyalties.
Continue reading: Traitor Review
The smartest move on Braun's part was the selection of the people he structures his film around. Ahmed Mohammed Abakar is a Darfurian farmer forced by the fighting into a refugee camp where he serves as a de facto leader in exile. The Ecuadorian Pablo Recalde works with the World Food Program, organizing the seemingly impossible task of keeping the thousands of Darfurian refugees from starving to death in a harsh landscape swept by dry winds and the marauding government-backed Arab tribesman known as the janjaweed (literally, devils on horseback) who helped drive them there in the first place. Adam Sterling is a young UCLA student and waiter fighting with admirable determination and stubbornness to get a bill signed that would divest state of California funds from the Sudanese government, as a way of not indirectly funding genocide. Producer Don Cheadle, who co-wrote a book on the crisis called Not on Our Watch, is profiled as well for his efforts, along with a briefly appearing George Clooney, to increase awareness and to pressure governments which do a lot of business in Sudan, like China and Egypt, to divest.
Continue reading: Darfur Now Review
The first, Leon Ichaso's El Cantante, scrubs away crucial details when recollecting the life of salsa singer Hector Lavoe, leaving an empty shell that begs for further insight. But Talk to Me takes the opposite approach, constructing such a complete image of proud and passionate radio host Ralph Waldo "Petey" Greene that we immediately understand why the deep flaws in his personality could only have led to his downfall.
Continue reading: Talk To Me Review
Returning to the stage, the Ocean crew: Rusty (Brad Pitt) puts on scraggly facial hair to play a seismologist. Linus (Matt Damon) prepares to seduce a casino employee (Ellen Barkin), a task that, he insists, requires a prosthetic nose. Basher (Don Cheadle) mostly minds a giant piece of construction equipment, but impersonates a motorcycle daredevil on the fly as an elaborate distraction. The brothers Malloy (Casey Affleck and Scott Caan) are off to Mexico. George Clooney's Billy Ocean, as usual, acts as ringleader, which means a lot of standing around looking fabulous in suits, as well as one spectacularly well-timed eyeroll.
Continue reading: Ocean's Thirteen Review
Binder's bogus new film Reign Over Me is a nauseatingly shameless disaster about a reclusive widower grieving for the family he lost in the terrorist attacks. An inert Adam Sandler dons a disheveled Bob Dylan wig to play Charlie Fineman (Get it? He's not fine, man), a former Manhattan dentist whose wife and three daughters were on one of the planes that left Boston bound for Los Angeles. Because New York City is only five blocks wide (at least, in Binder's limited view), Charlie eventually crosses paths with his college roommate Alan (Don Cheadle) and the pretentiously somber movie tries to connect these lonely souls.
Continue reading: Reign Over Me Review
There is no better place for this examination than the culturally diverse melting pot of modern-day Los Angeles. In just over 24 hours, Crash brings together people from all walks of life. Two philosophizing black men (Ludacris and Larenz Tate) steal the expensive SUV belonging to the white, L.A. District Attorney (Brendan Fraser), and his high-strung wife (Sandra Bullock). A similar vehicle belonging to a wealthy black television director (Terrence Howard) and his wife (Thandie Newton) is later pulled over by a racist cop (Matt Dillon) and his partner (Ryan Phillippe). Soon, many of these people get mixed up with a Latino locksmith (Michael Peña), a Persian storekeeper (Shaun Toub), and two ethnically diverse, dating police detectives (Don Cheadle and Jennifer Esposito).
Continue reading: Crash (2005) Review
A kindred spirit of Taxi Driver's Travis Bickle ("God's lonely man") with politics, instead of prostitution, on his mind, Bicke fervently believes in honesty, upright morals, and a sense of decency and fairness. Unfortunately, his uncompromising idealism functions as a straightjacket, preventing him from performing the casual deceptions necessitated by his job as a furniture salesman or accepting the fact that his estranged wife Marie (Naomi Watts) must don a short miniskirt and tolerate customers' gropes to earn a living as a waitress. He resents the success of his tire salesman brother Julius, longs for the happy stability of living with his wife and three kids (who seem to fear him), sports fanciful dreams of starting his own tire business with an African-American friend (Don Cheadle's Bonny) and longs to join the Black Panthers (who he believes can relate to his supposed persecution). To Bicke, the world has been corrupted, and the only effective response - after sending Leonard Bernstein (a "pure and honest" man) his tape-recorded memoirs - is to orchestrate an attack on the White House via hijacked airplane that will, he imagines, awaken the world to American injustice.
Continue reading: The Assassination Of Richard Nixon Review
Bulworth is, in the kindest of words, an "homage" to that picture, and at least it has an excellent role model. Simply take the story about a TV newsman who goes nuts, stirs up controversy, and fatally angers the establishment and change it to a US Senator who does the same thing, and you've got Bulworth.
Continue reading: Bulworth Review
A harrowing and thought-provoking film, Traffic revolves around three intertwining stories of cops, thugs, victims, enforcers, politicians, and the judicial system. The film is based on a British Channel 4 miniseries called Traffik, which traced a drug route from Pakistan through Europe and to Great Britain. Laura Bickford, one of the producers for Traffic, was attracted to the original miniseries because of the intersecting stories, the social commentary on drug usage, and the implication of The System itself being the major perpetrator of drug addiction.
Continue reading: Traffic Review
But when this good-natured Wall Street mega-titan puts his life on the line to save a convenience store from a firefight, he makes a big mistake. Because that kid with the pistol (Don Cheadle) is no ordinary hoodlum -- he's some kind of wacky angel or ghost-of-Christmas-in-a-parallel-universe or something. And little does Jack know, as he lay himself down to sleep on Christmas Eve, that he'll wake the next morning to the life he could've had if only he'd married his college girlfriend (Téa Leoni, Deep Impact) instead of following his ambition to become one of the world's richest, most powerful men.
Continue reading: The Family Man Review
In a vain attempt to copy the success of The Matrix, Silver has delivered another turkey of a summer movie. In Swordfish, John Travolta -- who has the largest face in the world and looks like a troll with his Eurotrash haircut -- stars as Gabriel Shear, a mysterious member of an equally mysterious black-op/covert government agency run by a U.S. Senator (Sam Shepard in one of his worse roles to date). And Gabriel is need of a hacker to, ahem, "construct a worm program, pop the firewall, upload the Trojan horse worm, and download the funds" from some shady backdoor government account with a $9 billion balance in order to fund some type of covert war on anti-American terrorism.
Continue reading: Swordfish Review
Twelve picks up 3 1/2 years after the surprisingly delightful original (er, remake), with our heroes living high on the hog on the spoils from robbing Terry Benedict's (Andy Garcia) Bellagio casino. Abruptly, Benedict finds them all -- Danny (George Clooney) is married to Tess in the suburbs, Frank (Bernie Mac) is running a nail salon, and so on -- and demands his money back in two weeks.
Continue reading: Ocean's Twelve Review
In 2020, the first manned mission to Mars is about to launch. Under the command of Luke Graham (Don Cheadle), the craft lands without a hitch, and within days they've made a startling discovery. A little radar probing turns up a strange metal just under the surface of Mars, and a mysterious disaster quickly wipes out the crew.
Continue reading: Mission To Mars Review
The premise is simple and well-known. Young "Dirk Diggler" ("Marky" Mark Wahlberg) is a busboy discovered in a Receda nightclub by a big-time porn flick producer (Burt Reynolds, in perhaps his best role ever). Mingling with the likes of Amber Waves (Julianne Moore, my fave actress), the innocent Rollergirl (Heather Graham, who doesn't have nearly enough screen time), and other bigshots of the biz, Diggler rises (so to speak) and falls as the porn industry ruptures during the dawn of the 1980s.
Continue reading: Boogie Nights Review
In 1994 an attempted genocide in Rwanda left over 1 million dead. The response of the international community was tepid, at best. The response of one hotel manager, however, was heroic. Hotel Rwanda tells his story with some insight, but perhaps too much restraint.
As the film begins, two tribes are at war. A Hutu majority faces a Tutsi insurgence. A disembodied voice on the radio fans the flames of hate, instigating Hutu violence against anyone even suspected of being Tutsi. None of this seems to affect Paul Rusesabagina (Don Cheadle), a hotelier at the posh Hotel Mille Collines, which caters to European tourists and the local military elite. He keeps politics at arms' length, using his charm and skill with negotiation to please his clients and superiors. Whatever pull he has is kept in reserve for when he might need it for his own family in the future. This is especially important since, while he is Hutu, his wife Tatiana (an impeccable Sophie Okonedo) is Tutsi.
All of that changes once a coup replaces the moderate president with a Tutsi-hating junta leading an increasingly uncontrollable militia bent on genocide. Paul must hide his Tutsi relatives and friends in his hotel while the UN stands guard outside. As the situation worsens, his negotiating prowess must serve over 800 refugees, all of whom are only a favor or payoff away from execution.
Don Cheadle is outstanding as Paul, at first depicting his quiet ease as a businessman, then his desperation as everything he takes for granted begins to crumble. The moment comes when Paul realizes who his real friends aren't, and Cheadle's performance resonates the horror of what Paul has become and how completely he's been deceived. This, in turn, makes Paul's conviction all the more believable when he chooses to use his skills, at great risk to himself and others, to save as many Rwandans as possible.
Also serving well in a small but memorable role is Joaquin Phoenix, as a photographer who captures footage of the atrocities while recognizing the ultimate futility of their broadcast. "If people see this they'll say 'Oh, my God. That's horrible,'" he explains to Paul, "Then they go on eating their dinners." Nick Nolte makes a nice turn as a compassionate, but ultimately impotent UN peacekeeper. He points out just how little Paul and his people mean to the rest of the world. "You're not even a nigger," he tells him, "You're an African."
One of the things the film does very effectively is in pointing out the disconnect between the horrors taking place in Africa and the response of the world community. Paul tells his refugee residents that they must "shame" the world into taking action. Rwanda seems to be nothing more than an investment or a tourist destination to the powers that be. This is captured perfectly when, as the European guests of the hotel are evacuated and the Rwandans are left behind, a man on the exiting bus snaps a photo.
What the film doesn't do quite as effectively is capture the visceral horror of the event. It's very difficult to do a PG-13 film about genocide. To some extent, director Terry George pulls it off. The psychological strain is evident in Cheadle's performance and in the fear evoked in his guests by each new threat. But this is one of those rare cases where it seems the presentation isn't violent enough. It feels like the blow has been softened, and this is one punch that should not be pulled. In effect, the audience feels like they're being given the tourist version of the massacre instead of the real thing. Adding to this watered-down effect is the dialogue, which occasionally lapses into movie-of-the-week caliber. The story here is stronger than the actual screenplay, which is too bad, since this is a tale that deserves to be told with as much impact as possible.
The DVD includes two documentaries about the film and the massacre, plus commentaries from various players (including selected comments from Cheadle).
You must be at least this tall to participate in the junta.
Since his feature debut with sex, lies and videotape, Soderbergh has walked the tenuous line between art and entertainment. He very rarely insults his audiences' intelligence or sense of humor or style -- even when he busted into the Hollywood big time. Now, a year after picking up his Oscar for the epic Traffic, he shows his range by dipping back into his old cheeky, seductive comedic bag of tricks last seen in Out of Sight. He even brings back Sight leading man George Clooney as crew boss Danny Ocean.
Continue reading: Ocean's Eleven (2001) Review
An impressive ensemble cast lends strong character to acultural cross-section of Los Angeles denizens who are connected to eachother through crime, corruption, obligation, indignation and chance overa two-day period. The most powerful storyline features Matt Dillon andRyan Phillippe as beat cops -- one jaded and abusive, the other fresh andidealistic -- who pull over and harass (much to Phillippe's dismay) a blackyuppie couple (Terrence Howard and Thandie Newton) because the SUV they'redriving vaguely fits the description of a carjacked vehicle.
Within 24 hours, these characters all cross paths againin separate incidents of incredibly high tension that challenge both theprejudices that have formed between them and the conclusions we've beenled to as an audience.
Although they do not meet again, similarly potent table-turningand judgment-testing events occur in the lives of the actual carjackers(Larenz Tate and rapper Ludacris, whose character is ironically obsessedwith being stereotyped) and their victims, an ambitious district attorneyand his uptight wife (played with depth and conviction by Brendan Fraserand Sandra Bullock).
Continue reading: Crash Review
Casino boss Terry Benedict (Andy Garcia) has caught up with Danny Ocean's merry band of hipster crooks, and he wants his $160 million back -- with interest.
As "Ocean's Twelve" begins, the disbanded gang that cracked Benedict's "impenetrable" Las Vegas vault in 2001's Rat Pack remake has been backed into a collective corner and given two weeks to pony up. But that's the least of their troubles.
A cunning, foxy Europol detective (Catherine Zeta-Jones) -- and former love of the group's card shark (Brad Pitt) -- is barely half a step behind them (and sometimes half a step ahead) as they reunite to execute a string of elaborate heists on the Continent, hoping to hold off Benedict with the proceeds. What's worse, the Night Fox (Vincent Cassel), the world's most notorious cat burglar, is making a spiteful habit of hitting every safe and museum on their itinerary just hours (if not minutes) before Ocean's would-be plunderers arrive to do their thing.
Continue reading: Ocean's Twelve Review
Leave it to the sublimely inventive Steven Soderbergh to do a remake the right way around -- starting from a mediocre movie that didn't live it to its potential, then setting out to make it better.
Looking to have a little fun after his back-to-back successes of "Erin Brokovich" and "Traffic," Soderbergh gathered a gang of his favorite actors who were willing to work cheap and set his sights on a high-tech retooling of the forgettable Rat Pack casino heist caper "Ocean's 11."
Made in 1960, the original starred Las Vegas habituates Frank Sinatra, Dean Martin, Sammy Davis Jr., and Peter Lawford, who just showed up, said their lines and brought their joking, drinking and womanizing personalities with them. The movie had character and style, of course, but little else.
Continue reading: Ocean's Eleven Review
"After the Sunset" is a heist flick in which the audience is left out of the best part -- the logistics of the heist. Whose dumb idea was that?
Pierce Brosnan and Salma Hayek play an ace diamond-snatching couple who begin the film by pulling off their genre-traditional One Last Big Score, swiping a multi-million-dollar rock from an armored FBI transport -- and that scene is actually crackling with creative how-they-done-it details (unlike the rest of the movie), even if the circumstances themselves make no sense. Why would the FBI be transporting a diamond?
After that, they retire to live a quiet life of sunsets on the beach and piña coladas in a Jamaican resort town. The two talented stars take great joy in giving this criminal couple a sexy playfulness that goes beyond the fact that neither of them wears much once the action shifts to the Caribbean. But almost as soon as Brosnan's old FBI nemesis (Woody Harrelson) turns up -- hoping to lure the thief back into the heist life so the lawman can make the big bust that has always eluded him -- the movie springs a leak and begins a slow and torturous sinking.
Continue reading: After The Sunset Review
Director Brian DePalma's career has been sustained by making audiences remember the one or two ingenious scenes he slips into his otherwise mediocre movies.
What do you remember about "Mission: Impossible?" The silent, ceiling-suspended computer room break-in and the bullet train finale, right?
Can you recall much of "The Untouchables," other than the "Battleship Potemkin"-styled shoot-out on the Grand Central Station staircase? Me either.
Continue reading: Mission To Mars Review
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