E. Bennett Walsh

E. Bennett Walsh

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The Kite Runner Review


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Practically no other nation's modern history has been so rife with grief and shattered expectations as that of Afghanistan; a fact utilized to maximum effect by Marc Foster in his adaptation of Khaled Hosseini's book club blockbuster The Kite Runner. Starting in the relatively chaos-free years before the Soviet invasion and concluding in the middle of the Taliban's theocratic lockdown, the film manages the difficult task of tracking massive historical upheavals while keeping tightly focused on the people forced to live through such tumultuous changes.

The character who ties the whole narrative together is Amir, a spoiled brat of a kid who turns into a spoiled writer as an adult only to grudgingly submit himself to the rigors of becoming a hero near the conclusion. In the mid-1970s, the young Amir (Zekiria Ebrahimi) lives with his prosperous father, or Baba, in a nice house in Kabul. Amir lives a pretty decent and sheltered life, his best friend, the fiercely loyal Hassan (played with emphatic nobility by Ahmad Khan Mahmoodzada), is the son of the family's head servant, and will do practically anything Amir wants. His Baba is a proudly educated and modern man, with his jazz records, turtlenecks, bottles of liquor, and well-kept Mustang; the last particularly beloved by the Steve McQueen-worshipping boys. Amir and Hassan are an excellent team when it comes to the fascinating Afghan take on kite-flying, where pairs of boys get into high-altitude duels, trying to cut the strings of their opponents kites (the sport was later banned when the Taliban came to power).

Continue reading: The Kite Runner Review

E. Bennett Walsh

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E. Bennett Walsh Movies

The Kite Runner Movie Review

The Kite Runner Movie Review

Practically no other nation's modern history has been so rife with grief and shattered expectations...

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