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5 To 7 Trailer

Arielle and Valéry don't exactly have a conventional marriage, they're happy enough and have two children together but they openly embrace the company of other extramarital partners - well, that is as long as the relationship doesn't involve kissing or any other physical contact.

When a chance meeting leads Arielle to make friends with gifted writer Brian, they instantly have a connection. He's quiet and much longer than the French mother, but it's obvious that both Arielle and Brian would like to meet again.

As Arielle begins to tell Brian that she can see Brian again between the hours of 5 and 7 she opens up to the youngster tells him about her French diplomat husband and their children. The information is hard to digest for Brian but feeling that their friendship is worth exploring further, Brian agrees to Arielle's rules. As their relationship deepens, Brian introduces Arielle to his parents; although obviously older than their son, she's a beautiful woman who both can see making their son happy - that is until they find out about the peculiar arrangement. As the pair grow closer, a relationship with no physical bond becomes ever harder. 2 hours a day isn't enough time for Brian and he wishes for far more than he knows he should morally ask for. Is there a way for Arielle and Brian's relationship to work?

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Leaked Documents Show Alternative Castings For Tarantino's 'Pulp Fiction'

Quentin Tarantino Samuel L Jackson John Travolta Bruce Willis Uma Thurman Christopher Walken Tim Roth Rosanna Arquette Harvey Keitel Eric Stoltz Amanda Plummer

Pulp Fiction has long since passed into the annals of movie history, confirming its director Quentin Tarantino as one of the modern greats of cinema and becoming arguably the biggest cult film of the 1990s. But, according to leaked documents, it could have looked very different indeed, as it turns out that many of its stars may not have been Tarantino’s first choices for their respective roles.

His wishlist – which has not yet been officially confirmed as genuine by Tarantino’s reps – was leaked via Reddit on Tuesday (September 15th) and makes for extremely interesting reading. Consisting of two sheets of hand-typed paper, the biggest revelation is that John Travolta, who received an Oscar nomination for his role as gangster Vincent Vega, was not Tarantino’s first choice. Rather, he originally wanted Michael Madsen – who of course did star in his first movie Reservoir Dogs just two years before – to play the part.

Quentin TarantinoQuentin Tarantino's 'Pulp Fiction' might have looked very different, according to leaked documents

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Caprica Review

In the '70s, it was seen as a middling Star Wars rip-off, its story of hmans fleeing a deadly robot race nothing more than an excuse for cheap, made-for-TV effects. Now, three decades later, a revamped Battlestar Galactica has been hailed as one of the small screen's significant accomplishments. With the five-year run of the original series now over and done with, creative team Ronald D. Moore and David Eick are prepping a new franchise that will follow the technology that gave birth to the android threat and the oddly contemporary battle between faiths and cultural diversity that surrounds the science. And from the 90-minute pilot movie for Caprica, it looks like the pair has parlayed their talents into another winner.

When their families are torn apart by a terrorist act, robotics tycoon Daniel Graystone (Eric Stoltz) and Tauron lawyer Joseph Adama (Esai Morales) come together to heal their obvious open wounds. And when the man behind the burgeoning Cylon technology learns that his late genius daughter Zoe (Alessandra Toressani) had devised a way of creating a "copy" of herself via a personality database, he vows to find a means of downloading that information into something more "physical." Because of his underworld ties with the Tauron mob, Graystone asks Adama for a favor. In exchange for a little corporate espionage, he will promise to bring his child back via the program. At first, Adama acquiesces -- not so much for himself as for his young son William (Sina Najafi). But as he confronts his criminal brother Sam (Sasha Roiz) over Graystone's request, he realizes that man is not meant to play God.

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Polly Walker and Eric Stoltz - Polly Walker, Eric Stoltz, and Paula Malcomson Sunday 20th July 2008 at Beverly Hilton Hotel Beverly Hills, California

Polly Walker and Eric Stoltz
Polly Walker

Some Kind Of Wonderful Review

Very Good
John Hughes isn't best known for Some Kind of Wonderful, but ode to highschool misfits has its adherants, and sure enough it's one of his more grounded and lovable films.

Not as depressing as Pretty in Pink, not as random as The Breakfast Club, the film is a typical Hughesian love triangle among the short-haired semi-butch drummer girl (Mary Stuart Masterson), the sensitive (yet poor) painter (Eric Stoltz), and the class beauty who doesn't have money but runs in rich circles (Lea Thompson). Masterson clearly pines for her best friend Stoltz, but he either can't see it or won't see it. Besides, Thompson has perfectly '80s red hair. Naturally, the beefy, Miami Vice-dressing boyfriend (Craig Sheffer) wants nothing more than to pummel the guy who's pining for his lady.

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Kicking And Screaming (1995) Review

Opening night of the Austin Film Festival and Screenwriters' Conference brought me this little gem, a story of five guys who just got out of college, the three women that float amongst them, and the question that haunts them all, "What the hell am I going to do with my life?"

I wouldn't look to Kicking and Screaming for the answer. Rather, the movie is a hilarious example of what not to do when you graduate. The guys, Chet (Eric Stoltz), Grover (Josh Hamilton), Max (Chris Eigeman), Skippy (Jason Wiles), and the show-stealing Otis (Carlos Jacott), can't seem to give up the college life. They hang out at college bars, woo freshmen, and sneak back into classes. Otis can't even seem to get out of his pajamas.

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Things Behind The Sun Review

Allison Anders not only has enough balls to revisit one of the worst experiences of her life in Things Behind the Sun, but she travels through emotional territory normally unheard of in films based on rape -- namely a male character who is a victim and a perpetrator at the same time.

As a woman, it is always difficult to watch a movie involving rape. When filmed realistically, as Things is, it's impossible to distance yourself from the onscreen pain. And when a film is not constructed with realism the result is anger from shoddy storytelling, or with a filmmaker failing miserably to grasp the emotional honesty in a situation they can't understand.

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The Honeymooners Review

In the 1950s, "The Honeymooners" helped establishthe most rancid cliche in American comedy -- the irresponsible husbandwith the long-suffering, much smarter wife who always forgives him forbeing a selfish jackass.

Jackie Gleason and Audrey Meadows pulled it off because1) they gave a certain tenacious chemistry to their characters' head-buttingmarriage, 2) Gleason had a gift for finding humor and humanity in unsympatheticroles, and 3) it was a simpler time, when idiotic get-rich-quick schemesweren't quite such a tiresome excuse for cheap laughs.

But none of this is true of the big-screen remake starringCedric the Entertainer as conniving New York City bus driver Ralph Kramden,who spends the whole movie lying to his waitress wife Alice (GabrielleUnion) while emptying their bank account to buy an antique train car (hethinks fitting it with tires is enough to create a money-making tour bus)or to race a stray greyhound at the local track.

Cedric may split sides with his stand-up routines and politicallyincorrect topical rants in the "Barbershop"movies,but here he's sleepwalking through a routine script full of uninspiredexposition ("All we need is $20,000 for the down payment..."),stereotypical characters (loud-mouthed mother-in-law), shopworn physicalgags (cayenne pepper ends up in someone's food), contrived conflicts (Ralphhas a falling out with Ed, his dim-witted plumber best pal played by half-stonedMike Epps), pop culture references ("You're just a regular UPN sitcom,ain't 'cha, Alice?"), lucky coincidences, and insultingly easy resolutionsto all life's problems.

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The Rules Of Attraction Review


Like an episode of MTV's barely-legal late-night dorm life soap "Undressed," with 20 times the creativity but without any more substance, "The Rules of Attraction" is a stylish, glib, endemically energetic diversion that's indulgently entertaining but could have and should have been deeper.

Enthusiastically adapted by Roger Avery (co-writer of "Pulp Fiction" and writer-director of "Killing Zoe") from the whimsically subversive novel by Bret Easton Ellis, it's a black comedy about the feral underbelly of modern campus life, full of cinematic invention but narrative superficiality.

Populated by teen-TV lightweight types trying to gain edgy credibility, "Rules" stars James Van Der Beek ("Dawson's Creek") in the movie's most resonant performance as antihero Sean Bateman, a deviant college cool-jerk -- who, for the trivia-minded, is the younger brother of the title character in Ellis's "American Psycho."

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The Butterfly Effect Review


In Spike Jonze and Charlie Kaufman's ingeniously idiosyncratic showbiz semi-farce "Adaptation" there is a running gag about a typically bogus Hollywood-thriller screenplay called "The 3," in which a preposterous, nonsensical twist ending reveals the three main characters to be different personalities in a schizophrenic's mind.

In this week's "The Butterfly Effect," a superficially chilling high-concept horror movie full of paradox-packed time-loop contortions, the entire plot depends on just such cursory twists, none of which stand up to much intellectual scrutiny.

Stoner-comedy staple Ashton Kutcher -- who, like a young Keanu Reeves, is hard to take seriously in any non-stoner role -- stars as Evan Treborn, a double-psychology major (snicker, snicker) working on an memory assimilation thesis inspired by blackouts he suffered as a child during several traumatic events.

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The House Of Mirth Review


Director Terrence Davies took a chance casting "The X-Files'" Gillian Anderson as the devastated heroine in his adaptation of "The House of Mirth," Edith Wharton's corset opera of turn-of-the-Century social politics.

But in her first 20 seconds on screen -- speaking in deliciously eloquent dialogue and looking stunning in plumed hats with veils, fur collared dresses, brooches and a parasol -- she erases any and all memory of Agent Scully, the TV alter-ego you probably thought would haunt the actress for the rest of her career.

A drawing room drama about the whispered politics and wily business of marriage in New York high society, the film is about a beautiful young socialite whose life becomes hampered with scandal, in part because she can't reconcile her heart with the fact that she must marry well to maintain her station.

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Eric Stoltz Movies

5 To 7 Trailer

5 To 7 Trailer

Arielle and Valéry don't exactly have a conventional marriage, they're happy enough and have two...

The House of Mirth Movie Review

The House of Mirth Movie Review

Draw near and bear witness to Gillian Anderson, a very successful television actress (The X...

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