With a tagline like "The Greatest Production Since The Birth Of Motion Pictures," you get a little something like the unmanageable monstrosity that Follies ultimately becomes. Structured as a series of unrelated vignettes, directed by different people (not to mention that screenwriting credit list), it's ultimately just a jumble of parts that add up to less than a whole movie.
Continue reading: Ziegfeld Follies Review
I'm being a little cruel, yes, but Boat is a pretty thin picture anyway and it doesn't merit a whole lot of sympathy. The story involves a misunderstanding (imagine that!) wherein Day is mistaken for a spy. Eventually she plays the part (when she isn't busy romancing Rod Taylor), when she isn't stuck in compromising positions with Dom DeLuise and/or Paul Lynde.
Continue reading: The Glass Bottom Boat Review
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James Righton's latest album is well-produced, well-arranged and put together very proficiently and professionally.