The pair star as the German scientist in the National Geographic series.
Johnny Flynn and Geoffrey Rush play Albert Einstein, young and old, in an extraordinary new biopic TV series entitled 'Genius'. Chock-full of recognisable British stars, the program delves deep into the life of the smartest man who ever lived in National Geographic's first scripted drama.
Johnny Flynn stars as young Albert Einstein in 'Genius'
The life of the German theoretical physicist is explored in more detail than ever before with National Geographic's latest series 'Genius'. It's an unusual and yet exciting turn for 34-year-old Johnny Flynn, who has only been acting as a serious career move for a few years.
Continue reading: Johnny Flynn And Geoffrey Rush Channel Their Inner Einstein For 'Genius'
Subtitled Salazar's Revenge in the UK, this fifth film in the long-running series never quite gets its sea legs. With a waterlogged script and a startlingly murky production design, this is the first movie in the franchise that lacks a sense of swashbuckling merriment. It's lively enough to keep the audience watching, but it never quite makes any sense because any sensible details are lost amid the chaotic action sequences.
It opens with Henry (Brenton Thwaites), son of franchise veterans Will and Elizabeth (Orlando Bloom and Keira Knightley in cameos), who is on a quest to free his father from his watery imprisonment. For this he needs Poseidon's trident, which only Captain Jack Sparrow (Johnny Depp) can find with his magical compass. Except that Jack has swapped the compass to buy some whiskey. Then Will meets the feisty Carina (Kaya Scodelario), who's star-reading skills will come in handy. But the vengeful Salazar (Javier Bardem) is also after the compass and the trident, hoping to reverse his own ghostly curse. And as things heat up, Captain Barbossa (Geoffrey Rush) dives into the pursuit as well.
What follows is a series of set-pieces in which these various factions scuffle for control of people and artefacts that can lead them in their quests for power. They all talk incessantly about the elaborately complex mythology, but it never makes any sense why each person knows only fragments of the lore. And it's also not easy to hear what they're shouting amid the general chaos of yet another epically choreographed fight scene. Thankfully, the actors are hammy enough to stand out from the sea of digital effects that fill the screen.
Continue reading: Pirates Of The Caribbean: Dead Men Tell No Tales Review
'Pirates of the Caribbean: Dead Men Tell No Tales' brings a new side to his character.
Captain Jack Sparrow may be the star of the show when it comes to the 'Pirates of the Caribbean' movies, but one pirate who doesn't get nearly enough credit for his wickedness and charisma is the formidable Captain Hector Barbossa played by Geoffrey Rush.
Geoffrey Rush stars as Captain Barbossa
The acting veteran reflected on the ever-changing personality and, indeed, career of his character, from being the greedy captain of the Black Pearl in the original 2003 movie and facing off against Jack Sparrow (Johnny Depp) to his becoming a rich 'corporate pirate' in the latest installment: 'Pirates of the Caribbean: Dead Men Tell No Tales' (also known as 'Salazar's Revenge').
Continue reading: Geoffrey Rush On The 'Transforming' Nature Of Captain Barbossa
It seems Captain Jack Sparrow has been sailing the seas as a pirate for many, many years, and in that time he's made a lot of enemies. As a young trouble-maker, he damned a pirate-hating adversary and his crew to a seabound immortality - and now Captain Salazar has returned to exact his revenge. Panic is afoot when it becomes clear that Captain Salazar has escaped his eternal torment at the bottom of the Devil's Triangle, and as much as Jack loves an adventure almost as much as he loves rum, this time he could truly be out of his depth. It will take more than his trusty compass to help him this time, but thankfully he has the help of a new headstrong maiden named Carina Smyth who happens to be a skilled astronomer, plus the return of his old friend Will Turner. Together they must uncover the Trident of Poseidon before Salazar does, and send the enemy back to their watery graves.
Forget Davy Jones' Locker and the Fountain of Youth, Captain Jack Sparrow is on an all new quest as he embarks on the hunt for the fabled trident of Poseidon. It may sound like he's set his sights far too high this time, but he's never failed the crew of the Black Pearl yet - and he really could do with a windfall right about now. To make matters worse, Capitan Salazar is back from the Devil's Triangle with his ghostly crew, and the trident is his only hope of stopping them. This time he's got the help of his old friend Will Turner, who is apparently free of his binding contract with The Flying Dutchman.
With a massive scale and a digital cast of thousands, this ancient Egyptian romp tries to be both a new version of those 1950s Biblical toga epics and a generous dose of camp silliness. The result will be a guilty pleasure for some in the audience, especially those who enjoy watching grown men leap around in short skirts. The actors are sometimes lost in the overwhelming animation, and the casting of Westerners as North Africans is more than a little dubious. But the script is smarter than it looks, and director Alex Proyas is clearly in a playful mood.
The premise conflates the golden age of the Pharaohs with the ancient world of Egyptian gods. And things kick off when the bitter god Set (Gerard Butler) launches a reign of terror by killing his brother, blinding his nephew Horus (Nokolaj Coster-Waldau) and taking over the mortal world, enslaving all humans. Horus' greatest fan is the muscly slave Bek (Brenton Thwaites) who, encouraged by his glamorous girlfriend Zaya (Courtney Eaton), sneaks into Set's palace and steals one of Horus' eyes. He then strikes a deal to help Horus assume his rightful throne. But this means travelling into the sky to confront his grandfather Ra (Geoffrey Rush), then teaming up with sneering god of wisdom Thoth (Chadwick Boseman) and duplicitous Hathor (Yung) to take on Set.
All of this is so ridiculous that it's difficult to stop giggling. And that seems to be part of the idea, as Proyas merrily cranks up the snarky wit in every scene, especially as he indulges in a series of ludicrous set-pieces that feel like videogames populated by toy action figures. The digital effects continually engulf the characters, transforming the gods inexplicably into animal-headed metallic robots. But they also create some genuinely gorgeous moments of spectacle, with sprawling landscapes and whooshing action. Basically, the actors have little choice but to hang on for the ride along with the audience.
Continue reading: Gods Of Egypt Review
When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset, non-more so than his wife Isis. Piecing her husband - and fellow god - Osiris back together, she manages to resurrect him for long enough to conceive Horus. So begins a lifetime of battles for the Kingdom.
Set, the brother of Osiris and god of storms, disorder and violence on one side and Horus, the son of Osiris on the other. When Set and Horus go head to head in combat, the mortal citizens of Egypt hope for one victor (Horus) but in a moment of weakness, Set makes his move and steals the eyes of Horus.
Soon after the downfall of Horus, Set takes over Egypt and enslaves the mortals, knowning there's little hope of being saved, one mortal hero decides to help steal the eyes of Horus back in order to gain the trust of the cast out god. To take the kingdom back (and save Bek's love), he and Horus face vast armies of mortals and immortal demons cast under Set's spell.
Continue: Gods Of Egypt Trailer
Utterly charming, this silly prequel rewrites the origin story of the minions and sends them on a series of adventures that are gently anarchic and refreshingly low-key for an animated blockbuster. The film has an unusually gentle tone, with some real visual artistry to it rather than the cookie-cutter story structure and imagery in most summer movies. And while it's not riotously funny, children will be mesmerised and adults will be smiling.
It opens at the dawn of time, as minions evolve into yellow pill-shaped sidekicks who serve their evil masters throughout history. When they find themselves without a leader, they try to build a society in an arctic cave, but something just isn't right. So Kevin, Stuart and Bob (voiced in Esperanto-style gibberish by director Pierre Coffin) head off to 1968 New York to find a villain to work for. There they hear about ruthless baddie Scarlet Overkill (Sandra Bullock), so they head to Villain-Con in Orlando to meet her. She's impressed by their loyalty and takes them to London to work with her inventor husband Herb (Jon Hamm) on a nefarious plan to steal the British crown from the Queen (Jennifer Saunders). But nothing goes quite as planned.
Since it's set in the 1960s, the filmmakers give the film a groovy vibe, with sun-drenched animation and hilariously colourful details in every scene. Adults are more likely to catch references to things like the Monkees, Hair or Bewitched, but kids will enjoy the general silliness, including lots of chances to sing along with the minions as they babble through classic tunes. Thankfully, directors Coffin and Kyle Balda resist temptation to use the standard animation formula, opting instead for a meandering pace, a less pushy moral message and action scenes that emerge from the plot, settings and characters. And the starry voice cast refreshingly disappears into the characters.
Continue reading: Minions Review
While there's a strong story in here about the power of literature and the fragility of life, this movie takes a far too wistful approach, so it feels like a cheesy bedtime yarn rather than a look at horrors of Nazi Germany. As a result, it's difficult to feel the full force of either the wrenchingly emotional events or the provocative themes.
Set in 1938, the story opens as irreverent 12-year-old Leisel (Nelisse) is taken away from her mother, who is accused of being a communist. She's then adopted by the childless couple Hans and Rosa (Rush and Watson). But while the cheerful artist Hans makes her feel at home, Rosa is relentlessly harsh. Leisel also reluctantly befriends neighbour boy Rolf (Liersch) and embarks on a series of adventures, including stealing books from Nazi book-burning rallies. But the mayor's wife (Auer) doesn't mind Leisel stealing books from her library. And when Hans and Rosa take in a Jewish refugee boy (Schnetzer), he encourages Leisel to start writing her own stories.
Oddly, director Percival softens every dark element in Petroni's screenplay. The Nazis are like school playground bullies, while the Allied bombings leave buildings in rubble but dead bodies bizarrely intact and peaceful. Even the setting looks like a fairy tale, with magical snowdrifts and fanciful spires. And the strangest touch of all is the cheery voiceover narration by Death (Allam), which turns the most horrific atrocities into a kind of wry eventuality. Watching brutal murder presented as a sort of poetic justice is deeply disturbing.
Continue reading: The Book Thief Review
The World War II drama 'The Book Thief' adapted from Markus Zusak's novel, hit theatres this Friday to a mixed reception.
'The Book Thief' is the latest Hollywood film adaptation to hit the big screen. The movie, which is based on the novel of the same name by Australian author Markus Zusak, was released this Friday and it depicts the harrowing time of Germany's Nazi-era. The World War II drama boasts an impressive cast which includes Geoffrey Rush, Emily Watson, and two upcoming stars, Sophie Nélisse and Ben Schnetzer.
Geoffrey Rush and Sophie Nélisse in 'The Book Thief'
The story follows a young girl called Liesel Meminger (Nélisse) who is first introduced to the audience by sitting next to her bothers gave, who recently died. It is there she discovers a book left behind by the grave-diggers and hides it under her coat.
Geoffrey Rush, Jane Menelaus, Academy Of Motion Pictures And Sciences and Academy Awards - Geoffrey Rush and Jane Menelaus Los Angeles, California - 83rd Annual Academy Awards (Oscars) held at the Kodak Theatre - Arrivals Sunday 27th February 2011
Colin Firth and Geoffrey Rush - Colin Firth and Geoffrey Rush The 54th Times BFI London Film Festival - The King's Speech - The 54th Times BFI London Film Festival - The King's Speech - Photocall Thursday 21st October 2010
Subtitled Salazar's Revenge in the UK, this fifth film in the long-running series never quite...
It seems Captain Jack Sparrow has been sailing the seas as a pirate for many,...
Forget Davy Jones' Locker and the Fountain of Youth, Captain Jack Sparrow is on an...
Jack Sparrow finds himself in constant trouble with the law; not only is his name...
With a massive scale and a digital cast of thousands, this ancient Egyptian romp tries...
When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset,...
Utterly charming, this silly prequel rewrites the origin story of the minions and sends them...
While there's a strong story in here about the power of literature and the fragility...
Liesel Meminger is a 9-year-old girl who is forced to be separated from her family...
For millions of years, the universe has been watched over by a group of noble...
Captain Jack Sparrow is back for another high seas romp and, despite the long running...
Momentous historical events add a remarkable kick to this fascinating personal drama, which is based...