Gilbert Gottfried

What everyone remembers, comedically speaking, is Genie, a blue whirling dervish of impressions and wisecracks as vocalized by Robin Williams in 100 percent inspiration, negligible perspiration mode. But Aladdin also features what may be the only tolerable role for Gilbert Gottfried, period: Iago, the cranky parrot sidekick of evil villain Jafar. Even Aladdin and Jasmine, while essentially bland, have likeably cynical streaks (Jasmine is disgusted by the parade of handsome princes sent to woo her, as if she's just finished watching a Disney movie marathon). These characters would have significant goodwill flogged away by a TV series and the pair of direct-to-video follow-ups that bookend it, but on its own, Aladdin is a rollicking good time. And although the contribution of Williams is immeasurable, the Disney team rises to the occasion with some terrific, fast-paced gagwork and visual mastery.

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Tracing its origins to vaudeville, this "comic's joke" is tantamount to a secret handshake among comedians and their friends. Although versions vary widely, it basically goes like this: A man seeking show biz representation walks into a talent agent's office and describes his family's act, which consists of various illegal and unspeakable activities including incest, bestiality, necrophilia, and an explosion of bodily fluids. After the man finishes, the appalled agent asks what this horrible act is called, to which the man responds, "The Aristocrats!"

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