Explore the life of one of the world's greatest visionary artists, Vincent Van Gogh, in a stunning biopic spanning his early life through to the last months before his suicide by gunshot wound in 1890 at the age of just 37. We see his world from the perspective of those who knew him the best, including his brother Theo and the postmaster Roulin. Of course, many people mocked him for his eccentricities, for he suffered badly with poor mental health for most of his life; one incident relating to which saw him cut off his own ear and subsequently become hospitalised. Ironically, he never sold any of his paintings, but his talent has lived through more than a century and his works are some of the most priceless pieces in the world.
Shot in the incredible, technicolour style of the Dutch Post-Impressionist artist himself, including animated versions of some of his most famous pictures, 'Loving Vincent' is the world's first painted biographical feature film. Written and directed by Dorota Kobiela ('The Flying Machine') and the Academy Award winning Hugh Welchman ('Peter & the Wolf') in his directorial debut, the making of the film was partially funded by a Kickstarter campaign to enable the training of oil painters in their pursuit of becoming painting-animators, eventually spanning 65,000 frames with a team of 115 painters. A further writing credit was also attributed to Jacek Dehnel.
'Loving Vincent' has already won several prizes including the Audience Award at Annecy International Animated Film Festival, two Golden Trailer Awards for Best Foreign Animation/Family Trailer and Best Foreign Graphics and a Golden Goblet at the Shanghai International Film Festival for Best Animation Film. It was also nominated for the People's Choice Award for Best Narrative Feature at Melbourne International Film Festival.
Continue: Loving Vincent Trailer
Skilfully written, directed and acted, this offbeat British period film tells a story that catches our attention with its vivid characters and original setting. Based on real people and situations, it also rings unusually truthful in its combination of comedy and drama. It's another remarkably observant movie from Danish director Lone Scherfig (An Education).
The setting is 1940s London, where the Ministry of Information has assembled a team to make movies to help with the war effort. Catrin (Gemma Arterton) is a secretary who finds herself assigned as a screenwriter, working alongside Buckley and Parfitt (Sam Claflin and Paul Ritter) to write movies for veteran actor Ambrose (Bill Nighy). When Catrin discovers a story about twin sisters who participated in the Dunkirk boatlift, she proposes it as a film idea, and soon the entire crew goes into production, adding an American soldier (Jake Lacy) to the cast to accommodate the wishes of US military allies. This annoys Ambrose, who had been hoping to play the hero himself.
Scherfig directs the film with a light touch that brings the period to vivid life and never bogs down in the intensity of wartorn Britain, recognising the reality while undermining it with brittle humour and messy romance. Catrin has an artist husband (Jack Huston) who isn't happy about her new job, and there are hints of a romantic-comedy subplot between Catrin and Buckley.
Continue reading: Their Finest Review
Audiences looking for a French historical costume drama should look elsewhere, but those who enjoy British period comedies will love it. With a pointed dash of history and politics, this is a silly movie about social status, and it's so well written and played that only cynics won't have a lot of fun with it. Thankfully, the talent both in front of and behind the camera keep the focus on the lively characters, which makes it engaging on a deeper level than expected.
The fictional story is set around real events in 1682 France, as King Louis XIV (Alan Rickman) was planning to move his court from Paris to Versailles, a vast palace still under construction. The final project there is the expansive garden, which landscaper Andre (Matthias Schoenaerts) has to complete on deadline and under budget. And everyone is shocked when he hires the little-known Sabine (Kate Winslet) to build an outdoor ballroom and fountain. But he has been smitten with her skill and passion for gardening, and there's also a gently gurgling romantic spark between them as well. The problem is that his high-society wife (Helen McCrory) notices this and sets out to sabotage Sabine's work.
There's not much here that's historically accurate, from the frankly outrageous costumes to the English filming locations and dialogue that buzzes with specifically British humour. But it's so breezy and snappy that all we can do is sit back and enjoy it for what it is. Those who do so may even find some underlying resonance in the discussions of order and chaos in landscape design, as well as the way honesty is like a blast of fresh air in a world constrained by status. Indeed, the film's most memorable scene is a gorgeously written and played chance encounter between Sabine and the King in which they initially don't know who the other is.
Continue reading: A Little Chaos Review
Damian Lewis and Helen McCrory - A variety of stars were snapped as they arrived at the BBC Films 25th Anniversary Reception which was held at BBC Broadcasting House in London, United Kingdom - Wednesday 25th March 2015
It may not be very clever, and the plot may be full of holes, but this sequel's clammy atmosphere is so unnerving that it manages to keep us squirming in our seats. Credit has to go to director Tom Harper for making this work, because Jon Croker's script is strung together on the thinnest logic imaginable. Instead, it's the inner lives of the characters combined with the almost ridiculously freaky setting that work to keep the audience in a state of perpetual freak-out. As long as we don't try to make sense of it.
It's set 40 years after the first film, as bombs are falling in 1941 London and schoolteacher Eve (Phoebe Fox) evacuates eight students north away from the threat. Travelling with headmistress Jean (Helen McCrory), they meet charming airman Harry (Jeremy Irvine) on the train. He's headed to a new post near Eel Marsh House, where the children will be living. At the train station, they meet Dr. Rhodes (Adrian Rawlins), who escorts them to the insanely isolated, falling-down wreck of a clearly haunted mansion, cut off from the mainland at high tide. But Eve and Jean get on with making it feel like home, while Harry looks in on them from time to time. Then one of the boys, Edward (Oaklee Pendergast), who hasn't spoken a word since a bomb killed his family, sees a malicious ghost (Leanne Best).
From here things get startlingly nasty. This is definitely not a thriller for pre-teens, like the first film. These children are in genuine peril, and begin to die in pretty ghastly ways, like a slasher movie with victims who are only 10 years old. Much of the worst violence remains off-screen, so Jean amusingly refuses to admit that there's any real problem until things really cut loose. Clever acting touches add to the drama, as Irvine and Fox provide a whiff of doomed romance, McCrory maintains her stiff upper lip just a bit longer than she should, and the kids get to create seriously creepy moments of their own.
Continue reading: The Woman In Black: Angel Of Death Review
BBC Films' 'Bill' is the first cinematic outing for the cast of the hit UK TV series, 'Horrible Histories'.
William Shakespeare has had a fairly difficult transition to the silver screen. Sure, his plays have been made into great film adaptations, but whenever the character is portrayed in movies, things seem to go a bit wrong. Thankfully, this new look at the life of the Great Bard is being made by the comedy troupe behind the BBC's television series 'Horrible Histories' and 'Yonderland'.
Mathew Baynton and Martha Howe-Douglas in 'Bill'
The comedy group have often been hailed as a modern Monty Python, yet more child-friendly. And now, after two celebrated television series, the cast have been unleashed in their first feature film from BBC Films. Filming in iconic UK locations around Yorkshire, the cast and crew shot in York Minster, Skipton Castle, Bolton Castle, Selby Abbey, as well as Shakespeare's Globe Theatre in London.
A young and ambitious playwright in the time of Queen Elizabeth the 1st makes the travel to London to showcase his wares. The young bard's name? Bill. Young Bill has a play in mind that will one day become the talk of London and, considering how the Queen's personal playwright is far from up to scratch, may even be performed before the Queen herself. But when a group of revolutionaries decide to use the play as the staging point for their plot to kill the Queen, Bill must fight to not only put on a performance to launch his career, but save the audience from assassination. It's all in a day's work for William Shakespeare, however.
Continue: Bill Trailer
The gritty drama kicks off on BBC 2 in September
BBC 2 are pulling out all the stops for their upcoming drama, Peaky Blinders, which tells the story of illegal trade in guns, protection and betting in post World War I Birmingham and the titular gang’s attempt to control them.
Peaky Blinders hits TVs this September
The show represents Cillian Murphy’s first major TV role after carving out a solid reputation in film acting. Director Otto Bathurst says his show is “like Blade Runner set in Birmingham in 1919.” We don’t know whether to laugh, cry or rock back and forth with excitement, as that’s quite the statement to make.
Tommy Shelby is the ruthless and dangerous leader of Birmingham's Peaky Blinders gang; a group of criminals known for sewing razorblades into their caps. It's set on the brink of the 1920s following the war, amidst all the problems that post-war life brought - from communist revolutionaries to the start of an ever-growing economic problem. The Shelby family get through the economic crisis their own way; theft, illegal gambling and violence, but just how much is the British government going to put up with? With this kind of lawlessness going on around the streets of Birmingham, the chance of better future for the country looks slim. When Chief Inspector Campbell arrives in the city from Belfast, Tommy begins to wonder if he's finally met his match, though what he's most unprepared for are the dilemmas that the beautiful Grace Burgess will bring.
Continue: Peaky Blinders - Clips
A riveting performance by Helen McCrory holds our attention even if this dramatic thriller suffers from efficient but bland direction and a script that fails to dig very far beneath the surface. The role is a gift for any actress: a strong, intelligent and sexy middle-aged woman. And she's so good that she makes it worth seeing even when the plot becomes rather corny and implausible.
McCrory plays top British aerospace expert Frankie, who is relentlessly pursued by one of her students, the much-younger Algerian Kahil (Oudghiri). Her father (Cranham), a fellow aircraft expert, warns her against falling into a torrid romance, but she can't resist. And soon her colleagues are whispering behind her back that she may be compromising her work on military drone technology by sleeping with a Muslim. This of course puts her back up, but it also sparks some nagging doubts, so she begins to look into Kahil's story. And some irregularities make her wonder if he might be using her for information.
The way the film plays on our own prejudices and fears is very clever, using a hot current issue like military drones. And the plot races along so quickly that we barely have time to register that it's not actually holding water. Small problems (like the fact that a top military contractor wouldn't password-protect her laptop) multiply as the story progresses from a relatively superficial romance into more sinister suspicion and then an all-out political thriller. But since everything is based around suspicions and subterfuge, it begins to look a bit silly.
Continue reading: Flying Blind Review
James Bond, the legendary MI6 spy we all know and love, is starting to struggle with his own morality in terms of his government job. A psychiatrist notices his unhealthy associations with bits of his career which puts doubts in his future capability. In addition to that, his trust in his boss M is put to the test as her past starts to creep back up on her. MI6 is then place under threat by a nefarious villain known as Raoul Silva. Though, with 007 questioning his own loyalty to the government, just how far is he willing to go to protect it?
Continue: Skyfall Trailer
Date of birth
17th August, 1968
Explore the life of one of the world's greatest visionary artists, Vincent Van Gogh, in...
Skilfully written, directed and acted, this offbeat British period film tells a story that catches...
Audiences looking for a French historical costume drama should look elsewhere, but those who enjoy...
It may not be very clever, and the plot may be full of holes, but...
In the palace of Versailles, a tremendous garden is maintained. One day, the builder and...
Following the horrifying tale of the young lawyer, Arthur Kipps, and his struggle to sell...
Tommy Shelby is the ruthless and dangerous leader of Birmingham's Peaky Blinders gang; a group...
A riveting performance by Helen McCrory holds our attention even if this dramatic thriller suffers...