An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from start to finish. Some of the jokes are corny, but everything about this movie has a point to make about fame and the music industry. The songs are jaw-droppingly wacky, as is the constant string of big-name cameos. And it's anchored on a riotously funny performance by Andy Samberg.
He plays Connor, formerly one-third of the boy band Style Boyz, alongside his childhood friends Owen (Jorma Taccone) and Lawrence (Akica Schaffer). When Conner decided to go solo, Owen tagged along with him as his deejay, while Lawrence angrily left to become a farmer. But sales of Connor's new album are wobbling, and with 32 people on his personal payroll, he needs to bring in the cash. After a marketing scheme to upload his music to kitchen appliances backfires, he heads out on his Connquest world tour, supported by unhinged singer Hunter (Chris Redd). But Owen thinks that what Connor really needs is to make up with Lawrence, and bring the Boyz back together again.
Samberg is perfect as the too-cute musician who believes all the hype and doesn't have a clue what's really happening around him. Even in his ignorance, Connor is hugely likeable, because he never means to be cruel. This makes his interaction with the people around him thoroughly engaging, and often laugh-out-loud funny, from Sarah Silverman's PR guru to Tim Meadows' enthusiastic manager to Maya Rudolph's kitchen appliance queen. Joan Cusack has some marvellous moments as his dotty mum, while Imogen Poots gets the film's best sequence as the "official" girlfriend he proposes to complete with an ill-advised pack of wolves and live music by Seal. And then there's Justin Timberlake as Connor's singing chef.
Continue reading: Popstar: Never Stop Never Stopping Review
The Ain't Rights are a punk band looking for their big break and until that comes along, they're willing to tour and play any gig they're offered. When the band is given the chance to play a gig at short notice, they pack their bags and road trip to the Oregon venue.
The band work through their set of songs including a cover of The Dead Kennedys' track 'Nazi Punks F**k Off', some might say an odd choice of song given the current crowd of people they're playing to. As the band come off stage they return to the green room only to discover that they've stumbled upon a gruesome crime scene - a murder to be precise.
Locked in the green room and quickly evaluating their options, it seems that they're now the ones being targeted by the vicious venue owner, Darcy Banker, and his neo-Nazi gang. Held against their will, with no connection to the outside world, it becomes evident that Banker isn't going to allow the group to make it through the night alive.
Continue: Green Room - Teaser Trailer
With the passing of each decade, the music industry is constantly set alight by the most recent saviour of pop and Connor4Real is the latest major record label cash cow but behind every great talent there's a whole host of people working behind the scenes to create the finished Connor4Real package.
Rick is one of the hottest screenwriters in Hollywood but after the death of his brother he finds himself becoming absorbed into a world of parties, drinking and excess. Parties are part of the norm for Rick but after the loss of his brother he finds himself evaluating his life and what it all means.
Spiralling uncontrollably his only real solace comes from short lived relationships with women, but each relationship actually brings Rick a little closer to the closure he seeks.
Knight Of Cups is the new film from Terrence Malick (The Tree of Life & The Thin Red Line)
Alia Shawkat, Imogen Poots, Jeremy Saulnier, Patrick Stewart , Anton Yelchin - Green Room premiere red carpet arrival at Ryerson Theatre during the 2015 Toronto International Film Festival. - Toronto, Canada - Friday 11th September 2015
It's difficult to understand how a movie about fast cars, tough guys and feisty women could be so little fun to watch. But the filmmakers, working from a popular videogame, have managed to make something only a gaming nerd could love. It's strikingly well shot, with a likeable cast and an eye-catching use of real stuntwork, but the limp script leaves it utterly joyless. Just a tiny hint of self-awareness goes a long way in these kinds of movies.
Our hero is Toby (Paul), a super-talented driver and mechanic stuck in small-town New York while his high school rival Dino (Cooper) makes millions on the racing circuit. Dino has also stolen Toby's ex-girlfriend (Johnson), and rubs salt in the wound by asking Toby to fix up a wildly valuable Mustang for him. Toby needs the cash to save his garage, so takes on the job with his pals (Cudi, Malek and Rodriguez). But things take a dark turn when Dino leaves Toby to take the fall for manslaughter. And when he gets out of prison two years later, Toby vows to get revenge, working with hellcat racing chick Julia (Poots) to enter the underground winner-take-all race organised by a radio deejay (Keaton).
Despite trying to fool us with various plot twists, the film's script is so by-the-books that we can predict everything that will happen next. So as it heads to its jaw-droppingly implausible finale, there isn't a single moment that surprises us. All we can do is try to engage with the characters, but they take themselves so seriously that this isn't easy. Clearly, director Waugh is much more interested in the cars than the people. So at least the driving scenes are visceral and sometimes thrilling in that choreographed stunt-driver sort of way. And they're notable because there isn't a digital effect in sight.
Continue reading: Need For Speed Review
Check out first footage from the upcoming Jimi Hendrix biopic, 'All Is By My Side.'
The first clip has been released from the upcoming Jimi Hendrix biopic, All Is By My Side, in which Outkast's Andre 3000 plays the legendary guitarist. Having premiered at the Toronto International Film Festival last year and now gearing up to screen at the nearing South By Southwest, the film is making fans wait until August for a general release.
Andre 3000 & Hayley Atwell As Hendrix & Kathy Etchingham.
Andre 3000, AKA Andre Benjamin, will play the guitarist before he became super famous in the year leading up to his landmark performance at the Monterey Pop Festival. The film follows Hendrix on his journey from working as a backing musician in New York City to relocating to London. Whilst there he meets model/muse Linda Keith (played by Imogen Poots) who fiercely encourages him to start playing original material.
Even a strongly likeable cast can't breathe life into this ill-conceived film, which poses as a sex comedy but is ultimately timid and sappy. The premise is intriguing enough to catch our interest, but it ends up being three badly written romantic-comedies woven together in a way that makes them neither romantic nor comedic.
The story strands centre on three best buddies enjoying their late-20s in New York. Jason (Efron) is the womaniser, breaking up the moment any girl begins to get serious. Daniel (Teller) is the clown, using humour to find women, usually with the help of his friend Chelsea (Davis). And Mikey (Jordan) is the responsible one, a medical doctor happily married to Vera (Lucas). Except that she leaves him, prompting Jason and Daniel to promise to stay single with him in solidarity. Then instantly, each of them finds himself in a relationship: Jason falls for wild-girl Ellie (Poots), Daniel realises that he's in love with Chelsea, and Mikey secretly tries to get Vera back.
The problem is that there's very little chemistry between any of the characters. Not only are the love stories strained and implausible, but the bromance never even gets off the ground because filmmaker Gormican is clearly terrified of any kind of male affection. He's also not very good at depicting sexuality, with only a couple of scenes played for comedy value. In fact, all of the film's sharp edges have been surgically removed, leaving only the illusion of gross-out humour.
Continue reading: That Awkward Moment Review
Check out the trailer for the black comedy below
A Long Way Down hits cinemas on March 21st
The four unlikely friends meet when attempting to commit suicide on top of a tall building on New Year’s Eve.
Continue reading: 'A Long Way Down' - Four Suicidal Strangers Find Solace [Trailer]
Martin Sharp is a disgraced TV presenter whose ambitions and family have been destroyed by his own stupid mistakes. Now feeling deeply lost and humiliated he finds that the only way to proceed is to commit suicide by leaping from the top of a London skyscraper aptly known as Topper's Tower. However, as he prepares to end his life on New Year's Eve, he is interrupted by Maureen, a middle-aged single mother also looking for a way out. Not only that, but the pair are soon joined by angst-ridden teenager Jess who also wants to jump from the roof, and then bemused pizza delivery boy and failed musician JJ after that. The four form a bond and sign a pact that they will not kill themselves before Valentine's Day in a bid to help each other get their lives back on track. When they decide to share their unusual story with the rest of the world, they become media stars and finally start to see the light at the end of the tunnel.
'A Long Way Down' is a heartwarming comedy drama based on the bestselling novel by Nick Hornby ('About A Boy', 'High Fidelity'). The screenplay has been adapted by Jack Thorne ('The Fades', 'This Is England') and the movie directed by Pascal Chaumeil ('Heartbreaker', 'Un plan parfait'). 'A Long Way Down' is due for release on March 21st 2014.
If there's no clear cut message between two people who like other, nobody knows where they stand, what to say or when to call. Jason, Daniel and Mikey go through just that when all three find themselves with girlfriends that they aren't quite sure are really girlfriends. None of them are planning on settling into a relationship, especially since Mikey has only just come out of one, but things take an unforeseen turn when Jason meets Ellie who he wants to spend all of his time with and finds himself being accused of having a girlfriend. Pretty soon though, Daniel also finds his feelings are deepening for Chelsea and Mikey still has a lot of emotions to overcome. Even when their love lives start becoming less complicated, they find themselves struggling to adapt to monogamous lives.
This romantic comedy deals with the all too real circumstances of fledgling love. It has been directed and written by Tom Gormican (co-producer of 'Movie 43') in his directorial and screenwriting debut, and production was undertaken by Scott Aversano ('School of Rock', 'Killers'), Justin Nappi ('All Is Lost'), Andrew O'Connor ('Peep Show') and Kevin Turen. 'That Awkward Moment' is set to be released in the UK on January 31st 2014.
As another full-on Irvine Welsh adaptation Trainspotting did in 1996, this bracingly original movie puts a new filmmaker on the map. Not only is this a loud blast of both style and substance, but it refuses to water down its subject matter, taking us through a shockingly profane story in a way that's both visually inventive and emotionally resonant.
This is the story of Bruce (McAvoy), an Edinburgh detective who's determined to beat his colleagues to a promotion. He's also a relentless womaniser, sexist, racist and drug addict. And he'll do anything to get ahead, hiding the sordid details of his private life from his boss (Sessions) while undermining the other cops at any chance while pretending to be their friends. In quick succession, he gets young Ray (Bell) addicted to cocaine, flirts continually with Amanda (Poots), has a fling with the kinky wife (Dickie) of fellow officer Gus (Lewis), torments Peter (Elliott) about his sexuality, and takes Bladesey (Marsan) on a sex-tourism holiday while making obscene calls to his needy wife (Henderson). All of this happens while Bruce leads the investigation into a grisly murder.
McAvoy dives so far into this role that we barely recognise him in there. Bruce is so amoral that we are taken aback by each degrading moment. And yet McAvoy somehow manages to hold our sympathy due to the film's blackly hilarious tone and a startling undercurrent of real emotion. Even though he's a monster, we see his boyish fragility, especially in surreal sequences involving his therapist (Broadbent), which merge with his fantasies, hallucinations and nightmares.
Continue reading: Filth Review
Michael Winterbottom vividly recreates swinging 1960s London in this biopic about one of Soho's most notorious figures. It's a lively and attention-grabbing film, but the cast and filmmakers never create a character we can identify with or care about, which leaves the film feeling a bit meaningless. And even if we're interested in the history, we are never able to feel the emotions.
As he did for Winterbottom in 24 Hour Party People, Steve Coogan plays a colourful real-life figure, this time Paul Raymond, also known as the King of Soho. Raymond made his fortune through strip clubs and lap-dancing venues, then expanded into publishing men's magazines before purchasing large swathes of property in London's artiest district. But his marriage to Jean (Friel) was strained by his rampant womanising, including a long-term relationship with actress-model Fiona Richmond (Egerton). And the main woman in Paul's life was his daughter Debbie (Poots), who was in line to inherit his fortune when she died of a heroin overdose in 1992.
The film is framed with Debbie's funeral, showing Raymond at his lowest point. But then, even when he was living the high life, his self-obsession casts a heavy shadow. Everyone in this story is just as lost in their own addictions. And it's sad to see Raymond himself never able to move on from his own early years, amassing a £1 billion fortune, which he left to Debbie's children when he died in 2008. Coogan bravely never tries to get us to sympathise with Raymond, delivering a focussed performance that's darkly bittersweet. Poots adeptly captures Debbie's inability to see her own talents as she falls into a whirlwind of drug abuse. And Friel and Egerton get the most engaging roles as woman thrown aside along the way.
Continue reading: The Look Of Love Review
Filth, the latest movie to star James McAvoy, is an adaptation of Irvine Welsh’s novel of the same name and it has all the hallmarks of a classic Irvine Welsh movie adaptation, with its fast-paced, seedy cinematography and wry, snappy humour. The word filth takes on two meanings here. McAvoy plays the central character Bruce Robertson, who – by all accounts, is a pretty filthy kinda guy, he’s into some fairly unsavoury sexual practises and when his doctor asks if he’s been taking his medication, he’s only able to sort-of-honestly answer ‘yes’ because of all the illicit substances he’s been snorting. That’s not the only kind of ‘filth’ he is though – he’s also a police officer. A Detective Sergeant no less.
Robertson’s not one for abiding by the law, however and even when he’s on duty, he’s a pretty deceitful, dishonest kind of guy and will do anything to get one over on his colleagues, so that he can get a promotion. However, the combination of mind-altering drugs and the fact that he’s collapsing under a mountain of lies soon starts to take a toll on his sanity and wellbeing. Add to that the fact that he has a troubled marriage that he’s desperate to save and things aren’t looking great for him, all told.
Continue reading: James McAvoy Needs To Clean Up His Act In Filth (Trailer)
This trailer is only suitable for persons aged 18 or over.
Bruce Robertson is a vile, devious and emotionally disturbed individual who also happens to be a Detective Sergeant. Off duty, he lives a life of debauchery; snorting line after line of cocaine and indulging in sordid sexual encounters with numerous women while trying to control his unpredictable bipolar personality. On duty, he does everything within his power to trick, deceive and ruin the lives of his colleagues with whom he competes to achieve a promotion to detective inspector. He does nothing to hide his radical views on race and women as he attempts to solve a grisly murder that seems to have more to it than he initially thought. With the web of lies he weaves throughout his life, will he be able to sort out truths from the untruths in order to maintain his sanity as his deteriorating mental health threatens to cripple him? And will he ever be reunited with the wife he is so desperate to resolve things with?
Adapted from the novel by Irvine Welsh, 'Filth' has been directed and written by Jon S. Baird ('Cass') and sees an intense star-studded cast convert to screen an compelling story of insanity, romance and deceit. This shocking 18-rated crime drama is set to hit UK cinemas in September 2013.
While this film has some bracingly strong observations on the nature of long-term professional and personal relationships, it also feels somewhat theatrical in the way its story develops. It's as if everything happens for an important reason, as ordained by the screenwriters. Fortunately, these terrific actors bring out riveting layers of meaning in their characters.
The title refers to the Fugue String Quartet, which has been at the peak of the classical music scene for 25 years. But their fragile balance is shaken when cellist Peter (Walken) is diagnosed with Parkinson's. Second violinist Robert (Hoffman) starts wondering if maybe he should be playing first chair, but he's feeling unsupported by his wife Juliette (Keener), who plays viola. Meanwhile, first violinist Daniel (Ivanir) wants to keep things as they are, although his lessons with Robert and Juliette's prodigy daughter Alex (Poots) are taking an unexpected turn into something steamy. Can the quartet's bond survive all of this?
All four actors underplay their roles perfectly, letting us see the internal workings of their relationships through their own private ambitions. Hoffman, Keener and Ivanir have especially dark edges to play with in every scene, even if their long-repressed issues make the film sometimes feel soapy. Walken is simply wonderful in a rare non-kooky role as a man facing a very difficult future with humour and emotion. On the other hand, Poots kind of gets lost in the shuffle, never really making much of her thinly written role.
Continue reading: A Late Quartet Review
Paul Raymond became the wealthiest man in the UK when he opened the country's first strip club, the Raymond Revue bar, after starting out his nightlife career as a mind-reader cabaret performer. When the bar became highly successful among gentlemen everywhere, his risqué empire only grew into various men's magazines including 'Men's Only', 'Razzle' and 'Mayfair' not to mention spawning various new clubs across the entertainment district of London, Soho, earning him the nickname 'King of Soho'. Though, while loved and admired by thousands, he was also scorned in other circles and even his family began to suffer from the effects of his billion pound industry. His marriage to one of his strippers, Jean, did not meet an amicable end as he embarked on a whirlwind affair with a younger star, and his previously close bond with his daughter Debbie whom he loved more than anything in the world, was broken after her sudden death at the tender age of 36. This is the story of the triumphs and turmoil of Britain's richest man.
Continue: Look Of Love Trailer
They're just on the set of their new film Are We Officially Dating? but boy howdy can you spot the chemistry between Zac Efron and his co-star Imogen Poots. The film is set in Manhattan and follows three Big Apple bachelors - including one played by High School Musical star Efron - as they enjoy living it up as singletons in New York. However, this wouldn't be a romantic tale without a big obvious twist, and so it does, with Efron's character meeting Poots' and the protagonist being forced to decide whether he'll carry on playing around at being one of the Lads, or whether he'll give into love. I think we all know which way that one's going don't we.
A quartet made up of first violinist Daniel, second violinist Robert, his wife and viola player Juliette and cellist Peter faces an uncertain future when Peter informs them of his recent diagnosis of Parkinsons disease which has resulting in him wishing to leave the quartet with immediate effect following their first show of the season. Him being the most talented of the four musicians, their musical cohesion is now under threat and it makes Robert consider what he wants for his future in the group. He expresses his feelings to Juliette and Daniel that he no longer wishes to play second violin exclusively, but perfectionist Daniel believes him to be insufficient for the role and Juliette tries to remind him that he must foremost consider the solidity of the quartet as a whole. Their disagreements cause a rift in the group, particularly in Robert and Juliette's marriage; Robert finds himself becoming more and more interested in a young dancer who he meets while jogging and Juliette and Daniel's relationship be
Continue: A Late Quartet Trailer
After being orphaned as a child, Jane (Clarkson) is sent by her selfish aunt (Hawkins) to a grisly boarding school where she's falsely scorned as a liar.
When she leaves at age 18 (now Wasikowska), she works as a governess for the ward (Moore) of the mercurial Rochester (Fassbender), finding friendship with the housekeeper (Dench) and, surprisingly, romance with Rochester. Alas, this doesn't go well, and when she flees she finds solace with rural parson Rivers (Bell) and his sisters (Grainger and Merchant). Surely she deserves some good news.
Continue reading: Jane Eyre Review
Besides some cheap scares, it never generates a moment of suspense, but it's still good fun.
In suburban Las Vegas, Charley (Yelchin) is a nerdy teen with an impossibly hot girlfriend (Poots) and a feisty single mum (Collette). But there's something suspicious about the new neighbour Jerry (Farrell), whom Charley's best friend Ed (Mintz-Plasse) insists is a vampire. And as events start to get increasingly bizarre, Charley begins to believe it himself. He asks TV vampire expert Peter Vincent (Tennant) for advice, but Peter is a jaded showman who doesn't really believe in the supernatural. Or does he?
Continue reading: FrightNight Review
Date of birth
3rd June, 1989
An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from...
The Ain't Rights are a punk band looking for their big break and until that...
With the passing of each decade, the music industry is constantly set alight by the...
Rick is one of the hottest screenwriters in Hollywood but after the death of his...
Wacky enough to make us smile but never laugh out loud, this screwball comedy harks...
With preparation well underway for his latest Broadway show, director Arnold Albertson (Owen Wilson) heads...
Exploring a year in the life of Jimi Hendrix just before he hit the public...
Jimi Hendrix started earning money from his musical career as a simple backing guitarist at...
With a darkly serious theme and a corny rom-com filmmaking approach, this film never quite...
It's difficult to understand how a movie about fast cars, tough guys and feisty women...
Even a strongly likeable cast can't breathe life into this ill-conceived film, which poses as...
Martin Sharp is a disgraced TV presenter whose ambitions and family have been destroyed by...
If there's no clear cut message between two people who like other, nobody knows where...