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Jason Flemyng and Jason Statham - Celebrities attend the 'Hummingbird' after party held at the St. Martin's Lane Hotel - London, United Kingdom - Monday 17th June 2013

Jason Flemyng and Jason Statham
Jason Flemyng and Jason Statham

Jason Flemyng - London Premiere of 'The Hummingbird' at the Odeon West End - Arrivals - London, United Kingdom - Monday 17th June 2013

Jason Flemyng

Jason Flemyng - Jason Flemyng leaving the BBC Radio 2 studios - London, United Kingdom - Thursday 14th March 2013

Jason Flemyng
Jason Flemyng
Jason Flemyng

Jason Flemyng - Opening night of 'Macbeth' held at the Trafalgar Studios - Arrivals - London, United Kingdom - Friday 22nd February 2013

Jason Flemyng
Jason Flemyng
Jason Flemyng

Jason Flemyng and Odeon West End - Jason Flemyng and guest Sunday 21st October 2012 56th BFI London Film Festival: Great Expectations - closing film held at the Odeon West End - Arrivals.

Jason Flemyng - Jason Flemyng and guest Tuesday 20th March 2012 Wild Bill - UK film premiere held at Cineworld Haymarket - Arrivals.

Jason Flemyng
Dexter Fletcher, Jason Flemyng and Nick Moran
Dexter Fletcher, Jason Flemyng and Nick Moran
Jason Flemyng
Jason Flemyng

Jason Flemyng and ITV Studios Monday 31st October 2011 at the ITV studios London, England

Jason Flemyng and Itv Studios
Jason Flemyng and Itv Studios
Jason Flemyng and Itv Studios
Jason Flemyng and Itv Studios
Jason Flemyng and Itv Studios

X-Men First Class Trailer


It's 1962 and the world is on the brink of starting a new world war. As far as the general public are aware, mutants do not exist. Two of those very mutants still discovering their abilities are Charles Xavier and Erik Lensherr (Professor X and Magneto), two equally intelligent men who share a secret; they both hold incredible powers.

Continue: X-Men First Class Trailer

X-men: First Class Review


Extraordinary
Matthew Vaughn kicks some life back into the X-men franchise with this superbly written, directed and acted adventure. In addition to restoring a sense of subtext to the premise (missing since X2), the film is a thrilling, intelligent blockbuster.

It's 1962, and Charles Xavier (McAvoy) is recruited by US Agent MacTaggart (Byrne) to explore how the CIA can benefit from mutant humans. The telepathic Charles grew up with shapeshifting Raven (Lawrence), and they start assembling a team. A key partner is metal-manipulator Erik Lehnsherr (Fassbender), who's set on revenge against energy-absorbing Shaw (Bacon), who killed his mother in a Nazi war camp and has powers of his own. And now Shaw has his own mutant team (Jones, Flemyng and Gonzalez) and is sparking a nuclear war between the USA and the USSR.

Continue reading: X-men: First Class Review

Hanna Review


Very Good
Pacey and offbeat, this cat-and-mouse film keeps us on our toes by layering the action thriller with fairy tale parallels. And the cast is strong enough to keep us engaged even when the plot skips over some glaring implausibilities.

Hanna (Ronan) has spent her entire life deep in the snowy woods, where her ex-spy dad (Bana) has raised her to be the ultimate super-agent. Now 16, she's ready to face up to her wicked nemesis Marissa (Blanchett), the agent who killed her mother. But Marissa has caught her trail, and as they chase each other Marissa calls in a ruthless German henchman (Hollander) for help.

Meanwhile, Hanna hides out with a sparky British teen (Barden) whose hippie parents (Williams and Flemyng) have no idea what's going on.

Continue reading: Hanna Review

Ironclad Review


OK
Turning a rarely dramatised chapter of British history into a riotously grisly romp, this film starts out strongly as an exploration of people power then soon degenerates into a series of increasingly gory clashes.

After signing the Magna Carta in 1215, King John (Giamatti) launches a bloodbath of revenge against the barons who forced his signature. So Marshall (Purefoy), a Templar monk who has taken a vow of nonviolence, is forced to take up his sword to defend the people from their king. He joins a rabble mob led by charismatic Albany (Cox) and they head for the pivotal castle of Lord Cornhill (Jacobi). As the king lays siege to their stronghold, Marshall finds other vows tempted by Lady Isabel (Mara) and her heaving bosom.

Continue reading: Ironclad Review

Jason Flemyng and Las Vegas - Wednesday 26th January 2011 at Planet Hollywood Las Vegas, Nevada

Jason Flemyng and Las Vegas
Jason Flemyng and Las Vegas
Jason Flemyng and Las Vegas
Jason Flemyng and Las Vegas
Jason Flemyng and Las Vegas
Jason Flemyng and Las Vegas

Clash Of The Titans Review


Good
The studio clearly couldn't resist the chance to digitally revisit the creatures so memorably animated by Ray Harryhausen in the 1981 original. The result is an unnecessary remake that's loud, chaotic and mildly entertaining.

Perseus (Worthington) is a demigod who has been raised by humans and now finds himself at the centre of a war between man and the gods Zeus (Neeson), Hades (Fiennes) and Poseidon (a blink-and-you'll-miss-him Danny Huston). Accompanied by a handful of plucky warriors from Argos (including Mikkelsen, Cunningham, Hoult and Matheson) and his spirit-guide Io (Arterton), he heads off to find the secret to defeat Hades' feared Kraken so he can save Princess Andromeda (Davalos).

Continue reading: Clash Of The Titans Review

Kick-Ass Review


Excellent
The team behind Stardust brings us the superhero movie we always wanted: brazen, raucous and without a single politically correct moment from start to finish. And yes, it's both wildly rude and great fun.

Dave (Johnson) is a shy New York teen who wonders why no one sticks up for each other. So he creates a secret alter-ego, Kick-Ass, and sets out to make a difference. Of course he gets beaten to a pulp. But he also catches the city's imagination. The problem is that gangster Frank (Strong) thinks he's to blame for a series of setbacks and helps his son (Mintz-Plasse) create a rival hero, Red Mist. But Frank's nemesis is actually a man (Cage) who has turned his 12-year-old daughter (Moretz) into a killing machine.

Continue reading: Kick-Ass Review

Jason Flemyng - Monday 29th March 2010 at Empire Leicester Square London, England

Jason Flemyng
Jason Flemyng

Clash Of The Titans Trailer


Watch the trailer for Clash Of The Titans.

Continue: Clash Of The Titans Trailer

The Curious Case Of Benjamin Button Review


Essential
Every great filmmaker is allowed one bad film. For David Fincher, his first was his worst.

An intelligent director, Fincher cut his teeth on television commercials and music videos before making his feature debut in 1992 with a forgettable and regrettable installment in the Alien franchise. It was all uphill from there. Fincher's next five films arguably are modern classics, each impressively different from its immediate predecessor. Gen X fanboys idolize him for the basement-dwelling aggressions of Fight Club. The director brought flash -- and a needed backbone -- to pulp thrillers like The Game and Panic Room. And cineastes found plenty to appreciate in the meticulous musings of Fincher's cold-case police procedural, Zodiac.

Continue reading: The Curious Case Of Benjamin Button Review

Jason Flemyng Monday 8th December 2008 The Los Angeles premiere of 'The Curious Case of Benjamin Button' held at the Mann's Village Theatre - Arrivals Los Angeles, California

Jason Flemyng
Jason Flemyng

PU-239 Review


Excellent
Plutonium 239 (or Pu-239) is one of the fissile isotopes used to make nuclear weapons; it's also the title of a thoughtful and frightening new movie from writer-director Scott Z. Burns.

Countless films made in the last decade have centered on the terrors of nuclear material -- all of them, to the best of my knowledge, focusing on the lurid threat of a massive explosion. PU-239, however, takes a different tack; it deals with nuclear horrors on a much smaller scale.

Continue reading: PU-239 Review

Bobby Z Review


OK
If there's one thing you learn from movies, it's that you should never -- under any circumstances -- expect that working for the Man (DEA, CIA, FBI, any of them really) is going to be easy. Especially if they ask you to impersonate the legendary Bobby Z, drug dealer and beloved surfer (yes, you read that right), in a hostage exchange with a Mexican drug kingpin. You can pretty much guarantee that things are going to sour. And fast. Yes, there will be blood, bullets and if you're lucky, some T&A.

Former Marine and perpetual bad boy Tim Kearney (Paul Walker) has been asked to do just that. Serving a long prison sentence for all manner of illegal activities, Kearney is given conditional release if he's willing to impersonate the missing Bobby Z. DEA agent Tad Grusza (Laurence Fishburne) sets Kearney up for the exchange. Kearney looks enough like Bobby Z to pass muster, but the exchange goes to hell and Kearney is left to fend for himself. When he's captured and taken to Don Huerto's (Joaquim de Almeida) palatial Mexican estate, he meets Bobby Z's old flame Elizabeth (the striking Olivia Wilde) and her teenaged son, Kit, who just might be his (well, Bobby Z's) kid. Because Kearney isn't Bobby Z, and because he's far too brash and selfless, all sorts of trouble ensues.

Continue reading: Bobby Z Review

Lock, Stock & Two Smoking Barrels Review


Good
Lock, Stock & Two Smoking Barrels has been described as the British Pulp Fiction, and on the surface, that would seem like an accurate depiction. It's got the usual cross-section of characters with witty tongues involved in varied illegal activities, that get themselves into very peculiar situations in which no one really survives unscathed. Nonetheless, the film seems to be missing something that characterized its predecessor. And right now, you're getting the feeling that I'm about to quickly file Lock, Stock as another Tarantino homage/copy-cat crime, but that's not quite it either.

Lock, Stockis in fact, probably the best film since Pulp Fiction in which there are no really good guys. Pulp Fiction, Lock, Stockbegins with what would seem to be a simple story, that quickly careens out of control. In this case, four buddies; Tom, Eddie, Bacon, and Soap, pool their money together to back can't lose Eddie at an unbeknownst-to-them rigged game of cards. Of course they get fleeced, and end up in heavy debt to the local heavy. What follows is a madcap plan to recoup the money by intercepting a heist Eddie has fortuitously discovered his neighbor is carrying out. The interrelation of the problems with the original heist, along with the interception of it by Eddie's gang, and a couple of other local illegal activities result in a frantic circle of destruction.

Continue reading: Lock, Stock & Two Smoking Barrels Review

The Red Violin Review


Excellent
A sprawling epic and a would-be masterpiece, The Red Violin is the story of an ill-fated violin, from the moment it is crafted in 1600s Italy to the day it is sold at auction in millennial Canada. The violin is passed through 1700s Vienna, to an Oxford virtuoso in the 1800s, and on to Mao's China for spell before landing in the lap of Samuel L. Jackson's instrument appraiser. Following the checkered past of such a fateful instrument makes you feel a bizarre sense of connection with it. But ultimately the movie rings a tad hollow -- with contrived plot points and an unbearable and unbelievable finale. But never mind that -- Violin is a grandiose production that should be seen and enjoyed.

Continue reading: The Red Violin Review

Rock Star Review


Good
In his short career, Mark Wahlberg has been most effective when playing characters full of naïve sincerity. In Boogie Nights, The Yards, and even Three Kings, his talent is in making the audience believe he's a good guy with a lot of heart, just trying his best. That honest hopefulness works well for him in Rock Star, a generally entertaining tale of an 80s heavy metal superfan who suddenly becomes his favorite band's lead singer. The problem with the film lies in director Stephen Herek's inability to take advantage of the strengths that Wahlberg displays.

The story is loosely based on metal icons Judas Priest, who, in 1997, replaced singer Rob Halford with an actual fan (so tell me, how would one actually know if Judas Priest replaced a band member?) Wahlberg, as Steel Dragon fan Chris Cole, is just brimming with dedication -- he works hard as a copy machine repairman, busts his ass in his Steel Dragon cover band, tells his parents he loves them, and has a long relationship with his girlfriend/best friend/manager (Jennifer Aniston, still underrated by Hollywood). After being booted from his band for taking things too seriously, Chris gets a call from the real Steel Dragon, who are interested in his pipes. Just like that, he's the new guy out front.

Continue reading: Rock Star Review

Lock, Stock & Two Smoking Barrels Review


Good
Lock, Stock & Two Smoking Barrels has been described as the British Pulp Fiction, and on the surface, that would seem like an accurate depiction. It's got the usual cross-section of characters with witty tongues involved in varied illegal activities, that get themselves into very peculiar situations in which no one really survives unscathed. Nonetheless, the film seems to be missing something that characterized its predecessor. And right now, you're getting the feeling that I'm about to quickly file Lock, Stock as another Tarantino homage/copy-cat crime, but that's not quite it either.

Lock, Stockis in fact, probably the best film since Pulp Fiction in which there are no really good guys. Pulp Fiction, Lock, Stockbegins with what would seem to be a simple story, that quickly careens out of control. In this case, four buddies; Tom, Eddie, Bacon, and Soap, pool their money together to back can't lose Eddie at an unbeknownst-to-them rigged game of cards. Of course they get fleeced, and end up in heavy debt to the local heavy. What follows is a madcap plan to recoup the money by intercepting a heist Eddie has fortuitously discovered his neighbor is carrying out. The interrelation of the problems with the original heist, along with the interception of it by Eddie's gang, and a couple of other local illegal activities result in a frantic circle of destruction.

Continue reading: Lock, Stock & Two Smoking Barrels Review

Mean Machine Review


OK
Paramount Classics is eager to inform you that Mean Machine, a remake of Robert Aldrich's 1974 film The Longest Yard, is from the same people who brought you Lock, Stock and Two Smoking Barrels and Snatch. Given the expectations this creates, it's no surprise that what's delivered is diverting, fast paced and, of course, violent. In the end Mean Machine is also utterly disposable, but goes down quickly and painlessly. Danny Meehan (Vinnie Jones) is an ex-soccer (football to you Brits) star, who finds himself serving a three-year prison sentence after drunkenly assaulting two policemen. When Meehan arrives at jail, he discovers that the prison governor (David Hemmings) has his mind set on the man taking over coaching duties of the guard soccer team. The plan is undermined by the fact that the guards won't allow a prisoner to be their coach, and several of them explain their feelings to the new celebrity convict in no uncertain terms. A lunchroom scuffle leads Danny to a stay in solitary confinement, where he is presented with an idea by a fellow inmate named Massive (Vas Blackwood): Tell the governor that you are going to build a team of prisoners to square off in a game against the guards. Meehan takes the advice and with the help of Massive and seen-it-all prison veteran Doc (David Kelly), assembles a makeshift squad for the monumental event. But if you thought Meehan's troubles ended there, you are sorely mistaken. He also has to contend in a power struggle with the leader of the inmates, Sykes (John Forgeham), whose authority in the prison outweighs that of the governor. There's also a matter of a notorious incident from Meehan's past when he "threw" an important soccer match in order to pay off a large gambling debt. Meehan braves all of the obstacles and eventually prepares his athletically crude unit, now known as The Mean Machine, a bit too well in the eyes of the governor, who has placed a huge wager (thanks to a tip by the double crossing Sykes) on the team of guards to try and pay off his own debt to a bookie. When the prisoners take a lead in the no-holds-barred match, the governor demands that Meehan revisit his game-throwing tendencies.

Executive Producer Guy Ritchie's influence is more than slightly evident in first time feature director Barry Skolnick's style. You get the requisite mini music videos, a camera which refuses to sit still, shots that don't appear on screen for more than a few seconds (what ever became of the art of composition?), and an abundance of stylized violence tossed in for good measure. Many of Ritchie's regular actors are along for the ride too, such as Jones (who's actually asked to do more than just wear his patented steely glare), Blackwood, Jason Flemyng, and most notably Jason Statham, as martial arts savvy psychopath Monk.

Continue reading: Mean Machine Review

Bruiser Review


Very Good
A revenge fantasy in the E.C. horror comics tradition, George A. Romero's Bruiser is about Henry Creedlow (Jason Flemyng, Snatch), a Joe Average company man whose anonymous working life has made him invisible to peers and loved ones. His wife has been using him for his upwardly mobile financial status while cheating behind his back. His co-worker and best buddy has been skimming the profits, secretly preventing Henry from earning his fair share. Worst of all is the boss, Miles Styles (Peter Stormare, Fargo), a loud, obnoxious boor who enjoys ritualistically humiliating everyone at board meetings -- a character so smirkingly piggish and cruel it's a wonder God hasn't struck him dead. Henry discovers that nice guys finish last, and when he wakes up one morning to discover his face has magically transformed into a featureless white mask, he uses the anonymity once used against him as a device for smooth, calculated vengeance against all who have done him wrong. It's The Invisible Man gone corporate.

Romero hasn't been able to get a feature film off the ground since 1993's The Dark Half, which is really too bad. He's one of the more distinctive filmmakers working within the horror genre, having made his start with the black-and-white classic Night of the Living Dead in 1968. That was a pioneer for modern horror as gruesome satire, followed up by the arguably superior Dawn of the Dead (where the zombie invasion was set against the backdrop of a shopping mall). Fans of Romero will be pleased to see him back to his old preoccupations. Bruiser could be viewed as an extension of the identity crisis in Martin, Romero's ambivalent portrait of a young man who may or may not be a vampire.

Continue reading: Bruiser Review

Deep Rising Review


Bad
Awfully hackneyed and barely entertaining, this Die Hard/Poseidon Adventure/Leviathan knockoff has so little going for it one scarcely knows what to mention in its review. Famke Janssen, always a riot, is even toned-down to blandness as a jewel thief plying her trade on a luxury ship. When Treat Williams and (unbeknownst to him) the band of criminals he is carrying on his speedboat cross paths with the cruise liner, all havoc breaks loose. Whoops -- there's also a monster-from-the-deep to throw a wrench into the works. Explosions, "witty one-liners," and the Williams as the unlikeliest of action heroes make this one yet another throwaway.

The League Of Extraordinary Gentlemen Review


Bad
If anything, what The League of Extraordinary Gentleman (aka LXG) does best is give us an original concept for action heroes: a group of characters picked from famous literary works united to fight a common enemy. Though it bears a resemblance to X-Men, LXG sounds great, but falls far short. The film, based on Alan Moore's graphic novels, is just a bunch of mindless shootouts and half-baked special effects with little, if any, time spent on the unique individuals at the heart of the action.

In LXG the film, a madman named "The Phantom" is bent on turning the nations of the world against each other in one gigantic World War. It's up to the British government to thwart his plan, and they have assembled a handsome crew to get the job done. Leading the group is aging adventure seeker Allan Quatermain (Sean Connery) with underlings The Invisible Man (Tony Curran), vampiress Mina Harker (Peta Wilson), Dr. Jekyll and alter ego Hyde (Jason Flemyng), Captain Nemo (Naseeruddin Shah), and Tom Sawyer (Shane West). Once all the introductions are done, the group heads to Venice to protect the world's leaders from the Phantom's attack during a peace conference.

Continue reading: The League Of Extraordinary Gentlemen Review

Snatch Review


Excellent
Madonna's new husband, Guy Ritchie, couldn't have timed his recent marriage any better. Intentional or not, it came a mere week before the opening of his new film Snatch, the follow-up to his Lock, Stock & Two Smoking Barrels. With Madonna as a willing shill, you couldn't ask for better publicity.

Turns out you didn't need it, Guy. Snatch is a film that stands perfectly on its own merits while it shoots bullet holes in everything in sight.

Continue reading: Snatch Review

The Transporter 2 Review


Unbearable

Few bad movies are more aggravating than a sequel that betrays everything which made its predecessor entertaining.

The B-movie, wild-ride brilliance of 2002's "The Transporter" stemmed from the filmmakers (producer-writer Luc Besson, co-writer Robert Mark Kamen and especially director/fight-choreographer Cory Yuen) not letting the plot get in the way of the tongue-in-cheek, out-sized action of incredible car chases and slick kung-fu. The flick embraced its own simplistic silliness -- revolving around a glibly stoic ex-Special Forces operative who makes a living delivering anything, anywhere with no questions asked -- and had a ball doing it.

Star Jason Statham retains his scruffy but well-dressed, bad-ass smirky-cool in "The Transporter 2," but he's continually tripped up by ridiculous, amateur-hour car chases and crashes (on the level of old "CHiPs" episodes), by over-choreographed fight scenes (so badly shot and edited that all you can comprehend is motion), and by the insultingly half-baked machinations of a convoluted screenplay.

Continue reading: The Transporter 2 Review

Jason Flemyng

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Jason Flemyng Movies

Gemma Bovery Trailer

Gemma Bovery Trailer

Martin Joubert is a French baker living in Normandy who has a deep passion for...

Stonehearst Asylum Movie Review

Stonehearst Asylum Movie Review

An arch approach makes this bonkers thriller rather enjoyable, even if it never quite cracks...

Stonehearst Asylum Trailer

Stonehearst Asylum Trailer

Stonehearst Asylum follows the plot of Edgar Allen Poe's short story The System of Doctor...

I Give It a Year Movie Review

I Give It a Year Movie Review

Not so much a rom-com as an anti-romance comedy, this brightly amusing British film makes...

Great Expectations Movie Review

Great Expectations Movie Review

Even though Charles Dickens' oft-told story is livened up with a terrific cast and sharp...

I Give It A Year Trailer

I Give It A Year Trailer

Josh and Nat thought they had the most perfect relationship and made no hesitation in...

Great Expectations Trailer

Great Expectations Trailer

Pip is a young orphan who has a chance meeting with a frightening stranger while...

Wild Bill Trailer

Wild Bill Trailer

Bill, known to his friends as Wild Bill, has just been imprisoned for eight years...

X-Men First Class Trailer

X-Men First Class Trailer

It's 1962 and the world is on the brink of starting a new world war....

X-men: First Class Movie Review

X-men: First Class Movie Review

Matthew Vaughn kicks some life back into the X-men franchise with this superbly written, directed...

Hanna Movie Review

Hanna Movie Review

Pacey and offbeat, this cat-and-mouse film keeps us on our toes by layering the action...

Ironclad Movie Review

Ironclad Movie Review

Turning a rarely dramatised chapter of British history into a riotously grisly romp, this film...

Clash Of The Titans Movie Review

Clash Of The Titans Movie Review

The studio clearly couldn't resist the chance to digitally revisit the creatures so memorably animated...

Kick-Ass Movie Review

Kick-Ass Movie Review

The team behind Stardust brings us the superhero movie we always wanted: brazen, raucous and...

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