Marnie Minervini recently lost her husband. The couple were very much in love and did everything together but her loss isn't going to stop Marnie getting on with her life. She moves from New Jersey to LA to be closer to her daughter and purchases a new flat near The Grove and a new iPhone which she won't let get the better of her.
Continue: The Meddler Trailer
Tyler Ritter, Jason Ritter, Carly Ritter, Maya Juanita Garcetti and Lisa Vanderpump - A variety of Celebrities attended the 30th Annual AIDS Walk Los Angeles, Pacific Palisades, California, United States - Sunday 12th October 2014
Max Greenfield, Jane Levy, Nate Parker, Aubrey Plaza, Jason Ritter and Jesse Zwick - Los Angeles premiere of 'About Alex' at ArcLight Hollywood - Arrivals - Los Angeles, California, United States - Wednesday 6th August 2014
Michael Fassbender was among the cast of historical biopic '12 Years A Slave' who attended the New York Film Festival premiere of the flick. He was joined by director Steve McQueen and main star Chiwetel Ejiofor.
'The First Wives Club' star Goldie Hawn, 'Bride Wars' actress Kate Hudson, Wilmer Valderrama from 'That 70s Show' and 'Gravity Falls' star Jason Ritter are all seen at the Clinton Global Initiative event in New York City.
Among the biggest stars at the 2013 Fox Upfront Presentation in New York City's Woolman Rink were 'The X Factor USA' judges Demi Lovato and Simon Cowell, who seemed to be enjoying each other's company outside of work with Demi making a bunny ears sign above Si-Co's head; 'New Girl' actress Zooey Deschanel, who was positively beaming as she posed in a black sequined jacket and sticky-out skirt; and Alexis Bledel from 'Gilmore Girls' accompanied by 'Parenthood' star Jason Ritter.
Strangely, however, Durst's career has been hit with a severe case of chronological fatigue. Last year, Durst directed Ice Cube in the lethargic teen-football weepie The Longshots, which would make him a filmmaker only in so much as he knew how to turn on a camera. That was his second film, however. His first film, The Education of Charlie Banks, premiered at the 2007 Tribeca Film Festival to mostly favorable reviews but didn't receive U.S. distribution. That is, until earlier this year, when Anchor Bay picked up the tab.
Continue reading: The Education Of Charlie Banks Review
Stop me if you've heard this one before. A cute young gal named Madison (Christensen) moves to a New Jersey town and instantly becomes smitten with star swimmer Ben (Jesse Bradford). But there's trouble: Ben's got a girlfriend (Shiri Appleby), and he's got a rough past... trouble with drugs and a stint in juvie. Now he's cleaned up and is eyeing a scholarship to Stanford, but an ill-conceived one-nighter with Madison lands him in all kinds of trouble once again.
Continue reading: Swimfan Review
The title is a joke, sort of, like much of the film. It starts with a panicked Lisa Kudrow running frantically through a residential neighborhood, dashing out into the street and getting hit by a car. Then a split screen informs us that she's actually not dead, that "no one dies in this movie," and the film proceeds, in the same jokey, needling manner, to introduce us to the rest of the players in this Los Angeles smashed relationship derby. Kudrow plays Mamie, a tense woman emotionally scarred after that time in her adolescence when got pregnant and gave the baby up for adoption. That memory comes smashing back into her life when wannabe documentarian Nicky (Jesse Bradford, gloriously clueless) shows up, claiming to be friends with her son, and saying he'll reunite them, but only if Mamie helps him make his debut film. Mamie's contribution to said project is the participation of her masseuse boyfriend Javier (Bobby Cannavale), pretending to be a gigolo for the sake of Nicky's awful excuse for a documentary.
Continue reading: Happy Endings Review
The long-anticipated match-up delivers all the gore, violence, carnage, and brutality you can stomach. By disregarding continuity, the film simultaneously honors its roots and forgets its past. Which means Freddy Vs. Jason picks up where neither franchise left off. Freddy (Robert Englund) still exists in the dreams of frightened children, but the current residents of Elm Street are being fed Hypnocil, a dream suppressant drug. Temporarily powerless, the scarred monster recruits juggernaut Jason (Ken Kirzinger) to infiltrate his 'hood and start scaring kids again. But once Freddy's returned to power, he can't get Jason to leave.
Continue reading: Freddy Vs. Jason Review
After opening with a hysterical woman named Mamie (LisaKudrow) getting hit by a car, he introduces a humorously detached meta-filmnarration style when the screen splits in two, and words appear on a blackbackground to reassure us that "No one dies in this movie. It's acomedy. Sort of."
"What happens next," the lettering continues,"was 20 years ago" -- at which point we learn that Mamie gotknocked up at 16 and was supposed to have an abortion, but secretly gaveup the baby for adoption. The unknowing father was her stepbrother Charley(Steve Coogan), who is now gay ("Who isn't?" quips the text onthe screen) and has run the family restaurant business into the groundsince the death of their parents.
But Roos is just getting warmed up. Soon an aspiring documentaryfilmmaker (a scruffy Jesse Bradford) with zero scruples is offering angry,neurotic Mamie information about her son -- but only if he can make a movieabout their reunion. Connected more loosely to these characters are a lesbiancouple (Laura Dern and Sarah Clarke) who may have secretly conceived theirchild with Charley's boyfriend's sperm, and Jude (Maggie Gyllenhaal), ablunt and sultry free-spirited young gold-digger who seduces a sexuallyconflicted rich kid (Jason Ritter) on her way to landing a much biggerfish -- his lonely dad (Tom Arnold).
Continue reading: Happy Endings Review
Another bland, prefabricated feel-good vehicle for another chirpy Disney-cultivated pop-singer teen queen, "Raise Your Voice" thinks it's a brave movie full of life lessons for young people because the main character's older brother is killed by a drunk driver in the first act.
The tragedy comes back to haunt supposedly talented 16-year-old Terri (Hilary Duff in terrible platinum tresses) from depicted-as-dead-end Flagstaff, Ariz., as she spends part of the next summer at a prestigious music academy in Los Angeles -- which she does secretly and very much against the wishes her tetchy father (David Keith). But given this opportunity for genuine depth, screenwriter Sam Schreiber and director Sean McNamara blow it by recycling the most banal story elements in the misunderstood-teen lexicon. For example, who do you suppose has an on-cue change of heart after seeing Terri perform in the Big Finale?
Straining desperately to seem at once hip (for the kids) and harmless (for their parents), "Raise Your Voice" is best personified by Duff's love interest -- a clean-cut, non-threatening faux-punk aspiring musician (Oliver James from the equally vanilla teenybopper flick "What a Girl Wants"). More than once the pair (and others) badly lip-sync and air-guitar their way through overproduced and studio-polished bubblegum-rock songs, staged as if they occurred spontaneously.
Continue reading: Raise Your Voice Review
For the first time since "Scream," the slasher genre shows signs of life (was that in poor taste?) in "Freddy vs. Jason," a franchise merger that pits hockey-masked psycho Jason Voorhees from the "Friday the 13th" movies against "A Nightmare on Elm Street's" dream-invading bimbo-killer Freddy Krueger and his knife-blade glove.
The scenes in which these two unstoppable supernatural slayers are literally at each other's throats prove to be everything fans of such movies could hope for as they hack, cut, beat, tear and toss each other around, first in Freddy's dream realm (where the burn-scarred nutcase has tapped into Jason's subconscious), and later on Jason's home turf at Camp Crystal Lake after Freddy has been drawn into the real world. Their super-violent showdowns are like John Woo fight scenes with all the elegance sucked out and replaced with brutal fury.
Unfortunately, the rest of the movie is largely the same tired old crap -- 25-year-old half-talents playing unconvincing high-schoolers stalked through the dark by one or the other of our killers. Any bouts of creativity in the script are almost immediately squelched by low standards of hack filmmaking, as evidenced by the boring expository prologue in which Krueger (Robert Englund) blabs on and on about his backstory, then explains the plot: He's awakened Jason (Ken Kirzinger) from the dead by invading his psyche (as a vision of his abusive mother), sending him to Elm Street to rekindle the fear Freddy needs to thrive in the dreams of his hometown teenagers and begin anew his own killing streak.
Continue reading: Freddy Vs Jason Review
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