I realize I should expect a good amount of hate mail for panning a "classic," but here goes anyway. See if you think this sounds like a good way to spend two hours: Devout Catholic Jean-Louis (Jean-Louis Trintignant) decides that he's going to marry Françoise, a blonde girl he sees at mass but whom he's never actually met. After half an hour of wandering around their small town, he ends up going with his pal Vidal to the home of Maud (Françoise Fabian), a divorcee with a young child who's actually interested in listening to Jean-Louis drone on and on about his moral choices, only for him to throw them to the winds when he decides to jump into bed with Maud, mere minutes after exclaiming he'd never do such a thing.
Continue reading: My Night At Maud's Review
In a boldly theatrical touch, Jean-Baptiste demanded that those gathering to pay their last respects must make a journey by train to his final resting place in Limoges, knowing full well that the damage he has done within their lives will come to a passionate, tumultuous head. As if to mock them, his body is being transported in a small white car driven on the road alongside the tracks.
Continue reading: Those Who Love Me Can Take The Train Review
Her character, a brazen sexpot, loves one brother but marries another. In the sun-drenched French Riviera, Bardot vamps it up and gets poor, poor hubby (Jean-Louis Trintignant) into endless fights and predicaments. And yet the men continue to fawn over her. Such is the point -- timeless and devilishly accurate, but hardly deep. Swept Away threw this idea for a twist, with much better effect (and also on the beach).
Continue reading: ...and God Created Woman Review
And yet Costa-Gravas had the presence of mind to turn the tepid story of thinly-veiled police corruption in 1963 Greece into Z, and somehow the world bought into it.
Continue reading: Z Review
Rendez-vous begins with aspiring actress Nina (Binoche) fresh off the boat in Paris, where she immediately falls into bed with both real estate clerk Paulot (Wadeck Stanczak) and his in-your-face roommate Quentin (Lambert Wilson). Soon enough, secrecy is put aside and the whole affair becomes a messy conflagration of emotion and raw sexuality.
Continue reading: Rendez-vous Review
A Man and a Woman was France's definitive love story for a decade, the Love Story of its generation and a thoroughly French example of its take on romance. Laconic, wandering, and bordering on hopeless, it's easy to see why the film has more fans among the heartbroken than the lovey-dovey.
Continue reading: A Man And A Woman Review
Continue reading: Les Biches Review
Red stands as Kieslowski's most convoluted and difficult work of the series, exploring far more than the idea of "fraternity" suggested by the color and delving deep into symbolism and our notion of "coincidence." Jacob is wonderfully watchable in her most nuanced role ever, and Trintignant's crustiness is bizarrely engaging, making you want to dig deeper into his oddly apathetic character who wants "nothing" further from life. Red is confusing but compulsively watchable.
Continue reading: Red (Trois Couleurs: Rouge) Review
Austrian auteur Michael Haneke isn't known for his light touch, but rather for hard-hitting, award-winning...
A striking look at a long-term relationship, this film is an antidote to those who...
This is the movie that made Brigitte Bardot famous -- especially since she appeared nude...