John C. Reilly (born 24.5.1965) John C. Reilly is an American film actor.
Childhood: John Reilly was born to an Irish-American father and Lithuanian mother; the fifth of six children. He was raised on Chicago and attended Brother Rice High School. Reilly went on to graduate from Chicago's DePaul University.
Film Career: In 1989, John Reilly made his film debut in Casualties of War. The Brian de Palma movie starred Michael J. Fox and Sean Penn. Another highlight of Reilly's early career was his role alongside Mark Wahlberg in Boogie Nights in 1997. The cult hit also starred Burt Reynolds, Heather Graham, Julianne Moore and Philip Seymour Hoffman.
A turning point for John C. Reilly's career came in 2002, when he was cast in three Academy Award-nominated films. Firstly was Chicago, a film adaptation of the popular musical. The film version starred Catherine Zeta Jones, Renee Zellweger, Richard Gere and Queen Latifah. The next film in the queue for awards was Gangs of New York. Despite featuring an all-star cast (including Leonardo DiCaprio, Daniel Day-Lewis and Cameron Diaz), the Martin Scorsese-directed movie failed to win any Academy Award. The final film in Reilly's successful trilogy of 2002 was The Hours. Nicole Kidman brought home an Oscar for her performance and the film also starred Meryl Streep, Ed Harris and Julianne Moore.
In 2004, John C. Reilly worked with Martin Scorsese once more, in the Howard Hughes biopic The Aviator. The movie saw Reilly sharing screen time with DiCaprio once more, as well as Cate Blanchett, Alec Baldwin and Kate Beckinsale.
Two years later, Reilly showcased his comic talents in Talladega Nights: the Ballad of Ricky Bobby, which featured Will Ferrell. That same year, he worked with Woody Harrelson, Lindsay Lohan and Meryl Streep in Robert Altman's A Prairie Home Companion.
2007 saw John Reilly starred in the biopic parody Walk Hard: The Dewey Cox Story, which took off a number of musical biopics, including those of Ray Charles and Johnny Cash.
Following this, John C. Reilly and Will Ferrell worked together once more, on Step Brothers. The film also featured Kathryn Hahn and Mary Steenburg and was written by Adam McKay (who also wrote Talladega Nights.).
Reilly has also worked in television, appearing frequently on Tim & Eric Awesome Show, Great Job! This led on to a spin-off series, Check it Out! with Dr. Steve Brule. Reilly has also provided his voice for an episode of The Simpsons (entitled 'Any Given Sundance').
After grossing nearly $500 million across the globe with its original movie, a much-deserved 'Wreck-It Ralph' sequel has now been officially announced.
There's no denying the incredible juggernaut Walt Disney Studios and all of its subsidiary studios have become in the world of movies. Now taking over Hollywood with a series of live-action adaptations of some of their most popular classic films - such as 'The Jungle Book' and the recently-released 'Beauty and the Beast', as well as looking after huge properties including the Marvel Cinematic Universe and the 'Star Wars' future instalments, the studio still clearly has time for its animated flicks. One of those is a sequel to the much-celebrated 'Wreck-It Ralph', confirmed for release early next year.'Wreck-It Ralph' was a huge hit for Walt Disney Pictures
During this week's CinemaCon, Disney announced during their presentation that the official title for the sequel had been confirmed as 'Ralph Breaks The Internet: Wreck-it Ralph 2'. A mouthful, but certainly a title that gives a bit of insight as to what to expect!
It was also confirmed that many of the talented voice actors from the first film would be making their return, with the likes of Jack McBrayer, Jane Lynch, John C. Reilly, Alan Tudyk and Sarah Silverman all back on board. Director Rich Moore also makes a comeback.
Continue reading: 'Wreck-It Ralph' Sequel Title Revealed
After the success of 2014's Godzilla reboot, the Warner Bros monsters get their own franchise, continuing with this King Kong prequel. It's a ripping adventure, cleverly directed by Jordan Vogt-Roberts (The Kings of Summer) to resemble a snarky Apocalypse Now remake with added gigantic beasts. And the eclectic cast makes sure that there's plenty of comedy, villainy and heroics to draw the audience in.
It's 1973, and Bill (John Goodman) is taking a pair of scientists (Corey Hawkins and Jing Tian) to an uncharted island to verify reports of prehistoric creatures before the Russians can get there first. En route, they stop in Vietnam to collect a mercenary adventurer (Tom Hiddleston), a photojournalist (Brie Larson) and a helicopter squadron led by Packard (Samuel L. Jackson). But their noisy arrival on the island enrages towering monkey Kong (mo-capped by Terry Notary and Toby Kebbell, who also plays a member of the team). With their choppers grounded, the main job now is to get out of here alive. And after discovering a castaway WWII pilot (John C. Reilly), they learn that Kong is actually protecting the world from far scarier monsters.
The story is told with a blast of dry humour, weaving in lots of sharp banter along with a collection of iconic 70s rock anthems. This gung-ho approach makes the movie energetically good fun, obscuring the fact that it's not particularly deep or meaningful. There are big themes gurgling away under the surface (such as the way blind militaristic action unearths dangers far worse than the perceived enemy), but these things remain subliminal, only barely visible amid the fast-paced action and big effects mayhem. That it all leads to some heavily animated monster-vs-monster destruction is hardly surprising. But when a movie is this light on its feet and so cheerfully frenetic, the audience is really only interested in hanging on for the ride.
Continue reading: Kong: Skull Island Review
John C. Reilly and Alison Dickey at the Los Angeles Philharmonic's 2016/17 Opening Night Gala: 'Gershwin and the Jazz Age' held at Walt Disney Concert Hall - Los Angeles, California, United States - Tuesday 27th September 2016
Japan's Studio Gibli has been responsible for some of the finest animated movies in recent decades, from 2003's Oscar-winning Spirited Away to last year's beautiful The Tale of the Princess Kaguya. Now adapted by Disney with a starry Western voice cast, their films are reaching a wider audience. And this remarkably moving drama shows how complex an animated movie should be, skilfully grappling with grown-up themes through a child's perspective.
The story comes from the Joan G. Robinson novel about Anna (voiced by Hailee Steinfeld in the English-language version), a 12-year-old who lives in Sapporo with her foster mother Yoriko (Geena Davis). But Anna isn't like the other giggly girls at school, and after an asthma attack, she moves to the countryside to live with Aunt Setsu and Uncle Kiyomasa (Grey Griffin and John C. Reilly). They give her plenty of space to explore the area, and when she spots an abandoned seaside mansion, she is unexpectedly drawn to it, befriending Marnie (Kiernan Skipka), the free-spirited girl who lives there. Anna understands that Marnie is an imaginary friend, then is surprised to find Marnie's diary hidden behind a bookshelf in the rambling house.
The twisty plot incorporates a range of elements that keep the audience off-balance: Is this a ghost story? Is Anna mentally unstable because of her difficult background? But the film is much deeper than that, and as Anna takes a fiercely original journey to self-discovery, the film touches on all kinds of resonant themes. For example, Anna struggles with her self-image, never believing that she's a talented artist, although she clearly is. This has left her feeling like no one else likes her either. So it's both fascinating and moving to watch her blossoming relationships with both the young girl Sayaka (Ava Acres) and the older woman Hisako (Vanessa Williams) who paints by the seaside. Both offer emotional insight into Anna's story.
Continue reading: When Marnie Was There Review
Throwing a solid Hollywood cast into a surreal arthouse satire, acclaimed Greek filmmaker Yorgos Lanthimos (Dogtooth) makes his English-language debut with a bang. This is a blackly comical parable about how it feels to be single in a society that only values couples. With its two-part structure it almost seems like two movies mashed together, exploring the topic in ways that are smart and revelatory, and utterly deranged. And the strikingly gifted actors bring it to life beautifully.
It's set in a remote hotel on the Irish coastline, where the recently divorced David (Colin Farrell) has gone to find a mate. Single people here have 45 days to find their perfect partner, or else they're transformed surgically into an animal of their choosing. David has opted to become a lobster, but is determined to find a wife. He watches as one guy (Ben Whishaw) fakes nosebleeds to appear more like a young woman (Jessica Barden). So David pretends to be something he isn't, but is caught by the hotel's imperious manager (Olivia Colman). He escapes into the woods, where he joins a desperate band of loners led by a fierce warrior (Lea Seydoux). There he falls for a woman (Rachel Weisz) who is short-sighted like he is, but romance is forbidden among the loners.
The filmmakers are inventively exploring some very real issues in society, which makes the story ring eerily true, no matter how relentlessly odd it gets. The script's action sequences sometimes feel a bit contrived, but they add to the characters' nagging sense of desperation as they're stuck in a world that simply won't accept them as they are. And it helps that the actors dive in without hesitation. Farrell has gained weight to play the middle-aged David, who had a happy life before being plunged into this nightmare. He's very easy to identify with, both in his awkward interaction and as he boils over in rage. Weisz adds a lusty, razor-sharp intelligence to her role. And Colman quietly steals the movie with her deadpan performance as the godlike hotel manager.
Sometimes this extreme satire feels rather on-the-nose, but it's also a powerfully provocative exploration of the way society forces people to comply, marginalising anyone who refuses to join the status quo. And Lanthimos is gifted at using comedy and emotion to deepen the characters and themes, digging beneath the surface while telling a story that's simply impossible to predict. So in the end, we're almost taken aback at the way all of this has wormed its way under our skin, revealing things about ourselves we thought we had suppressed. Especially the way we value or dismiss people around us based on factors that are utterly irrelevant.
Continue reading: The Lobster Review
David is a single man having just left a 12 year relationship. As per the rules of living in The City, set in a dystopian future, he is forced to check into The Hotel. The sprawling facility is a place where all singletons must find love within 45 days, or else be turned into a creature of their choice and banished into The Woods, as being alone is highly frowned upon. David's only companion is his loyal dog, who happens to be his unlucky-in-love brother who ran out of time when he was a resident at The Hotel. David's chosen animal is a lobster, but he has no intention of living life as a crustacean and makes his escape into The Woods to join up with The Loners. Soon he meets a short-sighted woman who happens to be extremely adept at catching rabbits. As chance would have it, David finds himself falling for her, but this kind of romance is against the law in The City.
Continue: The Lobster Trailer
While zombie rom-coms aren't original (see Shaun of the Dead or Warm Bodies), this take on the genre has such a deadpan tone that it feels refreshingly unpredictable. While the plot sometimes seems like it's going to spin completely out of control, writer-director Jeff Baena (who wrote I Heart Huckabees) holds it together with clever twists and turns and smart, witty dialogue. And the terrific cast helps balance the humour and horror with a hint of emotional depth.
It opens as soulful teenager Zach (Dane DeHaan) is grieving about his recently deceased girlfriend Beth (Aubrey Plaza), who was killed by a snake bite. As Zach and Beth's parents (John C. Reilly and Molly Shannon) help each other get over the shock, they are startled when she arrives back home as if nothing happened. Utterly unaware that she's undead, Beth can't understand why Zach is looking at her strangely, while her parents become super protective, refusing to let her outside for fear that someone will spot a dead girl walking around. Then Zach begins to notice that Beth isn't the only person in town who has come back to life. And when he runs into old friend Erica (Anna Kendrick), Beth's jealousy seems to trigger a full-on zombie invasion.
By focussing on the warped relationships between the characters, the film keeps the audience both involved and entertained. The humour is a mix of bone-dry dialogue and riotously nutty visual gags that escalate as the story progresses. And there are constant wrinkles in the plot, such as how Beth conveniently can't remember breaking up with Zach before she died. Or how Zach's gung-ho brother (a scene stealing Matthew Gray Gubler) reacts to the growing threat of the walking-dead. And by combining real heart with silly comedy and even some genuine scariness, filmmaker Baena manages to make some sharp observations about both love and grief.
Continue reading: Life After Beth Review
With zombie movies steadily taking over the cinema, ‘Life After Beth’ strives to stand out from the undead crowd.
Zombie movies are as old as cinema itself, kicking off with 1930s hits like 'White Zombies' and 'The Devil's Daughter'. The genre came to mainstream prominence with George A. Romero's 'Night of the Living Dead' in 1968, after which the undead onslaught has been fairly unceasing. But a subset is just as venerable: the zombie comedy, or zom-com, can trace its roots back to 1941's 'King of the Zombies' and 1945's 'Zombies on Broadway'. More recent examples include Peter Jackson's 'Braindead' (1992) and 'Zombieland' (2009).
The most memorable recent zom-com is obviously Edgar Wright's 'Shaun of the Dead' (2004), which introduced a further sub-genre: the zom-rom-com. This paved the way for the likes of the Spanish romp 'Juan of the Dead' (2010), 'Warm Bodies' (2013) and 'All Cheerleaders Die' (also 2013).
Continue reading: 'Life After Beth' Adds New Twist To Old Genre
By refusing to follow the usual formula, filmmaker James Gunn has made Marvel's best-yet movie, a summer action-adventure that provides more cinematic fun than the rest of the year's blockbusters rolled into one. It's shamelessly entertaining, keeping the focus on sparky characters even as the action spirals into exhilarating set-pieces around them. And the best thing is that the film isn't actually about the big plot: it's about a group of people who should hate each other but instead come together as a team.
In a pre-logo sequence set in 1988 America, a young boy is kidnapped by aliens. Some 25 years later, Peter (Chris Pratt) has become an ace thief who roams the galaxy in search of cash. Curious and charming, he can get himself out of most scrapes, but when he collects a mysterious orb for a client he ends up as the target of two bounty hunters, the raccoon-like Rocket and tree-like Groot (voiced by Bradley Cooper and Vin Diesel). And the villainously destructive Ronan (Lee Pace) sends his best fighter Gamora (Zoe Saldana) to get the orb for his own nefarious plan. Rounded up and thrown into prison, Peter, Gamora, Rocket and Groot stage a daring escape with the help of literal-minded muscleman Drax (Dave Bautista), then must work together to deal with this troublesome orb. So they contact Peter's mentor/nemesis Yondu (Michael Rooker) before taking on Ronan and his second-best fighter, Gamora's half-cyborg sister Nebula (Karen Gillan).
Gunn gives the film a look and tone unlike anything in the Marvel universe, with colourful ships, sassy humour and freewheeling action that propels the story and deepens the character at the same time. It also makes the most of the well-worn 1980s mixtape Peter uses as his own personal soundtrack. It's the kind of riotously thrill ride that makes us hold on for dear life, loving every twist and turn. And since it's so tightly focused on the characters, the action plot involving the orb merely adds texture around the edges. As do terrific actors like Glenn Close and John C. Reilly in small but pivotal roles.
Continue reading: Guardians Of The Galaxy Review
Zach is a total mess following the sudden death of his girlfriend Beth and turns to her equally grief-stricken parents for support. However, when they stop contacting him, he becomes confused by their evasiveness and begins to suspect their daughter is still alive. Sure enough, there's a hole in the ground by her presumably previously occupied grave and she appears to have resurrected from the dead. Zach doesn't know what to think, but when he sees her looking just the same as she did before she died, he is overcome with emotion and decides to tell her everything that he wished he'd said before she passed. However, their happy ending is quickly cut short when Beth starts displaying increasingly erratic behaviour - such as biting and eating a man. Realising that she's a zombie complicates things for Zach, who'll give anything to keep her around but struggles to cope with her newfound brutality.
Continue: Life After Beth Trailer
Date of birth
24th May, 1965
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