The quality of the animation in this musical comedy may not be up to Pixar standards, but the story and characters are thoroughly endearing. And the music is fabulous. As it follows a group of likeable animals through a variety of plots and adventures, there's plenty for everyone in the audience to connect with. So even if the climactic action mayhem gets a bit ridiculous, the movie keeps us laughing. And it also makes us want to get up on that stage and belt out a few numbers.
It's set in a city populated by animals. Buster (voiced by Matthew McConaughey) is a koala who has been obsessed with musical theatre since he saw the diva Nana (Jennifer Hudson then Jennifer Saunders) perform when he was a child. So he grew up and bought the theatre. Now with audiences waning, he stages a musical competition to save the theatre. In the auditions, he selects his finalists: anarchist porcupine Ash (Scarlett Johansson), jazzy mafioso mouse Mike (Seth MacFarlane) and silky voiced gorilla Johnny (Taron Egerton). He also teams up two pigs as a double-act: frazzled housewife Rosita (Reese Witherspoon) and German dancer Gunter (Nick Kroll). There's also golden-voiced elephant Meena (Tori Kelly), who's too shy to face the audience so takes a role backstage. Of course, nothing goes as planned.
The key conflict comes from Buster's frantic efforts to avoid bankruptcy, plus rather half-hearted action subplots involving a gang of bears and Johnny's criminally minded relatives. These generate quite a bit of tension that erupts into rather outrageously destructive slapstick along the way. More interesting are the personal journeys of the various contestants, especially as Ash, Meena and Johnny all discover their voices and Rosita finds inventive ways to balance her long-lost career with her role as a mother to 25 rambunctious piglets. Yes, the film is rather crowded with characters and storylines, and the animation looks plasticky, but everything comes together cleverly,
Continue reading: Sing Review
It's the 1970s and Captain James Conrad and Lieutenant Colonel Packard are leading a group of soldiers and explorers to a seemingly idyllic unmapped location in the Pacific.
Unfortunately, their journey requires some serious collateral damage, as they are forced to bomb the island and unwittingly incite the treacherous ire of Kong, the King of Skull Island. He crushes them - literally. That's what happens when you bomb the habitat of a giant ape. But soon they realise that Kong isn't the only outsize creature they have to fear, because the island is home to a group of demonic monsters as well, some that resemble spiders and others that resemble reptiles. Their only hope is to enlist the help of the island's inhabitants, tribal men and women who worship the great Kong but disapprove of the Americans' willingness to attack their home.
Directed by Jordan Vogt-Roberts ('The Kings of Summer'), 'Kong: Skull Island' is a re-imagining of the King Kong story, following him to his home on Skull Island where he first originated. The screenplay was written by Dan Gilroy and Max Borenstein, and filming spanned locations the likes of Hawaii, Australia's Gold Coast and Vietnam. Starring Tom Hiddleston, Samuel L. Jackson and John C. Reilly, the film is scheduled to be released on March 10th 2017.
James Conrad is a British captain who leads an international envoy to the middle of the Pacific Ocean to charter some of Earth's most distant and mysterious lands. The captain is accompanied by a number of other members on the team including Randa, a government official who appears to know a few of the islands mysteries; a female photojournalist called Weaver who is known for her war photography; US Lieutenant Colonel Packard who is in charge of the UK troops who are also part of the mission.
As the vessel approaches the island, spirits are high and the team are ready to take choppers to the green land known as Skull Island. Soon their mission becomes disastrous as the inhabitants are far more feral than they could ever imagine. Equipped with guns, Ammunition and rocket launchers, the humans feel that they're able to overcome whatever may await them on the island but the truth is that they could never come face to face and beat the beast that awaits them.
Kong: Skull Island is the latest reboot of the King Kong story and it focusses on the start of the story originally told in 1933.
Continue: Kong: Skull Island Trailer
The 'Wreck It Ralph' sequel has a tentative release date of March 9th, 2018.
A sequel for the animated hit Wreck-It Ralph has been officially announced by Walt Disney Animation Studios, due to be released in 2018.
Director Rich Moore, who was in charge of the original movie that was a box office sensation in October 2012, confirmed that he was working on a follow-up during a live Facebook chat on Thursday (June 30th).
A still from 2012's 'Wreck-It Ralph'
Continue reading: 'Wreck-It Ralph 2' Confirmed For 2018
Japan's Studio Gibli has been responsible for some of the finest animated movies in recent decades, from 2003's Oscar-winning Spirited Away to last year's beautiful The Tale of the Princess Kaguya. Now adapted by Disney with a starry Western voice cast, their films are reaching a wider audience. And this remarkably moving drama shows how complex an animated movie should be, skilfully grappling with grown-up themes through a child's perspective.
The story comes from the Joan G. Robinson novel about Anna (voiced by Hailee Steinfeld in the English-language version), a 12-year-old who lives in Sapporo with her foster mother Yoriko (Geena Davis). But Anna isn't like the other giggly girls at school, and after an asthma attack, she moves to the countryside to live with Aunt Setsu and Uncle Kiyomasa (Grey Griffin and John C. Reilly). They give her plenty of space to explore the area, and when she spots an abandoned seaside mansion, she is unexpectedly drawn to it, befriending Marnie (Kiernan Skipka), the free-spirited girl who lives there. Anna understands that Marnie is an imaginary friend, then is surprised to find Marnie's diary hidden behind a bookshelf in the rambling house.
The twisty plot incorporates a range of elements that keep the audience off-balance: Is this a ghost story? Is Anna mentally unstable because of her difficult background? But the film is much deeper than that, and as Anna takes a fiercely original journey to self-discovery, the film touches on all kinds of resonant themes. For example, Anna struggles with her self-image, never believing that she's a talented artist, although she clearly is. This has left her feeling like no one else likes her either. So it's both fascinating and moving to watch her blossoming relationships with both the young girl Sayaka (Ava Acres) and the older woman Hisako (Vanessa Williams) who paints by the seaside. Both offer emotional insight into Anna's story.
Continue reading: When Marnie Was There Review
Happily ever after wasn't always the way fairy tales turned out. Sometimes Princesses, Kings, Queens and their pretenders need to be careful what they wish for. The Queen of Longtrellis, The King of Highhills and The King of Strongcliff are three such people who would do anything to make their biggest dreams come true.
For the Queen of Longtrellis, all she's ever wanted is a child of her own but the king and queen haven't been able to conceive. Not willing to wait any longer, the queen consults a sorcerer who is able to grant the Queens wish at any price the enchanter wishes.
The King of Highhills was never blessed with a son, his daughter is his only living heir and invites his citizens to take part in a challenge to win the hand of his daughter. When a brute of a ogre wins his challenge, the princess is given away and begins a lonesome life with him in the mountains. However, despite the ogre abusing the slight girl, as each day passes, she becomes stronger and bides her time before the day that she can become the leader her Kingdom needs.
Continue: Tale Of Tales Trailer
From the legendary Academy Award-winning animation house Studio Ghibli (Spirited Away, Arrietty, The Tale of The Princess Kaguya), comes the haunting and touching tale When Marnie Was There. A beautiful story about ever-lasting friendship based on the beloved young adult novel of the same name by Joan G. Robinson. When Marnie Was There is another superb addition to Ghibli's well-loved catalogue, receiving an Academy Award nomination for Best Animated Feature this year.
Buster Moon is one of the good guys, he's a koala who's lived his life for the theatre he loves. His sunny disposition is somewhat hindered at the thought of his once great and popular theatre being lost. In need of making money, Buster must come up with an idea to save his theatre - and if it can be helped, also encourage the animals of his home town also become enthusiastic about live entertainment.
Buster's secretary accidentally advertises a singing contest to the residents, the flyer explains that they're looking for a fantastic new talent and the winner of the competition will win 100,000 dollars! Buster finds his theatre is once again the centre of a bustling metropolis and goes ahead with the auditions.
There's a few standout performers including a mom who's life revolves around her 25 piglets, a gorilla who's trying to break away from a bad way of life and a small mouse who might be small but has all the wits and sneaky ambition of the other contestants combined!
Continue: Sing Trailer
'Stan & Ollie’ focuses on the legendary double act’s 1953 UK tour.
British actor Steve Coogan has been cast alongside John C. Reilly in a new biopic about legendary comedy duo Laurel and Hardy. Coogan will play Stan Laurel, with Reilly taking the role of his partner Oliver Hardy. The film’s script has been penned by Jeff Pope, who worked with Coogan on Philomena and it will be directed by Filth's Jon S. Baird.
Steve Coogan has been cast as Stan Laurel in a new biopic.
Titled Stan & Ollie, the film will focus on the duo’s 1953 tour of UK variety halls and is described as an "emotional tribute to two of the funniest men in movie history,” according to The Hollywood Reporter. It is being developed by BBC Films and produced by Fable Pictures and Sonesta Films.
Continue reading: Steve Coogan And John C. Reilly To Star In Laurel And Hardy Biopic
The 'Get Hard' star was honoured for his contributions to comedy with a star on the legendary pavement on Hollywood Boulevard.
On the eve of the release of his latest movie Get Hard, Will Ferrell has been honoured with a star on the Hollywood Walk of Fame. The unveiling ceremony took place on Tuesday on Hollywood Boulevard, and was attended by fellow comics John C. Reilly and Molly Shannon.
Reilly, who was Ferrell’s co-star in Step Brothers and Talladega Nights: The Ballad of Ricky Bobby, led the speeches in front of the Hollywood Wax Museum, saying “maybe someday, in 50 years, people will look down on the sidewalk and say the things that we say today about some of these people: 'Who the f--- is this guy?’”
Will Ferrell was honoured with a star on the Hollywood Walk of Fame
Continue reading: Will Ferrell Honoured With Star On Hollywood Walk Of Fame
Emerson College renames its journalism school after the Anchorman "legend."
The Anchorman sequel is almost here and if that's not exciting enough for you then the news that top Boston university, Emerson College, will temporarily rename its school of communication 'The Ron Burgundy School of Communication' will send you into full-blown, movie-quoting overdrive.
Smell That? It's 'Sex Panther' And It's Coming Our Way!
Indeed, It's exactly a month until Ron Burgundy, Brian Fantana, Brick Tamland and Champ Kind reunite for more debauched and bungling action. To celebrate the occasion, the prestigious Boston college will rename the school for one day only on the 4th December to honor the fictitious television anchorman, reports the AP.
John C. Reilly - Friday November 15, 2013; Celebs out at the Lakers game. The Memphis Grizzlies defeated the Los Angeles Lakers by the final score of 89-86 at Staples Center in downtown Los Angeles, CA. - Los Angeles, California, United States - Saturday 16th November 2013
Glenn Close will play a role similar to Samuel L Jackson's in The Avengers.
Well this is a surprising casting, though one that sort of makes a ton of sense. According to the Deadline.com, Marvel Studios has landed Oscar winning actress Glenn Close to play a major new role in its latest franchise, Guardians of the Galaxy. The actress will reportedly play a leadership role in Nova Corp, the intergalactic space control.
The new James Gunn-directed movie goes into production next month, so Marvel have left it late to cast what is essentially a major role. The movie already boasts a pretty decent looking cast including Chris Pratt, Zoe Saldana, Lee Pace, Michael Rooker and John C. Reilly. Pratt landed the lead role following a search that included Marvel looking at Joseph Gordon-Levitt, Joel Edgerton, Jack Huston, Jim Sturgess and Eddie Redmayne.
Sources tell Deadline that Close's role will be the closest thing to the one that Samuel L. Jackson plays in The Avengers, though perhaps with more of an edge. Close has proven she can play the hardnosed character in the likes of Damages, Fatal Attraction and, err, 101 Dalmatians and we see her being a real hit in Guardians.
Continue reading: Glenn Close To Play Top Cop In Marvel's 'Guardians Of The Galaxy'
John C. Reilly, Alison Dickey and Grauman's Chinese Theatre - John C. Reilly, Alison Dickey Tuesday 6th November 2012 AFI Fest - 'Rust and Bone' - Gala Premiere at the Grauman's Chinese Theatre - Arrivals
John C. Reilly, Alison Dickey and Grauman's Chinese Theatre - John C. Reilly, Alison Dickey Monday 5th November 2012 AFI Fest - 'Rust and Bone' - Gala Premiere at the Grauman's Chinese Theatre - Arrivals
A turbulent week for U.S cinemas, for the East coast anyway, ended with the reopening of many theatres. What better way to dry off those Hurricane Sandy soaked souls than a trip to the movies? Here's our U.S Box Office roundup.
Shooting, collecting coins and levelling up to the top of the charts is Wreck It Ralph - Disney's videogame animation, which tells the tale of a villain with designs on a different role in life. With a hugely impressive $49m on its opening weekend, Wreck It Ralph has proved to be a tremendous success. And you can expect those figures to rise, as industry expects that return to swell to almost $200m before its run is out. With just over half that amount, Denzel Washington's latest project, Flight lands in with $25,01m. The critics have been kind this aviation flick, and don't be fooled by Wreck It Ralph's impressive haul; $25m is a healthy return for an opening weekend. Still going strong in its 4th week is Ben Affleck's Argo; the true story of a CIA extraction mission grabs the #3 spot with $10,245,000. Rapper turn director RZA breaks the top 5 with his debut behind-the-camera effort, The Man With The Iron Fists, which comes in at #4 with $8,219,200. The critically panned Taken 2 is at #5 with $6m - an impressive feat for a film in its 6th week, Liam Neesons thriller has amassed $125.7m so far.
Cloud Atlas continues its disappointing commercial performance by pulling in $5,250,000, making it #6, while Hotel Transylvania's Halloween appeal wears off at #7 with $4.5m. Paranormal Activity 4, Here Comes The Boom and Silent Hill: Revelation 3D round off the top 10, with $4.3m, $3.6m and $3.3m respectively. Figures compiled from Yahoo Movies.
Continue reading: US Box Office Roundup: Wreck It Ralph Is This Weekend's Hero
Since Toy Story set the precedent for animated movies, many have come, and many have succeeded in providing hours of fun for kids and adults alike. Disney's Wreck It Ralph seems no different, as we check out some reviews.
A video game character, the titular Wreck It Ralph - voiced by John C. Reilly - bemoans his villain status, and longs for the title of hero. It's a simple premise, and it looks like Disney have pulled it off. "The most inventive and entertaining family movie I've seen this year, packed with wickedly smart humor and joyful animation," say Time Magazine, in a wholly positive review. "Wreck-It Ralph is the latest in a rash of recent movies fired up with imaginative risk. Director Moore brings a video junkie's passion to the movie game, and it's hilariously infectious," write Rolling Stone, fully endorsing the animated flick. Film Geek Central were equally doting: "This is, without a doubt, the best animated film so far this year. It's a video game geek's paradise, featuring countless references to games from all eras," said Austin Kennedy in an excellent review. Perhaps MSN Movies say it best, when they say: "Wreck-it Ralph' is a serious contender for the title of best animated film of the year."
Negative thoughts were few and far between, but the main criticism of Wreck It Ralph is that some kids might not be able to connect with the in-jokes, but from what we've read, we think it'll be a hit for all ages. Go see it!
Continue reading: At The Movies: Wreck It Ralph Reviews
Disney’s latest animation, Wreck-It-Ralph, has been given the thumbs up by critics (most of them at least) and looks to make a big impact at the box office when it is released in cinemas worldwide.
The film sees video game baddy Ralph (John C. Reilly) as he grows tired of being overshadowed by his games hero; Fix-It Felix (Jack McBrayer). But after decades of doing the same thing day in day out and seeing all the glory go to Felix, Ralph decides it’s time for something new, time for him to become the hero. He then takes matters into his own massive hands and sets off on a game-hopping journey across the arcade through every generation of video games to prove he's got what it takes to be a hero.
Whilst some critics have been less than complimentary with their feedback, with the Washington Post complaining that the film “emphasizes action and eye-popping visuals over emotion” and the New York Post commenting that the film is to concentrated on “boring crashing and chasing and slapstick” (although admitting that “there are some brilliant flashes of wit” in the film) the majority of reviews have been mostly positive.
Continue reading: Wreck-It-Ralph Gets 1UP From Critics: Review Round-Up
Wreck-it Ralph, the new computer-animated comedy from Disney, has received storming reviews ahead of its release this week. The movie, featuring the voices of John C. Reilly and Sarah Silverman, tells the story of an arcade game villain who rebels against his role as a 'baddie' and dreams of becoming a hero.
Noted critic Roger Ebert suggested Disney has got it right yet again, writing, "The art design and color palette of "Wreck-It Ralph" permit unlimited sets, costumes and rules, giving the movie tireless originality and different behavior in every different cyber word." Variety's Peter Debruge also showered the film with praise, writing, "There are a staggering number of rules governing the gameplay in Wreck-It Ralph, and one of the toon's greatest pleasures comes in how intuitively audiences discover those parameters as the story unfolds." As is often perfectly judged by Disney, family movies need to provide as much for adults as they do for children, (see Toy Story) and Justin Lowe of the Hollywood Reporter spoke of Wreck-It Ralph's ability to carry this off with aplomb. "With a mix of retro eye-candy for grown-ups and a thrilling, approachable storyline for the tykes, the film casts a wide and beguiling net," he wrote.
As has been widely reported, Disney completed its takeover of LucasFilm this week, signalling its intention to release several new Star Wars movies.
Continue reading: Wreck-It Ralph Appears To Be Disney's Latest Success Story
Eva (Swinton) is a shell of her former self, living in isolation as the target of anger from an entire community. She clearly blames herself for an act of violence unleashed by her 15-year-old son Kevin (Miller), and misses her husband (Reilly) and daughter (Gerasimovich). But as she finds a job and starts to put her life together, the memories won't stop swirling in her mind. Does she even deserve to have survived such a horrific event? Can she ever make peace with the grieving, enraged people around her?
Continue reading: We Need To Talk About Kevin Review
Eva is an ambitious woman who is very career orientated, but she puts this to one side in order to give birth to her first child, Kevin. The mother and son relationship is awkward from the very start and despite her best efforts to bond with her child, Eva's attempts are in vain. When Kevin reaches 15, he does something irrational and inexcusable in the eyes of the community and the rest of society.
Continue: We Need To Talk About Kevin Trailer
In Brown Valley, Wisconsin, Tim (Helms) is an earnest mid-30s insurance salesman in love with his 7th-grade teacher (Weaver), who's only using him for sex. Oblivious to the moral failings of people around him, Tim heads to an insurance convention in Cedar Rapids, the biggest city he's ever seen. There his worldview is smashed by the outrageous antics of his colleagues, including party boy Dean (Reilly), married but flirty Joan (Heche) and repressed nice guy Ronald (Whitlock), as they all contend with insurance president Orin (Smith) for coveted Two Diamonds status.
Continue reading: Cedar Rapids Review
After seven years, John (Reilly) still hasn't got over the break-up of his marriage to Jamie (Keener), but now that she's marrying Tim (Walsh) he really should move on. At a party, he meets Molly (Tomei), an improbably hot woman who actually seems to like his goofy behaviour, and their relationship gets serious very quickly. But Molly's 21-year-old son Cyrus (Hill) isn't quite ready for his mother to settle down with another man and launches a silent campaign to scupper the romance.
Continue reading: Cyrus Review
Number 9 (Wood) is a brave little creature who wakes up into a decimated city where meets the inventive 2 (Landau), who's promptly captured by a scary monster. Soon 9 finds a community led by conservative leader 1 (Plummer) with his muscly/dim bodyguard 8 (Tatasciore) and obsessive sketch artist 6 (Glover).
It's the friendly 5 (Reilly) who accompanies 9 to rescue 2, and along the way they meet swashbuckling 7 (Connolly) and bookish twins 3 and 4. Together they need to figure out how to stop a voracious soul-sucking machine.
Continue reading: 9 Review
Darren (Massoglia) is an A-student 16-year-old whose best pal Steve (Hutcherson) keeps getting him into trouble. When they hear about the underground Cirque du Freak, they can't resist a visit. There they meet ringmaster Mr Tall (Watanabe), bearded seer Truska (Hayek) a snake boy (Fugit), monkey girl (Carlson) and many more. But soon they're entangled with the show's star, vampire Crepsley (Reilly), and his mortal enemy Mr Tiny (Cerveris). And when Crepsley makes Darren a vampire, Steve gets so jealous that he joins the other side.
Continue reading: Cirque Du Freak: The Vampire's Assistant Review
Continue reading: Step Brothers, Interview with Will Ferrell and John C Reilly
It's no stretch to call Adam McKay's Step Brothers the year's stupidest film. Part of me feels bad labeling it as such, but then I remember that no movie boasting scenes of a grown man licking dog feces really wants to be taken seriously on any level.
Continue reading: Step Brothers Review
Now Conrad has directed his first feature, The Promotion, and he remains fascinated by the mechanics of everyday life -- more so, in fact, because Doug (Seann William Scott) and Richard (John C. Reilly), both assistant managers at a Chicago-area grocery store, will probably never be anything as glitzy as a local weatherman or a stockbroker.
Continue reading: The Promotion Review
When he was a young boy, Dewey Cox lost his virtuoso brother Nate in a freak machete accident. The trauma left the lonely child challenged, olfactorily speaking. Hoping to follow in his talented sibling's footsteps, Dewey learned the blues. He was then catipulted to fame during the heady days of early rock and roll. Though condemned for playing the Devil's music, his mixture of innocence and innuendo led to massive mainstream success. Life on the road, however, was filled with temptations.
Continue reading: Walk Hard: The Dewey Cox Story Review
Peggy (Molly Shannon) dotes on Pencil, her puppy, with the affection only rewarded to the luckiest of children from the most spoiling of parents. So, when Pencil gets into some toxic shrubbery and goes, as all dogs do, to heaven, Peggy is inconsolable. Not that there aren't plenty of people who want to help her. Her oafish neighbor (John C. Reilly) wants to date her, her best friend (Regina King) wants to set her up with someone, and the receptionist at the vet (the invaluable Peter Sarsgaard) wants to get her a new dog ASAP. It's the receptionist, Newt, who gets Peggy into veganism and, ostensibly, sends her on a path of social destruction the likes of which are rarely seen.
Continue reading: Year Of The Dog Review
Based on an allegedly true event that was reported in the New Yorker, Casualties is a stripped-down tale of a small platoon of Army grunts who head into the jungle only to lose their humanity, a trope that has traveled from Conrad to Coppola to here. It's Satan in paradise, wreaking havoc and leaving unexplainable carnage behind.
Continue reading: Casualties Of War Review
From its first song-and-dance to its final curtain call, Marshall's Chicago packs its frames with all that jazz; translated, that means corruption, adultery, exploitation, and death. This ain't the 1990s, folks. It's the Roaring '20s, and murder - as seedy attorney Billy Flynn (Richard Gere) so aptly puts it - is "a form of entertainment."
Continue reading: Chicago Review
Torpid, trite and not the least bit scary -- just unrelen=tinglyunpleasant -- the first 45 minutes of the movie only came to life in twoscenes involving the messy divorce of miserable single mom Jennifer Connelly(proving Oscars don't bring talented actresses good roles). She subsequentlymoves into a drab, creepy cinderblock slum with her sad-eyed daughter (ArielGade), even though it's made very clear that there's nothing keeping herfrom finding a nicer place in the suburbs.
Soon the kid has an "imaginary friend" she won'ttalk about, their ceiling is dripping gooey black liquid from an abandoned(and eerily flooded) apartment upstairs, and the building's greasy manager(John C. Reilly) and bug-eyed, hollow-cheeked building superintendent (PetePostlethwaite) both seem to be hiding something sinister.
Director Walter Salles (the Brazilian behind "TheMotorcycle Diaries," making his inauspicious Hollywood debut) dragsout these routine, oppressively glum establishing scenes to a mind-numbingdegree. (If this apartment building is spooky enough to justify its ownominous soundtrack theme from the moment mom and daughter arrive, how comeConnelly isn't astute enough to realize something's amiss, even if shecan't hear the music?)
Continue reading: Dark Water Review
Somewhere inside "The Perfect Storm" there's a near-perfect movie drowning under gale-force swells of romanticized sea-faring melodrama.
Here's a stomach-in-knots true story about the rugged crew a swordfishing boat caught in the biggest sea storm in modern history -- a terrifying human saga with unsurpassed, seat-gripping special effects, strong performances from a stellar cast and level of realism so potent you can almost smell the 200-lb. fish and the sweat of the men who scrape together a living endangering their lives to net them at sea.
Yet the movie's potential got gutted in post-production, where director Wolfgang Petersen ("Outbreak," "Air Force One") slathered it in sentimentality weepy voice-overs, choppy editing and an incessant, intrusive score (by "Titanic's" James Horner) that saturates every single frame of the film with pounding tympani and crashing cymbals.
Continue reading: The Perfect Storm Review
Making a Hollywood story with a decidedly un-Hollywood flair, co-writers, co-directors and co-stars Jennifer Jason Leigh and Alan Cumming take a casual, almost guerilla approach to their collaborative conception called "The Anniversary Party."
It's a shoestring production shot cinema vérité style in which these two gifted journeyman actors play a shaky show biz couple throwing themselves a sixth anniversary bash even though they've just recently and tentatively reconciled after a big infidelity blow-up.
Their guests -- movie stars, directors, industry types and hangers-on -- seem vaguely uncomfortable congratulating Sally and Joe Therrian (Leigh and Cumming) on their longevity under the circumstances. But in a town where fakery is the norm, it's easy for everyone to put on a happy face -- even the non-industry next-door neighbors (Denis O'Hare and Mina Badie) who have been invited only in an attempt to ease tensions over a barking dog dispute that's threatening to turn legal.
Continue reading: The Anniversary Party Review
If I see one more high school movie that uses a Literature class Shakespearelesson as a metaphor for raging hormones and whatever else the screenwriteris trying to put across, I swear I'm going to throttle someone.
But such ridiculously hackneyed plot devices are the leastof the problem with "Never Been Kissed," the most agonizing flickever made by Drew Barrymore, an endearing actress with regrettably badtaste in scripts.
Continue reading: Never Been Kissed Review
"The Hours" is an Oscar voter's nightmare. An adaptation of Michael Cunningham's novel about three women in three different time periods whose lives are profoundly affected by Virginia Woolf's "Mrs. Dalloway," the film features equally magnificent performances of nearly equal screen time from three of the best actresses working in film today.
Meryl Streep submerges herself in the self-sacrificing soul of Clarissa Vaughan, a modern Manhattan book editor whose longtime dear friend -- and volatile ex-lover -- Richard (Ed Harris) likes to ruffle her feathers by comparing her to the heroine of Woolf's book. Both women are externally serene, perfectionist party-throwers hiding deep reservoirs of regret over missed opportunities while living lives as mother-hen caretakers to others.
Julianne Moore plays Laura Brown, a fragile, pregnant 1950s housewife in the midst of reading "Mrs. Dalloway," whose deep depression (like Woolf's) and suicidal musings (like Dalloway's) go all but unnoticed by everyone except her young son (Jack Rovello), who clings to her apron strings with worry.
Continue reading: The Hours Review
It's hard not to admire Kevin Costner for his stanch dedication to making old-fashioned movies that defy our acidic modern world.
Unapologetically sentimental, he insists through films like "Field of Dreams," "The Postman," "Message in a Bottle" and now "For Love of the Game," that melodrama is not outdated, and the man has an aptitude for jerking tears from even the most reluctant ducts.
Sometimes he tries too hard, and frequently he tries too long (it's been 10 years since he made a movie under two hours), but chick flick or cautionary futurist yarn, he almost always succeeds in taking hold of the viewer's heart, even as some of us wince at his methods.
Continue reading: For Love Of The Game Review
Date of birth
24th May, 1965
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