Michael Spurlock is a former salesman turned pastor whose first assignment is to close a smalltown church that has a meagre congregation of just 12 people, and sell the land that it sits on. While most folk have come to accept the state of the All Saints Episcopal Church, Michael knows that it can't continue without more public interest. And it's not as if they're not trying to encourage more worshippers to join them - in fact, a large group of refugees from Burma have arrived and they have nothing to their name except hope and their faith. Michael decides that he will do everything in his power to keep the church open for the sake of these people, and before long he has a religious revelation. Having heard God finally answer his prayers, he embarks on the difficult project of turning the land into a farm. It would bring in enough profit to save the church from closure and even provide employment for the refugees. On the other hand, Michael is risking everything he has in the world for something that may never be successful, but he knows he can turn it all around if he believes in God - and himself - enough.
Continue: All Saints Trailer
It’s been fourteen years since Toula Portokalos-Miller had her Big Fat Greek Wedding, but now it’s time to round up the family and do it all over again. Except this time there’s a difference.
When we join Toula and Ian again, they’re now parents to a teenage daughter who’s all set to go to college (as far away from her family as possible).
As they struggle to find the balance between being good parents and making time for each other, the couple still must deal with Toula’s ever-present, overbearing Greek family.
A cheesy TV movie ramped up with language and violence, this sudsy thriller is far more fun to watch than it should be. With its tepid spin on the plot of Fatal Attraction, the film strains to be a bunny-boiler, but entertains the audience because it's so preposterous that not a single moment is remotely believable. And since the cast refuses to play it straight, camping it up while smirking at the camera, it's enjoyable in all the wrong ways.
Jennifer Lopez stars as Claire, a high school teacher who has recently split from her husband Garrett (John Corbett) and is still getting used to life on her own with teen son Kevin (Ian Nelson). Then the astoundingly hunky 19-year-old Noah (played by 27-year-old Ryan Guzman) moves in next door with his invalid uncle (Jack Wallace) after his parents die in a fiery car crash. Super friendly, Noah quickly begins to help Kevin stand up to the school bullies and pursue the hot girl (Lexi Atkins). But Noah also begins to flirt relentlessly with Claire, and in a moment of neediness she gives in. While she sees this as a mildly transgressive restorative fling, Noah thinks it's true love, and pursues her tenaciously. And when Claire begins to trying to patch things up with Garrett, Noah takes Kevin out for a bit of gun practice.
Despite a tendency to drift into grisly violence, there's nothing edgy here. It's a swirling storm of innuendo and suggestion, with a strong sense of menace that never quite convinces us, even with a couple of gruesome plot points. This may be because the camera clearly loves Lopez so much that we know she's never in danger.
Continue reading: The Boy Next Door Review
Life is complicated enough for teacher, Claire (Jennifer Lopez). Her husband, Kevin (Ian Nelson) is having an affair with his secretary and their marriage is close to falling apart entirely. With Kevin barely around, she is left struggling to do some of the work around the house and raise her son. Until the young and fit boy next door, Noah (Ryan Guzman) offers a helping hand. In a moment of weakness, Claire falls for Noah and they being their own affair. But when Claire calls it off, things get thrown way out of proportion. Noah tries to reveal the truth and has himself transferred to her class at school. While trying to tear apart her career, Noah also seems intent on killing Claire's husband. He is far for the quiet boy next door she thought.
Continue: The Boy Next Door Trailer
Are you ready for more of the Portokalos family? Probably not.
This story is about a big, loud, highly public wedding and we’re not even talking about Kim and Kanye. Go figure.
Nia Vardalos has another big fat Greek Story to tell.
In the wake of K&K’s wedding, the minds behind 2002’s breakout hit My Big Fat Greek Wedding pulled a shrewd social media move and announced a sequel in the pipeline. And we know what you’re thinking, but no. This isn’t going to be a loosely-based project by another team entirely, a la Mean Girls 2. The script is once again being written by Nia Vardalos and the screenwriter, now 51, will star alongside 53-year-old John Corbett. Just like old times – mostly. MBFGW2 will be produced by Playtone's Rita Wilson, Tom Hanks and Gary Goetzman.
Continue reading: Mia Vardalos Reveals Plans For My Big Fat Greek Sequel
Jennifer Lopez and John Corbett - Jennifer Lopez having good laughs with co-star John Corbett while throwing out the trash for a scene on the set of "The Boy Next Door" filming in Hollywood - Hollywood, California, United States - Tuesday 12th November 2013
Two years later, Carrie and Big (Parker and Noth) are settled into a rather dry married life, Samantha (Cattrall) is carrying on like a single girl, and Miranda and Charlotte (Nixon and Davis) are grappling with work and family, respectively. Their men are patient to a fault, even when attending the uber-gay wedding of Stanford and Anthony (Garson and Cantone). Then Samantha gets a freebie luxury holiday in Abu Dhabi and the girlfriends are off for madcap adventures involving camels, sand dunes, morality police and old boyfriends.
Continue reading: Sex And The City 2 Review
Dreamland may be stuffed full of cliched characters in its trailer trash setting (and why a trailer park would be constructed under power lines in the middle of the New Mexico desert I have no idea), but let's put that aside for a moment. At its heart it is not the awful direct-to-DVD movie that you're probably expecting. The only legitimate reason for that is star Agnes Bruckner, who continues to take role after role in movies that simply don't measure up to her capabilities as one of our best young actresses. (If you haven't seen her in her other headlining role this year, The Woods, don't.)
Continue reading: Dreamland Review
Raising Helen is all about Hudson, who stars in the title role, when it should focus on other topics -- the ties of family, coping with tragedy, and starting your life from scratch. The movie harps on how Helen's glamorous life is turned upside down when she is bequeathed her sister's three kids. The story should be on how hard it is for the kids, rather than Helen's bemoaning how fat her ass has gotten.
Continue reading: Raising Helen Review
Sometimes a movie's success stems more from spirit, charm and perseverance than from any originality or artistry involved in its creation. The unabashedly confectionery ethnic comedy-romance "My Big Fat Greek Wedding" is a shining example of just that phenomenon.
Of the same feel-good disposition as the Aussie sleeper hit "Strictly Ballroom," it's a low-budget, ugly duckling fairytale that is predictable and brimming with clichés -- but so earnest, funny and joyful that it's a complete delight all the same.
Adapted by Nia Vardalos from her own one-woman stage show, the movie also features Vardalos in the starring role as 30-ish Toula Portokalos, a frumpy, lovelorn waitress in her father's Greek restaurant. A shy girl who's fed up with her huge family's amusingly, exasperatingly intrusive hounding about finding a husband, she seeks self-empowerment by enrolling in community college computer classes, getting a make-over and taking new job at a relative's travel agency. In the process Toula discovers her assertive, flirtatious side -- just in time to meet Mr. Right.
Continue reading: My Big Fat Greek Wedding Review
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