Following a clearly telegraphed prologue in a classroom for the deaf where no one can figure out what a little girl is miming (theme: miscommunication), Haneke details within a single, unbroken shot four characters -- a young man, his brother's girlfriend, a homeless woman, an angry black schoolteacher -- whose paths cross on a busy Paris street corner. The young man, Jean (Alexandre Hamidi) tosses a crumpled bag into the lap of the homeless woman (Luminita Gheorghiu), a motiveless crime springing from his own insouciance. The black teacher (Ona Lu Yenke) demands the youth apologize, using physical force to make his point. The police break it up, taking the black man away in handcuffs. Race, class, righteousness, and passive observance collide, and each party involved carries the moral baggage.
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Tom Tykwer, the German director who exploded onto the international scene with Run Lola Run brings this odd story of mistaken identity and deathly fate to the screen with an awkward, but in some ways rewarding, slant.
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Joel Stewart has already released four singles.
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This article is dedicated to Caroline Flack.
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