The most riotously enjoyable Marvel movie yet, this action epic benefits hugely from the decision to let wacky New Zealand filmmaker Taika Waititi loose with the characters. In many ways, this film has the same comical sensibilities as his classics What We Do in the Shadows and Hunt for the Wilderpeople. Except on a much larger scale with massive special effects. Yet even with all this action, there's not a moment of actual suspense, which is a growing problem in a movie universe in which the characters need to survive unscathed.
Ragnarok is a prophecy about the end of time, specifically the death of King Odin (Anthony Hopkins) and the destruction of Asgard. And it has just been triggered, stopping Odin's sons Thor (Chris Hemsworth) and Loki (Tom Hiddleston) in their tracks with the news that they have an older sister, Hela (Cate Blanchett), the self-proclaimed goddess of death. As she brutally asserts her claim to the throne, the brothers find themselves dumped on the planet Sakaar. Loki mischievously worms his way into the favour of the Grandmaster (Jeff Goldblum), who sends Thor into the coliseum to fight the champion, namely his old friend Hulk (Mark Ruffalo). As Thor convinces Hulk's alter-ego David Banner to return with him to Asgard to stop Hela, he also needs Asgard's last Valkyrie (Tessa Thompson), a tetchy warrior who is reluctant to work with him.
Continue reading: Thor: Ragnarok Review
With his friends and his hammer, Thor is virtually unbeatable by any creature in the known universe. But what about when he doesn't have either of those things? It only takes a run-in with afterlife goddess Hela for his hammer to be destroyed, apparently beyond repair. And when he is kidnapped by her people and taken to the planet Sakaar, he has no choice but to enter into a gladiator match to save the people of Asgard from Ragnarök; the fate of total destruction. To his initial delight, and to the confusion of everyone in the arena, his opponent turns out to be none other than the Incredible Hulk. But when he realises that this Hulk is hell-bent on destroying him, he realises that he has no choice but to fight his supposed friend to the death.
Continue: Thor: Ragnarok Trailer
Karl Urban and Katee Sackhoff seen at the premiere of Disney And Marvel Studios' new movie 'Doctor Strange' held at the El Capitan Theatre, Hollywood, California, United States - Friday 21st October 2016
Five married friends decide to buy a loft together, and each owned a key, but no one else did. The men use the loft as a place to have affairs with their various mistresses. But one day, one of the men goes to the loft, only to discover an unknown woman dead in the master bed. When all the members are assembles, they realise that they have to call the police - thus exposing their secret of their loft to their wives. But with their other halves now knowing about their dirty little secrets, the men are forced to look into their past to find out just who killed the mysterious woman.
Continue: The Loft Trailer
Almost Human - Definitely Cancelled
It’s been an up and down week for J.J Abrams. He finally announced his cast for his upcoming Star Wars Episode VII sequel, but his show ‘Almost Human’ has been cancelled by Fox, according to Variety.
J.J Abrams has seen his show, 'Almost Human', get canceled
Almost Human followed the partnership of a suspicious cop (Karl Urban) and an android capable of emotion (Michael Ealy). The cast also includes Minka Kelly, Mackenzie Crook, Michael Irby, and Lili Taylor. It faired adequately with the critics, garnering enough positive reviews – or negative, depending on how you look at it – to sit at 62 on Metacritic.
Continue reading: J.J Abrams' 'Almost Human' Won't Go Past Season 1 - Cancelled
The filmmakers make a serious mistake by aiming this educational epic at very young children, because they've undermined the considerable skill and artistry that have gone into making it. An astoundingly trite script overflows with goofy slang and lame jokes that make the film virtually unwatchable for anyone over the age of 5. And the dialog tries so hard to be hip and cool that it already feels badly dated.
It opens on a rather awkward framing story about a palaeontologist (Urban) who takes his niece and nephew (Rice and Rowe) to look for dinosaur fossils in rural Alaska, at which point we are taken back in time to see what life was life in the Late Cretaceous Period. Enter Patchi (voiced by Long), a young pachyrhinosaurus whose best pal is a talkative bird named Alex (Leguizamo). Patchi also has an annoying big brother named Scowler (Stone) and a love-interest in Juniper (Sircar). As the young pachyrhinos grow up, they have a series of adventures along the path migrating north and south with the seasons. Vicious predators chase them, and both Patchi and Scowler take a shot at leading the herd.
The plot is fairly simplistic, but it's a decent tool to teach us about the various animals of the period. The dialog is another story altogether, packed with inane observations, stupid gags and lazy one-liners. By comparison, the required poo, vomit and snot jokes are genuinely witty. And a considerable amount of real information about the period and the creatures gets lost in all of the idiotic patter.
Continue reading: Walking With Dinosaurs: The 3D Movie Review
The latest series from JH Wyman has won some critical acclaim already, but some still need convincing
Almost Human is the latest series from Fringe creator JH Wyman, working under Jj Abrams' Bad Robot banner and airing on Fox last night (17 Nov.). Set 35 years in the future, in a world where police officers are partnered with human-like androids, the show stars Karl Urban and Michael Ealy as they combat a crime-filled Los Angeles in a show that has already shown some early promise, a handful of critics agree.
Karl Urban stars alongside Michael Ealy on Almost Human
Urban and Ealy, starring as Detective John Kennex and the DRN model android Dorian respectively, are the show's odd couple and central characters and despite their differences, by the end of the series premiere alone it becomes pretty clear that they make a formidable pair. They are just two parts of a pretty wicked ensemble cast that also includes Joe Smith, Mackenzie Crook, Lili Taylor and Minka Kelly, but in spite of all the big names, Almost Human is still struggling to win everyone over with its first episode.
Continue reading: 'Almost Human' Is Almost Worth Getting Exciting About
Fox's new science fiction series 'Almost Human' has received positive reviews ahead of its premiere on Sunday (17th November).
Almost Human is set to air on Sunday and Monday (17th and 18th November) in a special two night event. The Fox series has received largely positive reviews from critics ahead of the series premiere.
The series is set 35 years in the future and concerns the working relationship between human and android police officers. Set in Los Angeles, the series follows detective John Kennex played by Karl Urban who dislikes working with androids. He is forced to work with Dorian (Michael Ealy) and the first series will focus on Kennex's reconciliation with the nature of his new partner.
Urban is best known for his roles in The Lord of the Rings and Star Trek, whilst Ealy has appeared in Underworld Awakening and Seven Pounds. The two are supported by such actors as Lili Taylor (The Conjuring), MacKenzie Crook (Game of Thrones) and Michael Irby (The Unit).
Fox has pushed back its premiere date for 'Almost Human' in order to take advantage of post NFL viewing.
Fox has chosen to delay the premiere of its new science fiction series Almost Human. The network has decided to postpone the premiere, originally set for 4th November, until the 17th and 18th when the first two episodes will be shown in a special two night event. Fox is cashing in on the NFL lead-in broadcast on Sunday 17th.
Karl Urban stars in Almost Human.
Following the special two night event, Almost Human will air every Monday at 8pm. This will set Almost Human alongside Sleepy Hollow, which is hugely successful and prime science fiction fan viewing. For two weeks, according to the LA Times, Bones will also air on a Monday night until it changes to its Friday slot on 15th November.
Continue reading: Fox Delays 'Almost Human' Premiere To Cash In On NFL Viewing
Ex-convict Richard B. Riddick is back and more formidable than ever before. He is alone after being left for dead on a burning planet (not for the first time) but, as he is preyed upon by a new army of deadly creatures, he becomes more and more powerful making himself the biggest predator on the planet. His adversaries soon return, however, determined to finally have his head (literally) but with more than one advantage over them such as the ability to see in the dark, it becomes a brutal and deadly chase with only one likely victor. Riddick has his enemies just where he wants them in his bloody scheme to rescue his home planet Furya.
Continue: Riddick Trailer
After his successful re-imagining of the Star Trek universe four years ago, Abrams dives even deeper into the mythology, which is thrilling for fans but might leave newcomers feeling a bit lost. This sequel surges forward with action, drama, romance and a lot of comedy while constantly nodding back to the earlier TV series and films. And the smart screenplay finds ways to deepen all of the characters along the way, as well as offering an unusually complex villain.
The action picks up soon after the first film ends, as Kirk (Pine) is once again in trouble for disobeying the Prime Directive not to interfere with a planet's culture. But his punishment is short-lived, as Starfleet becomes the victim of brutal attacks in London and San Francisco, sending Kirk, his first officer Spock (Quinto) and the gang (Saldana, Urban, Yelchin and Cho, with Pegg following later) into enemy space to chase the villainous John Harrison (Cumberbatch). But of course, there's a much bigger story going on, and Harrison has a reason for his violent behaviour, leading to a series of terrifying showdowns as they all return to earth.
While the script is packed with shadowy characters, there's not much actual "darkness" in this movie. It's a pretty bouncy, energetic ride, continually making us laugh at tetchy interaction and throwaway one-liners, all of which are cleverly character-based rather than merely silly gags. This gives each actor a chance to shine, with Pegg and Urban offering much of the humour with their amusing crankiness, while Saldana provides the stereotypical female emotional beats. As usual, the strongest scenes are between Kirk and Spock, and their shifting bromance is well-played by Pine and especially Quinto. But dominating the whole film is a meaty turn from Cumberbatch as a particularly fearsome nemesis who also happens to be both brainy and openly emotive.
Continue reading: Star Trek Into Darkness Review
Date of birth
7th June, 1972
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