Kelly Preston , John Ryan - The Human Rights Hero Awards 2015 presented by Marisol Nichols' Foundation for a Slavery Free World and Youth for Human Rights International at Beso - Inside at Beso - Los Angeles, California, United States - Monday 21st September 2015
Marisol Nichols , Kelly Preston - The Human Rights Hero Awards 2015 presented by Marisol Nichols' Foundation for a Slavery Free World and Youth for Human Rights International at Beso at Beso - Los Angeles, California, United States - Monday 21st September 2015
Kelly Preston and John Travolta - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center for the Performing Arts, Oscars - Beverly Hills, California, United States - Sunday 22nd February 2015
Kelly Preston and John Travolta - Hollywood's biggest stars were snapped on the red carpet as they arrived for the 87th Annual Oscars awards ceremony which was held at the Dolby Theatre in Los Angeles, California, United States - Sunday 22nd February 2015
John Travolta and Kelly Preston - 2015 G'DAY USA Gala featuring the AACTA International Awards presented by Qantas at Hollywood Palladium - Arrivals at Hollywood Palladium - Los Angeles, California, United States - Saturday 31st January 2015
Kelly Preston and John Travolta - 2015 G'DAY USA Gala featuring the AACTA International Awards - Outside Arrivals at Hollywood Palladium - Los Angeles, California, United States - Saturday 31st January 2015
Not that Maguire is a bad movie ... it isn't. Nor is it an overwhelmingly fantastic movie, despite what its five Academy Award nominations would have you believe (the film was nominated for Best Picture and Tom Cruise for Best Actor, but only co-star Cuba Gooding Jr. walked away with a statuette). It's just not Crowe's most complete, recognized picture, a distinction that ultimately belongs to Famous. Hence the sigh of relief.
Continue reading: Jerry Maguire Review
No, none of this could keep me from laughing at the hysterics of Broderick and Meg Ryan trying to win back and irrevocably destroy their respective lovers. While Addicted to Love has more gaping plot holes than you can shake a stick at, it's still awfully funny when it wants to be, largely carried on the shoulders of Broderick's natural charm and a cast of thousands (of roaches). And Meg Ryan ain't bad, either.
Continue reading: Addicted To Love Review
He may have a point, but I don't think For Love of the Game is fundamentally a sports movie. Sure, suit Kevin Costner up in a baseball uniform and you might think you're looking at another Field of Dreams, but For Love of the Game is something we don't see a lot of. Allow me to explain.
Continue reading: For Love Of The Game Review
Citizen Ruth is the story of Ruth Stoops (Laura Dern), a "huffer" (paint/glue/other hazardous vapor sniffer) who finds herself the unlikely center of a modern morality play. Ruth, pregnant for the fifth time and up on drug charges once again, is given a choice by an unsympathetic judge: go to jail for criminally endangering her fetus, or have an abortion and face a lighter sentence. Immediately, ires are raised and banners are crafted from both sides of the abortion issue -- with Ruth Stoops, the lowest of the low, right in the middle.
Continue reading: Citizen Ruth Review
Director Bo Welch and production designer Alex McDowell earn a few points for their visions. Welch perfected his craft on lavishly bizarre features like Edward Scissorhands and Beetlejuice, and McDowell's design work on Cat literally sets Seuss's story free from the page. The gorgeous sets form a pastel feast for the eyes. They're a sight to be seen, yet they're inserted into an unwatchable bomb that shouldn't be seen by anyone.
Continue reading: The Cat In The Hat Review
A science-fiction opus starring the Barbarino of the Actors Guild, Battlefield Earth should be shown only at maximum-security prisons when a prisoner is tossed in solitary for bad behavior. Sci-fi is always a tricky beast: Tight script, a good director, an ensemble cast of decent actors, and the ability to suspend even the most difficult of disbeliefs. Battlefield Earth fails at achieving even one of these attributes.
Continue reading: Battlefield Earth Review
One of many family-oriented superhero movies rushed intoproduction after the boffo box office of "TheIncredibles," this story revolves aroundWill Stronghold (talented Michael Angarano, "AlmostFamous"), the 15-year-old son of CommanderStronghold (Russell) and Josie Jetstream (Kelly Preston), the world's greatestsuperheroes.
Will has yet to hit superhero puberty -- Dad's colossalstrength and Mom's ability to fly elude him -- so he's instantly an outcastwhen he begins his freshman year at Sky High, a cloud-floating school forthe super-powered. Despite having legendary parents, he's stuck in a classfor sidekicks (sorry, "Hero Support"), along with other teenagerswhose gifts (for, say, glowing in the dark or commanding plant life) aren'tadequately impressive.
Beyond blessing the picture with the occasional rib-ticklingone-liner, screenwriters Robert Schooley and Mark McCorkle (veterans ofDisney Channel's "Kim Possible" cartoon) rely almost entirelyon tedious 'tween-movie staples for their plot: Will develops an instantcrush on a beautiful, popular senior (Mary Elizabeth Winstead), therebyalienating his equally cute, long-term best friend (Danielle Panabaker)who, in turn, not so secretly pines for him.
Continue reading: Sky High Review
To the endless soundtrack of grating girl-empowerment country music ditties and romantic '80s hair-band rock, Gwyneth Paltrow crash-lands in "View From the Top," playing a Nevada-bred white-trash ditz who dreams of a "glamorous" life as a flight attendant.
There were no survivors (at least in terms of pride) among the cast that includes Christina Applegate, Mark Ruffalo, Candice Bergen and Kelly Preston -- all of whom certainly must have signed on to a script that looked very different from this inept and lifeless comedy.
Having sat on a shelf for more than a year and having been edited down to what feels like an endless 87 minutes (a run-time that short is often a tell-tale sign of desperate post-production rescue attempts), "View From the Top" finds few fresh jokes in its formulaic plot (think "Legally Blonde" at 30,000 feet). Paltrow's career path is challenged by a catty competitor (Applegate) who gets her assigned to puddle-jumpers. A love interest (Ruffalo) in Cleveland (a backwater berg from the movie's point of view) forces her to choose between following her heart and chasing a prestige stewardessing gig on "Paris first class international" flights.
Continue reading: View From The Top Review
Knowing full well that the audience for "What a Girl Wants" would consist almost entirely of 'tween girls too young to recognize its artificiality and paint-by-numbers banality, director Dennie Gordon doesn't even bother trying to make the picture palpable to anyone with more discerning tastes.
A lollypops-and-rainbows adventure about a free-spirited New York teenager (the Nickelodeon-launched Amanda Bynes) running away to London to find the blue-blooded daddy she's never known (Colin Firth), it's a movie that virtually ignores its raison d'etre of father-daughter bonding in favor of stock tourist footage (with Bynes hanging off the back of a double-decker bus), music-video shopping montages, rivalries with snooty soon-to-be step-sisters, and flirtations with an unthreateningly cute working-class boy (Oliver James) who plays guitar and rides a motorcycle.
Growing up in a fifth-floor Chinatown walkup with her bohemian wedding-singer single mom (Kelly Preston), Daphne Reynolds (Bynes) has always heard the story of how her parents met as globetrotting college kids and were married by a Bedouin tribal chief before going to England to "get married for real" (the film makes several such offensively ethnocentric gaffes). But when his crusty family sent her packing and lied to the young Lord Henry Dashwood (Firth), saying she had left him, mom went back to the U.S. pregnant and Henry matured into a stiff-upper-lip politician.
Continue reading: What A Girl Wants Review
I don't remember a rave scene with a cameo by hoochy hotel heiress Paris Hilton in Dr. Seuss's "The Cat in the Hat," do you? How about a Playboy centerfold sight gag or a joke with the punchline "You dirty 'ho"?
I guess Universal Pictures had to do something to stretch the beloved-but-brief children's book into an ill-advised $90 million motion picture -- and it seems first-time director Bo Welch and his team of ex-"Seinfeld" writers figured stomping all over creator Theodore Geisel's grave was as good a way as any to do it.
Continue reading: Dr Seuss's The Cat In The Hat Review
Date of birth
13th October, 1962
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