Ostensibly a Lovecraftian creature flick set in 1870s Dakota Territories, the film's monster plot is housed in a gorgeous Malick-like picture of homesteaders and Indians lost and wandering in the vastness of the American plains. And while it might have been tempting to get all political, the film eschews rough ideology for sweeping vistas, rugged men, tribal mythologies, and downright creepy flesh-dissolving grasshopper men.
Continue reading: The Burrowers Review
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