Leo Rossi

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Devlin, Barry Levinson and Leo Rossi - Producer Fay Devlin, Leo Rossi, director Barry Levinson and producer Marc Fiore with guests Cannes, France - 2011 Cannes International Film Festival - Day 2 - Gotti: Three Generations - Photocall Thursday 12th May 2011

Devlin, Barry Levinson and Leo Rossi
Devlin and Barry Levinson
Devlin and Barry Levinson
Devlin and Barry Levinson
Devlin and Barry Levinson
Devlin, Barry Levinson and Leo Rossi

William Forsythe, Lynn Eastman-Rossi, Skip Deneberg, Tony Luke and Leo Rossi - William Forsythe, Lynn Eastman-Rossi, Skip Deneberg, Tony Luke and Leo Rossi Philadelphia, USA - World premiere of 'The Nail: The Story of Joey Nardone' at the Philadelphia Film Festival Friday 27th March 2009

William Forsythe, Lynn Eastman-rossi, Skip Deneberg, Tony Luke and Leo Rossi
William Forsythe
Leo Rossi, Lynn Eastman-rossi, William Forsythe, Tony Luke, James Quattrochi and Jason Noto
William Forsythe, Tony Luke Jr and Leo Rossi

Sticks Review


Good
I'm prepared to go out on a limb and deem Sticks to be the best cigar smuggling-action/drama movie of all time.

But seriously, Sticks is a good-looking movie, so well made you might not realize it's an independent production. The story sounds like Steven Seagal ought to be starring in it -- an everyday guy named Lenny (Lillo Brancato) makes his living selling illegal Cuban cigars to the rich and famous of L.A. Alas, he's soon robbed of his stash and finds himself embroiled in a mess that involves a local underground cigar club that wants Lenny dead, an FBI sting, and a plot to run guns back to Cuban freedom fighters. At the center of all this are 50 boxes of "El Mariposas," supposedly the most coveted cigar in all the world.

Continue reading: Sticks Review

One Eyed King Review


Bad
Making your first feature film ain't easy. Assemble a decent, if not strong, cast, as writer/director Robert Moresco has done with One Eyed King, and you're already ahead of the game. But rehash old plot lines, tired dialogue, and standard clichés, and a well-intentioned effort such as this one could jeopardize your chance at a second feature film.

How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse? The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Again. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop. With teary music. And slow motion. In the film's first scene.

Continue reading: One Eyed King Review

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