French ¾ber-actor Daniel Auteuil stars as Xavier, an investigator with a seedy past -- he's had a mysterious scrape or two, and now, to get by, he does double time, accepting money for an engagement only to blackmail the subject for more. When a wealthy woman (Nastassja Kinski) and her family hire Xavier to find a grown man who's gone missing, Xavier ends up cracking a child porn gang wide open.
Continue reading: The Lost Son Review
This Sade (Daniel Auteuil) is no less seductively charismatic than Rush was, but he has less to do, as Sade chooses to focus more attention on the cultural climate than any specific, provocative interaction between characters. Rush was allowed more leeway to display range from torment to arrogance while Auteuil's Sade is a bit too impervious to his surroundings. What they do both achieve is providing an easy attraction. Neither have the stereotypically sexual physique the average woman clambers for, but their wit and intelligence are arousing. The acting isn't necessarily better in the English counterpart, but there is more weight given to individual motivation so that you're more attuned to personal struggles in the progressively oppressive Napoleonic era.
Continue reading: Sade Review
These are the albums we've been loving this month.
Some notable names are missing from this year's line-up.
'Father of All...' isn't an awful album but it certainly isn't that good either.
Listen to Generation Dude's 'Radio Pills'.
Listen to her new song 'I'll See This As A Blessing'.