Meg Lefauve

Meg Lefauve

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Ronnie Del Carmen, Guest, Josh Cooley , Meg LeFauve - 88th Annual Academy (Oscars) Awards held at Hollywood & Highland Center - Arrivals at Hollywood & Highland Center in Hollywood, Oscars - Los Angeles, California, United States - Sunday 28th February 2016

Ronnie Del Carmen, Guest, Josh Cooley and Meg Lefauve

Meg LeFauve , Pete Docter - Vanity Fair Oscar Party 2016 held at the Wallis Annenberg Center for the Performing Arts in Beverly Hills - Los Angeles, California, United States - Sunday 28th February 2016

Meg Lefauve and Pete Docter
Meg Lefauve and Pete Docter
Meg Lefauve and Pete Docter

Meg LeFauve - 9th Annual Women In Film Pre-Oscar Cocktail Party Presented By Max Mara, BMW, M-A-C Cosmetics And Perrier-Jouet at HYDE Sunset: Kitchen + Cocktails - West Hollywood, California, United States - Friday 26th February 2016

Meg Lefauve
Meg Lefauve
Meg Lefauve
Meg Lefauve

Meg LeFauve - 9th Annual Women in Film Pre-Oscar Cocktail Party at Hyde Sunset Kitchen + Cocktails - Arrivals at HYDE Sunset: Kitchen + Cocktails - Los Angeles, California, United States - Friday 26th February 2016

Meg Lefauve
Meg Lefauve
Meg Lefauve

Inside Out Review

Extraordinary

Those bright sparks at Pixar have done it again, taking a fiercely original approach to animated filmmaking that connects with both adults and children. Intriguingly, this movie will be a very different movie depending on your age, because it explores the point where childish happiness gives way to more complex emotions. The basic idea may not be completely original, but the way director-cowriter Pete Docter (Up) approaches it is inventive, provoking constant laughter and even a few tears.

It's set inside the mind of 11-year-old Riley (voiced by Kaitlyn Dias), where the control room is run by Joy (Amy Poehler), who struggles to keep the darker emotions in check. Sadness, Fear, Anger and Disgust (Phyllis Smith, Bill Hader, Louis Black and Mindy Kaling) aren't easy for Joy to manage. And when Riley's parents (Kyle MacLachlan and Diane Lane) move the family from Minnesota to San Francisco, Riley's difficulty fitting into her new environment causes serious turmoil in her mind. Joy and Sadness find themselves lost in the recesses of Riley's memory, and must team up with Riley's forgotten imaginary friend Bing Bong (Richard Kind) to get back to headquarters, where Fear, Anger and Disgust are making a mess of everything.

As expected, the animation is simply gorgeous, combining bright colours and all kinds of textures to create both the real world and the expansive universe inside Riley's head. These things will provide both laughs and thrills, while grown-ups will also engage with an extra psychological layer of meaning, as Joy and Sadness travel through abstract thought to get to the imagination and ultimately to dreams, which are like a full-on movie studio that uses memories to create sleep-time blockbusters. There's also a brief but freaky visit to the subconscious. Through all of this Joy and Sadness discover that they need each other to function, which adds a surprisingly moving kick to everything that happens along the way.

Continue reading: Inside Out Review

The Dangerous Lives Of Altar Boys Review


Very Good
I'll forego my opportunity to cleverly riff on the film's title, as I'm sure many will have a field day doing in light of current world events. Director Peter Care's (best known for his work on music videos and commercials) debut feature The Dangerous Lives of Altar Boys, based on the 1994 novel by late author Chris Fuhrman, is a film about children made primarily for an adult audience. It's a thoughtful meditation on the thrills and difficulties that come with being a fourteen year old in a world where every older, authority figure seems to be oppressive, apathetic, or both. Combine Care's compassion for his characters and methodical pacing with a number of crazed, Todd McFarlane-created animated sequences, and what results is a unique telling of a structurally traditional, coming-of-age story.

Set in the 1970's, Francis (Emile Hirsch) and Tim (Kieran Culkin) are two irreverent, trouble-making friends who attend the same Catholic high school. Their archenemy is Sister Assumpta (Jodie Foster), an immensely strict nun, who rules the school with an iron fist. Seeking a more even playing field, Tim and the artistically gifted Francis, with the help of a few friends, create a comic book where their superhero alter egos do battle with the evil forces of Sister Assumpta.

Continue reading: The Dangerous Lives Of Altar Boys Review

Meg Lefauve

Meg Lefauve Quick Links

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Feet - Ramsgate Music Hall 25.11.2019 Live Review

Feet - Ramsgate Music Hall 25.11.2019 Live Review

Feet are mid-tour and promoting their debut album, and tonight they played Ramsgate Music Hall with support from local band Malpractice.

Lucy Spraggan - The Booking Hall, Dover 18.10.2019 Live Review

Lucy Spraggan - The Booking Hall, Dover 18.10.2019 Live Review

Famed for performing one of her own songs as her opening gambit on The X Factor, Lucy Spraggan rocked up at the Booking Hall as part of her UK and...

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Mark Lanegan - Somebody's Knocking Album Review

Mark Lanegan - Somebody's Knocking Album Review

After nearly thirty years since his first solo record Mark Lanegan has just released one of his very best and there's not many artists who can claim...

Mallory Knox - The Booking Hall, Dover 12.10.2019 Live Review

Mallory Knox - The Booking Hall, Dover 12.10.2019 Live Review

For the first, and almost certainly last, time Cambridge indie rockers Mallory Knox performed at The Booking Hall in Dover.

Starcrawler - Devour You Album Review

Starcrawler - Devour You Album Review

'Devour You' is a fantastic follow up to Starcrawler's debut album and represents a move on in terms of sound and, in part, direction.

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Meg LeFauve Movies

Inside Out Movie Review

Inside Out Movie Review

Those bright sparks at Pixar have done it again, taking a fiercely original approach to...

The Dangerous Lives of Altar Boys Movie Review

The Dangerous Lives of Altar Boys Movie Review

I'll forego my opportunity to cleverly riff on the film's title, as I'm sure many...

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