Melonie Diaz - The Art of Elysium's 7th Annual HEAVEN Gala presented by Mercedes-Benz at Guerin Pavilion at the Skirball Cultural Center - Arrivals - Los Angeles, California, United States - Saturday 11th January 2014
'Fruitvale Station' is released today (Friday 12th July) in US cinemas. The movie is based on the true story of Oscar Grant III, a man who was shot by police officers on January 1st 2008. The film has been praised by critics across the board who consider Ryan Coogler's debut as "radical" and "magnificent".
Fruitvale Station is released on Friday 12th July. The movie follows 22-year-old Oscar as he encountered acquaintances around San Francisco Bay on New Year's Eve 2008. His day ended in tragedy when he was accidentally shot by police officers. The film has been widely praised by critics.
Michael B. Jordan at a screening of Fruitvale Station, at the Museum of Modern Art, New York.
The film is based on the true story of Oscar Grant III who was shot by police officers at a railway station in Oakland, California. Grant was restrained by police officers who believed him to be armed; the death caused controversy throughout the US.His death appears to be accidental with Police Officer Mehserle using his gun instead of his Taser.
Continue reading: Critics Say Ryan Coogler's Debut 'Fruitvale Station' Is "Magnificent"
Ryan Coogler's 'Fruitvale Station' is a good outside bet for the Oscars.
Based on a true story, it stars The Wire's Michael B. Jordan as Oscar Grant - the 22-year-old Bay Area resident who was shot dead by BART officers on New Year's Day.
Melonie Diaz - Special screening of 'Fruitvale Station' in association with the San Francisco Film Society and the Oscar Grant Foundation held at the Grand Lake Theater - Oakland, California, United States - Thursday 20th June 2013
In the Mesa high school in Tucson where Fleming sets his gonzo theatrics, culture is either alive-and-well or being beaten to death with a sack full of cantaloupes, depending on who you talk to. The drama department has just finished a stage production of Steven Soderbergh's Erin Brockovich, under the tutelage of Dana Marschz (Steve Coogan). An actor who hit his peak on commercials for herpes medication and Jack LaLanne's Power Juicer (two products that aren't always mutually exclusive), Marschz has moved his wife (Catherine Keener) and random friend Dave (David Arquette) to Arizona to teach acting. It's the first day of the new semester when Marschz finds out that his class has grown from a closeted homosexual (Skylar Astin) and a goody-two-shoes (Phoebe Strole) to an entire class made up mostly of Latino outcasts and some white dude who has a jones for rave culture. It's no small wonder that Marschz's dementia, once goofy and lovable, becomes unstable and leads concurrently to the attempted dismantling of the drama department and the writing of Marschz's titular brainchild, Hamlet 2.
Continue reading: Hamlet 2 Review
With the city of Passaic, New Jersey threatening to condemn his tiny video rental store, old Mr. Fletcher (Danny Glover) must take some drastic steps. While off on a fact-finding trip to a major chain outlet, he leaves trusted employee Mike (Mos Def) in charge. He has only one mandate -- keep the slightly crazy local mechanic Jerry (Jack Black) out of the store. Seems the crackpot conspiracy theorist has a tendency to drive away the clientele. One day, after a botched break-in at the power plant that Jerry believes is brainwashing him, Mike discovers that all the tapes in the shop have been erased - and it's all magnetized Jerry's fault. With meddling Ms. Falewicz (Mia Farrow) reporting back to Fletcher every day, the pair needs to do something to keep the business afloat. With Jerry as his star, and a dry cleaning clerk named Alma (Melonie Diaz) as his assistant, Mike decides to "swede" all the missing films by reshooting them, quick and dirty. Oddly enough, their homemade versions are a huge hit.
Continue reading: Be Kind Rewind Review
During the height of California's suffocating drought in the mid-1970s, quiet, long-haired Peralta (Elephant's John Robinson), cocky Alva (Raising Victor Vargas' Victor Rasuk), and self-destructive Adams (Emile Hirsch) began transferring their ocean-skimming techniques to the city's blacktop and empty swimming pools, resulting in an almost instantaneous phenomenon that thrust them onto the covers of magazines, into lucrative endorsement contracts, and onto the set of Charlie's Angels. Hardwicke's film (written by Peralta) presents this real-life tale with a mixture of exuberance and cautionary wariness, depicting the benefits (sex, money, fame) and pitfalls (jealousy, clashes over girls, obligations to their less-than-supportive parents) of these adolescents' sudden rise to superstardom. Thanks to Elliot Davis' bleached-out, nostalgically hazy cinematography (which mirrors the pulverizing propulsion of street skating by twirling, spinning and sticking low to the ground) and liberal use of thunderous '70s tunes by Hendrix and Sabbath, Hardwicke's period piece has a groovy, hard-charging dynamism. And as in her last film, the director - via Peralta and Adams' rivalry over Alva's sister Kathy (Nikki Reed) and Adams' difficulties at home with his irresponsible mom (Rebecca De Mornay) - laces such heady, sun-dappled optimism with an undercurrent of looming menace.
Continue reading: Lords Of Dogtown Review
The title character (Victor Rasuk) is an 18-year-old Lower East Side playa-wannabe: The film's opening finds him undressing for a neighborhood girl, derisively called "Fat Donna." Though that encounter is interrupted, Victor and his friend are soon hitting on two girls at the local swimming pool, where Victor falls for Judy (Judy Marte), who ignores him. Rejection isn't about to slow him down, though. Victor recruits Judy's younger brother (Wilfree Vasquez) to reintroduce them, and thus the two kids begin an awkward process of letting their guards down.
Continue reading: Raising Victor Vargas Review
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