Delious Kennedy, Diane Warren, Robert Englund, Mena Suvari, Lucas Till , Ron Truppa - Catalina Film Festival Saturday September 26 2015 at Avalon Theater - Avalon, California, United States - Saturday 26th September 2015
Jennifer Chidester, Ron Truppa, Mena Suvari , Delious Kennedy - Catalina Film Festival Saturday Night Gala held at Avalon Theater - Arrivals at Avalon Theater - Avalon, California, United States - Saturday 26th September 2015
It's the class of 1999's 13th reunion (huh?), so the entire gang returns to East Great Falls. Jim and Michelle (Bigs and Hannigan) now have a 2-year-old son, which has interrupted their sex life; Oz (Klein) is a B-list TV star with a supermodel girlfriend (Bowden); the now-married Kevin is worried about rekindling his high school romance with Vicky (Reid); Finch (Thomas) is a world traveler who clicks with Michelle's band camp pal Selena (Ramirez). And then there's party-boy prankster Stifler (Scott), who hasn't changed at all and leads them into all manner of trouble.
Continue reading: American Reunion [aka American Pie: Reunion] Review
David and Catherine Bourne are newlyweds, for their honeymoon they decide to visit the beautiful French Riviera. The couple are inseparable, both willing to try new things and always looking for some excitement. After extending their honeymoon it doesn't take long for Catherine to become restless but she is soon appeased by an attractive Italian girl called Marita.
Continue: Hemingway's Garden Of Eden Trailer
Take Tom (Stephen Rea, channeling Norman Wisdom through a manic depressive sheen). Tom has had a bad day. Thrown out of his fleabag apartment, he hopes to wrangle a job at the unemployment office but due to a computer error, his name doesn't appear in the computer, so he is forced to roam the streets as a homeless man. When he falls asleep on a park bench, a cop wakes him up and tells him to move on. As he pushes a shopping cart in front of him, he runs into Brandi (Mena Suvari). Or more to the point, Brandi runs into him. She is returning from a club in a drug-induced haze, happy that by working on her day off for her harpy boss at the depressing retirement home she will get a promotion from her deadening job as an attendant. But calling her lunkhead boyfriend Rashid (Russell Hornsby) on her cell phone on her drive home, she neglects to look at the road and smacks into the hapless Tom, who becomes stuck in the glass windshield of the car, bleeding to death. Rather than stop her vehicle and come to Tom's assistance, she drives onward home, parking her car in her garage and hoping Tom gives up the ghost during the night so that Brandi can ditch the body and not mess up her chances at a promotion when she goes in to work the next morning. The only glitch is that Tom refuses to die.
Continue reading: Stuck Review
As teenagers in 1985 (cue the best-of-the-'80s soundtrack), Michael (Freddie Prinze, Jr.), Carmine (Scott Caan), and Bobby (Jerry Ferrara) are veering onto different paths. Bobby is the chubby and lovable lunkhead, so stupid he fears failing the Post Office application test. Carmine is the baby goodfella, a hyper stud who takes note of the money and respect that the local bosses have and can't imagine why he shouldn't join up with their crew. And Michael is the one who wants "to get out of this hellhole." An ambitious orphan, he's stumbling through Columbia on a pre-law track and has the hots for Connecticut preppie ice queen Ellen (Mena Suvari), who finds Michael's Brooklyn background attractively "edgy."
Continue reading: Brooklyn Rules Review
But so many filmed biographies cram from childhood to old age, resulting in filmed Cliff Notes, or a mini-series at twice the speed and half the scenes. That Factory Girl doesn't have to cover an Edie Sedgwick comeback -- that she dies young and off-camera -- is a perverse relief. George Hickenlooper's brief, sometimes impressionistic film is most illuminating when showing both the allure and the casualties of Warhol's free but detached Factory scene.
Continue reading: Factory Girl Review
Make this 16.
Continue reading: Stephen Tobolowsky's Birthday Party Review
The story is so simple my grandmother could have adapted the screenplay. D'Artagnan (Justin Chambers) is the vengeful son of a slain Musketeer. He travels to Paris to join the Royal Musketeers and find the man that killed his parents. In Paris, he meets the cunning Cardinal Richelieu (Stephen Rea), who is trying to overthrow the King, and Richelieu's man-in-black associate Febre (Tim Roth), the killer of his folks. He finds the Musketeers in Paris disbanded and drunk, so he rounds up Aramis (Nick Moran), Athos (Jan Gregor Kremp) and Porthos (Steven Spiers) to free the Musketeer's wrongfully imprisoned leader Treville from the King's prison. D'Artagnan and his new frisky love interest/chambermaid Francesca (Mena Suvari) play footsy and coo at each other as the Cardinal hunts down the Musketeers until finally the Queen (Catherine Deneuve) ends up being captured by the menancing Febre, forcing the Musketeers to regroup, with D'Artagnan leading the charge, and save the day.
Continue reading: The Musketeer Review
Now in her mid-forties, it's rather depressing to see Heckerling using the same jokes that worked almost two decades ago. And for a movie that uses "Dare to be different" as its tagline, it's almost pathetic that this story is lifted virtually verbatim from Fast Times, with the Mark Ratner-Stacy Hamilton romance going awry once again. Brian Backer, who starred as Ratner, is even back in a small role.
Continue reading: Loser Review
American Beauty chronicles the last year in the life of 42 year-old hack magazine writer Lester Burnham (Spacey), a suburban loser that has just about had it with his humdrum life and decides to make a few changes to regain control, for better or for worse. Those changes include quitting his job and blackmailing his employers, buying a vintage Firebird, taking a new job at the local fast food joint, buying thousands of dollars worth of pot, and plotting to sleep with his daughter's best friend (Suvari, the good girl from American Pie, playing the bad girl here).
Continue reading: American Beauty Review
In the ill-advised Trauma, Firth tries his hand at, of all things, a psychological horror movie. His Ben wakes from a coma to discover that his wife has been killed in a car crash. He tries to get his life together in the creepiest apartment complex on earth, only to be haunted by a variety of visions, snoopy cops, and a plague of ants. Oh, and Mena Suvari lives down the hall.
Continue reading: Trauma Review
Gosh, what would Donna Reed have done...
Continue reading: Live Virgin Review
After performing peripheral duties in "Barbershop2: Back in Business," Gina has moved fromChicago to Atlanta in this picture so her daughter can attend a prestigiousperforming arts school. To pay for it she's been putting up with workingunder Jorge, the pompous, flamboyantly skanky owner of a ritzy downtownsalon -- played by Kevin Bacon with a gleefully bad Euro-trash accent andgreasy, over-highlighted hair in his eyes.
But as the movie opens, she's just about had enough. Packingup her scissors and you-go-girl self-confidence, she hooks a small bankloan and fixes up a neglected beauty shop on the edge of a rough neighborhood,where inherits a handful of mouthy stylists with chips on their shouldersand hopes for the best.
Following the successful "Barbershop" formula,the movie's strength is its colorful cast of characters for whom no topic-- from bikini waxes to Oprah Winfrey -- is off-limits to zingers and smartremarks. They range from the ever under-appreciated Alfre Woodard as aheritage-proud black hairdresser who knows a Maya Angelou quote for everyoccasion to Alicia Silverstone as a bumpkin shampoo girl (with an unconvincingsouthern accent) who leaves Jorge's with Gina and gets a ghetto makeoverafter slowly winning over her new co-workers.
Continue reading: Beauty Shop Review
Every time I see a new Kevin Spacey movie, I expect the world from him, and every time he delivers the galaxy.
Arguably the greatest actor currently working in motion pictures, he is capable of putting across leagues of depth with the subtlest, most insignificant glance. He can play menacing or meek, ardent or indifferent, nervous or non-nonchalant with equal dexterity.
Look at "Midnight in the Garden of Good and Evil," "The Negotiator," "L.A. Confidential," "The Usual Suspects" or any of his recent roles and just try to imagine another actor in the part. It simply can't be done. Spacey doesn't act, he embodies his characters viscerally from the inside out.
Continue reading: American Beauty Review
Back from their freshman year at college, the sex-crazed gang from "American Pie" rent a beach house and party hardy for the summer in the inevitable assembly-line sequel "American Pie 2."
Pastry-plugging loser Jim (the insufferable Jason Biggs) is waiting for a visit from Swedish exchange sexpot Nadia (the vapid Shannon Elizabeth), whose interest in him still isn't adequately explained. Loud-mouthed lecher Stifler (Seann William Scott) is still obsessed with nailing anonymous bimbos. Finch (Eddie Kaye Thomas) is still obsessed with bedding Stifler's mom (Jennifer Coolidge).
Oz (Chris Klien) is still hopelessly devoted to Heather (Mena Suvari), who only shows up about three times in the movie, calling on the phone from Europe. Freaky flutist Michelle (Alyson Haningan) is back at band camp, where Jim pays a visit for sexual advice. Former virgin Kevin (Thomas Ian Nicholas) is pining for former virgin Vicki (Tara Reid), who has moved on.
Continue reading: American Pie 2 Review
An entertaining but hideous romp on the circus side of crystal meth addiction, "Spun" wants to be another "Trainspotting" and/or "Requiem for a Dream." Inundated with trip-cam trickery that keeps the audience riding the ups and downs of the main character's drug buzzes, the film is nothing if not stylish, but falls short for lack of depth.
Music video guru and first-time feature director Jonas Akerlund makes liberal use of the disorienting, grainy, washed-out look of bleach-bypass photography. When Ross -- a downward-spiraling college dropout (played by Jason Schwartzman of "Rushmore" fame) on the leading edge of addiction but still clinging to his letter-jacket memories -- takes a hit of speed, the movie's tempo is fed a brief burst of shaky acceleration. A rapid montage of sensory-assault, nervous-tension images dance across the screen, sometimes in the form of cinematic hyper-awareness (e.g., fish-eye lens ultra-close-ups of chapped lips, bloodshot eyes and nervous-ticking fingers), sometimes in the form of animated, soddenly pornographic hallucinations.
The world of "Spun" is an acutely realized day-lit underground of ghetto shacks and combustible meth labs in cheap, airless hotel rooms (greatly enhanced by a hip-trippy score from the Smashing Pumpkin's Billy Corgan) in which all the characters seem acquiescently ensnared.
Continue reading: Spun Review
After all its TV commercial posturing about "re-envisioning" a classic as a post-Hong Kong actioner, "The Musketeer" betrays the truth of its utter lack of real ambition in the casting of a wooden, charmlessly handsome, totally generic Hollywood pretty boy in the title role.
His name is Justin Chambers (Jennifer Lopez's irritating Italian suitor in "The Wedding Planner"), and he looks and acts like he got the part only because Chris O'Donnell -- the industry's preferred choice for glinty-eyed, mannequin-souled heroes -- already played D'Artagnan in Disney's weightless 1993 adaptation of Alexandre Dumas' "The Three Musketeers."
Out to avenge the murder of his father some 14 years before, this D'Artagnan is "all for one" without the "one for all." Ostensibly, he ventures to Paris to join King Louis XIII's elite guard, only to find them disbanded and in disarray following a power shift that favored troops loyal to the power-mad Cardinal Richelieu (Stephen Rea).
Continue reading: The Musketeer Review
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