Carl Young , Michael Franti - The Giving Back Fund holds its prestigious 'Big Game Big Give' fundraising event at a private estate on Super Bowl weekend at 200 Polhemus Atherton, CA 94027 - San Francisco, California, United States - Saturday 6th February 2016
A week in videos… It’s been a busy week for the languid voiced, melancholic entity that is Kurt Vile, and he’s topped it off by releasing a new video for KV Crimes – a song off his latest release Wakin' On A Pretty Daze. Directed by Tom Scharpling, the video riffs on the recent news that the 28th of August will officially be known as Kurt Vile Day. The actual ceremony will be marked by a free concert at City Hall from, guess who, Kurt Vile
Lack of sunny weather and increased austerity got you feeling down? Then the video for Michael Franti & Spearhead - I'm Alive (Life Sounds Like) will do a sterling job of perking you up, unless you’re averse to whistling that is. Drums and face paint at the ready; it’s festival season, and Michal Franti & Spearhead are getting ready for a summer of live shows with this seasonal video, full of fun and vitality. And drums. We mentioned drums, right?
While 20 years is a long time to develop that pop punk, emo, power pop or alternative rock sound – whatever you want to call it – it seems as though Jimmy Eat World still sound the same, not that that’s a bad thing. Their eighth studio album 'Damage' is due to hit shelves on June 11th 2013, and the video for their new single, I Will Steal You Bank conjures memories of their frenetic live shows with its nostalgic black & white style.
Plus, Taylor Swift scoops eight Billboard Awards and Stevie Wonder closes Hangout in style in our weekly round-up...
This Week In Albums... There was only album anyone was really talking about wasn't there? Daft Punk's much anticipated fourth LP Random Access Memories was streamed early after it leaked on the internet allowing the world's media their chance to get in quick with their gut-check reactions. Our man Joe Wilde was a little more reflective in his assessments though, and found much to love about the French duo's comeback - even if hasn't ended up being the classic that so many people were hoping for. He wrote: "Guy-Manuel and Thomas are perfectionists in every sense, and whilst the album itself isn't a perfect listen, it is still a thoroughly rewarding and worthwhile one; and what more could we and the robots have asked for?"
There were some other much-vaunted French types releasing their comeback album this Spring too; it's a case of if it ain't broke don't fix it for Phoenix. Hoewever that means we once again get an LP of intelligent pop that's as catchy as it is inventive. Jim Pusey found it to be an enjoyable listen, although he felt it lacked something that its mainstream-breaking predecessor Wolfgang Amadeus Phoenix had; he commented "There's much here to like, but it lacks some of the charm that made Wolfgang Amadeus Phoenix quite so endearing."
Michael Franti is certainly an inspiration to many, with a back catalogue of music that seems from the early days of hip hop to his contribution with Spearhead has influenced countless people. His conscious rhetoric and his living examples of how to live has given Franti a freedom many artists don't have. Certainly during his journey from The Disposable Heroes of Hiphoprisy to Spearhead, his lyrics have seemingly moved from a potential feeling of confrontation to an example of love, togetherness and unity. Franti's latest album 'The Sound Of Sunshine' was originally started in Jamaica and moved to Bali, all recorded and produced in a mobile studio, with the opportunity for new songs to be performed before release. 'The Sound Of Sunshine' is certainly a contemporary example of the independence of modern recording and freedom of expression.
Continue reading: Michael Franti And Spearhead, The Sound Of Sunshine Album Review