Lizzy Caplan, Julie Halston, Mike Doyle and Betsy Brandt - Backstage at Broadway's You Can't Take It With You at the Longacre Theatre. - New York City, New York, United States - Wednesday 3rd September 2014
When Kate (Hillary Swank), a concert pianist, is diagnosed with ALS (also known as Motor Neurone Disease or Lou Gehrig’s Disease), she realsised that not only does she have to give up on her career, but only a short time left to live. As she will steadily lose the ability to walk and care for herself, she is entrusted to the care of Bec (Emmy Rossum), a reckless college student. The two steadily begin to develop a strong bond, as Kate is able to see Bec’s true appreciation for every part of life, and feels a little more alive because of it.
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Music-lover Clint Eastwood adapts the long-running stage musical for the big screen with mixed results: it recounts a terrific true story but has an uneven pace. It also fails to put the events into any kind of context in the period, which leaves the achievements of Frankie Valli and the Four Seasons feeling isolated from the rest of the music industry of the time. So it's difficult to engage in much of what happens.
In 1951 Newark, Frankie (John Lloyd Young) works as a barber's assistant, hangs out with a mafioso (Christopher Walken) and sings in a band with his pals Tommy and Nick (Vincent Piazza and Michael Lomenda), troublemakers up to all kinds of scams. But it's when they added songwriter Bob Gaudio (Erich Bergen) to the band that things begin to take off. Working with ace producer Bob Crewe (Mike Doyle), they release three No 1 singles in a row: Sherry, Big Girls Don't Cry and Walk Like a Man. And their fame grows from there. But Tommy's money problems eat away at the band's unity, and Nick begins to think that he's had enough.
Oddly, there the story of the Four Seasons feels dragged out to sustain a two-hour 15-minute film. The narrative is fractured and episodic, with long stretches in which nothing happens that hasn't been portrayed in every other musician biopic. Eastwood directs the film like a serious period epic, draining much of the colour from the screen while concentrating on shades of grey and brown. But the real problem is the script, which never manages to build up any momentum. Big events pale in interest next to the fantastic music, while a confusing flashback jumbles the timeline unnecessarily. And occasional scenes are narrated by the actors straight to camera, which is extremely distracting on a film screen, especially when Nick stops singing and starts chatting to us in the middle of the band's iconic performance on The Ed Sullivan Show.
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The Four Seasons was one of the most adored rock bands of the sixties with its charismatic partnership of four singers led by the infamous Frankie Valli, whose powerful falsetto took the world by storm. But like any chart sensations, they started from the bottom living a difficult life in New Jersey. Despite achieving the fame they so desperately yearned for as young musicians, with success brought a lot of struggles; the band members' relationships became frequently tested, particularly as both fans and producers became interested in bringing Frankie's voice out more and more. Meanwhile, they had their personal lives to worry about with family troubles and problems involving the Mob - but in the end, the successes of tunes such as 'Sherry', 'Big Girls Don't Cry' and 'Walk Like a Man' would make them the one of the most iconic acts of the decade.
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For millions of years, the universe has been watched over by a group of noble custodians, sworn to keep peace in the universe, these mighty beings are called The Green Lantern Corps. Hailing from all sides of the universe, each chosen keeper wears a ring that harnesses true willpower and allows them to gain super powers.
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Becca And Howie Corbett have a perfect life, they live in a nice house with their son Danny and their dog. When Danny runs out of the garden and is hit by a car their existence is thrown into turmoil. Struggling to deal with the loss, the couple find very different ways of dealing with their pain.
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