After her sister Shannon returns to Fresno, California following her stint in rehab for sex addiction (which in turn came after she was fired as a schoolteacher), Martha takes it upon herself to help her get a fresh start. She invites her to stay with her and gets her a job as a hotel maid in Fresno Suites where Martha also works. It isn't long before Shannon relapses big time, and her failure to maintain responsibility results in her accidentally killing a hotel guest, who also happens to be an Olympic hammer-thrower. She manages to persuade Martha to help hide the body, but before they can get very far they are discovered by a couple named Ruby and Gerald - and they want $25,000 in three days to stay quiet about the incident. The only option they have is to commit more crime, and so they rob a sex shop in order to flog the stock and make up the money. They're hardly professionals and they'll be lucky to escape this mess scot free, but maybe Shannon can finally learn to think about others before herself.
Continue: Addicted To Fresno Trailer
High school can be the worst time for some people, and for Greg Gaines (Thomas Mann), it turned out to be especially horrible. His parents inform him that his classmate, Rachel Kushner (Olivia Cooke), has been diagnosed with leukemia. The two make a fast friendship out of a mutual intention to not be sympathetic, but that plan doesn't work out as well as planned. Greg and his best friend Earl make 'bad films' in their spare time, and decide to devote a film to Rachel. Unfortunately, as they specialise in bad films, they struggle to make something that will truly honour her and cheer her up.
Continue: Me and Earl and the Dying Girl Trailer
It's been ten years since Sarah Jessica Parker's Carrie Bradshaw last strutted across our television films but now the actress is heading back to HBO for her new series 'Divorce'.
Sarah Jessica Parker is returning to HBO with a new comedy series, Divorce. Parker is returning to HBO after a decade away. The 50-year-old actress starred in Sex And The City as Carrie Bradshaw from 1998-2004. Now she's back with a whole new series in which she is set to star and produce. A pilot episode of Divorce has been well received by the network and they have picked up the series for its first season. The show is expected to air next year.
Sarah Jessica Parker will star and produce in Divorce.
Continue reading: Sarah Jessica Parker's New Comedy Series 'Divorce' Picked Up By HBO
While zombie rom-coms aren't original (see Shaun of the Dead or Warm Bodies), this take on the genre has such a deadpan tone that it feels refreshingly unpredictable. While the plot sometimes seems like it's going to spin completely out of control, writer-director Jeff Baena (who wrote I Heart Huckabees) holds it together with clever twists and turns and smart, witty dialogue. And the terrific cast helps balance the humour and horror with a hint of emotional depth.
It opens as soulful teenager Zach (Dane DeHaan) is grieving about his recently deceased girlfriend Beth (Aubrey Plaza), who was killed by a snake bite. As Zach and Beth's parents (John C. Reilly and Molly Shannon) help each other get over the shock, they are startled when she arrives back home as if nothing happened. Utterly unaware that she's undead, Beth can't understand why Zach is looking at her strangely, while her parents become super protective, refusing to let her outside for fear that someone will spot a dead girl walking around. Then Zach begins to notice that Beth isn't the only person in town who has come back to life. And when he runs into old friend Erica (Anna Kendrick), Beth's jealousy seems to trigger a full-on zombie invasion.
By focussing on the warped relationships between the characters, the film keeps the audience both involved and entertained. The humour is a mix of bone-dry dialogue and riotously nutty visual gags that escalate as the story progresses. And there are constant wrinkles in the plot, such as how Beth conveniently can't remember breaking up with Zach before she died. Or how Zach's gung-ho brother (a scene stealing Matthew Gray Gubler) reacts to the growing threat of the walking-dead. And by combining real heart with silly comedy and even some genuine scariness, filmmaker Baena manages to make some sharp observations about both love and grief.
Continue reading: Life After Beth Review
Zach is a total mess following the sudden death of his girlfriend Beth and turns to her equally grief-stricken parents for support. However, when they stop contacting him, he becomes confused by their evasiveness and begins to suspect their daughter is still alive. Sure enough, there's a hole in the ground by her presumably previously occupied grave and she appears to have resurrected from the dead. Zach doesn't know what to think, but when he sees her looking just the same as she did before she died, he is overcome with emotion and decides to tell her everything that he wished he'd said before she passed. However, their happy ending is quickly cut short when Beth starts displaying increasingly erratic behaviour - such as biting and eating a man. Realising that she's a zombie complicates things for Zach, who'll give anything to keep her around but struggles to cope with her newfound brutality.
Continue: Life After Beth Trailer
Eye-catching animation and non-stop jokes make this animated monster movie a lot more fun than we expect. It's packed with gross-out gags that will keep kids laughing, plus clever character-based humour for the grown-ups. And it also features one of the funniest performances in recent memory from Sandler, perhaps because we can't see him on-screen.
He provides the voice for Dracula who, after his wife died, built a secret hotel where monsters could escape from human contact. But a century later his daughter Mavis (Gomez) is about to turn 118 and wants to go out and explore the world, even though Dracula has always warned her that humans are evil. As the family friends gather for her birthday, human backpacker Jonathan (Samberg) haplessly wanders into the hotel. And since Dracula doesn't want anyone to think he's been lying about humans all this time, he has to think fast, passing Jonathan off as a member of the Frankenstein family who's here to plan Mavis' party. But in talking with Jonathan, Mavis becomes even more intrigued by the world outside the castle.
The film's tone is hugely livened up by the guests at this party, including Frankenstein (James), Wayne (Buscemi) the wolf, Griffin (Spade) the invisible man and Murray (Green) the mummy. Each of them has marriage and family issues of their own that stir into the general mayhem, adding throwaway sight-gags and rude one-liners in every scene. With so much coming at us, some things are bound to make us laugh. And while the kids will love the poo and fart jokes, older audiences will enjoy a witty jab at Twilight and a hilariously grim bingo game.
Continue reading: Hotel Transylvania Review
There you have Osmosis Jones, a combination of clunky live action and cool, creative animation that tries too hard to please both adults and kiddies while journeying inside one disgusting body.
Continue reading: Osmosis Jones Review
That's why Superstar, starring Molly Shannon, is a breath of fresh air. It's the first film in a long while to give a woman the freedom to "get jiggy" with all-out Jim Carrey-esque full body humor.
Continue reading: Superstar Review
If I see one more high school movie that uses a Literature class Shakespearelesson as a metaphor for raging hormones and whatever else the screenwriteris trying to put across, I swear I'm going to throttle someone.
But such ridiculously hackneyed plot devices are the leastof the problem with "Never Been Kissed," the most agonizing flickever made by Drew Barrymore, an endearing actress with regrettably badtaste in scripts.
Continue reading: Never Been Kissed Review
At least one of the seven credited writers of the sequel-for-sequel's-sake holiday kiddie flick "The Santa Clause 2" clearly felt obliged to try to remedy the picture's contemptibly contrived premise by writing some really funny dialogue. And at least for-hire director Michael Lembeck (a sitcom vet making his screen debut) managed to infuse the movie with a fun, touching, sweet spirit.
But these acts are akin to Christmas miracles, coming as they do under the burden of a plot -- scratch that, a gimmick -- that revolves around finding even more fine print on the calling card of a dead St. Nick, which turned divorced suburban dad Scott Calvin (Tim Allen) into Santa Claus in the original family comedy from 1994.
It seems the elves waited eight years to inform their new Santa that he has until this Christmas to find a Mrs. Claus -- or else. "The de-Santafication process has already begun," frets head elf Bernard (David Krumholtz) as he shoos Scott off to find a wife. Meanwhile cherubic techie-elf Curtis (played by Spencer Breslin, one of those child actors who runs all his lines together without taking a breath or showing a hint of inflection) clones a big, rubbery toy Santa automaton (played by Allen in heavy prosthetic makeup) to stand in for Scott (unconvincingly) so the other elves won't learn of his predicament and panic at his absence.
Continue reading: The Santa Clause 2 Review
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