Lea Seydoux, Daniel Craig , Monica Bellucci - World Premiere of 'Spectre' attended by HRH Prince William Duke of Cambridge, HRH Katherine, Duchess of Cambridge and HRH Prince Harry in aid of the CTBF and held at the Royal Albert Hall, Kensington, London at Royal Albert Hall - London, United Kingdom - Monday 26th October 2015
'12 Years A Slave' star Chiwetel Ejiofor with his model girlfriend Sari Mercer were among the stunningly dressed celebrities snapped leaving their New York hotel to attend the 2014 Costume Institute Gala where this year's theme was 'Charles James: Beyond Fashion'.
Domenico Dolce and Stefano Gabbana were charged of tax evasion in the fashion capital of Milan today (Wednesday 19th June). They deny the charges and are likely to appeal against the ruling.
Global fashion house Dolce and Gabbana's founders Domenico Dolce and Stefano Gabbanna have been sentenced to 1 year 8 months (suspended) in jail following an investigation and subsequent trail into their evasion of taxes.
The investigation into D&G by Italian police began six years ago, following a government decision to crack down on tax evasion. Dolce and Gabbana were initially convicted in 2011 but the decision was appealed and over-ruled.
Prosecuters at the trial believe the pair has evaded taxation on their earnings of 416 million Euros and a further 200 million euros which they moved to their Luxembourg based company Gado. The judge ruled the company officially move to the tax haven of Luxembourg in 2004 and their shares in it were bought at less than market value.
One of Merlin's apprentices, Balthazar (Cage), has been searching for Merlin's heir for nearly three thousand years, finally locating him in New York City in physics geek Dave (Baruchel). Doubtful but intrigued, Dave learns that Balthazar's ex-colleague Horvath (Molina) is determined to resurrect the evil Morgana (Krige) to destroy humanity. But Dave is badly preoccupied by the fact that the girl (Palmer) he has loved since age 9 is suddenly showing him some interest. Can't this world-saving business wait?
Continue reading: The Sorcerer's Apprentice Review
Pippa (Wright) is married to the much-older Herb (Arkin), a publisher who hates that he's now retired. But it's Pippa whose world is starting to unravel, as she reaches the point where she needs more than being a trophy wife and mother to two now-grown kids (Kazan and McDonald). Her sleepwalking antics indicate that her subconscious has already figured this out, but it'll take a look at her childhood (played by Lively and youngster Madeline McNulty) to help her see what she needs to do next.
Continue reading: The Private Lives Of Pippa Lee Review
Michael Davis' Shoot 'Em Up is a giddy, deranged, pumped-up theme park ride in Bullet Land where the bullets fly like rain, bodies drop like hail, and carrots are used as lethal weapons.
Continue reading: Shoot 'Em Up Review
The supposed wisdom imparted by Irréversible is, unfortunately, wholly unoriginal in theory and decidedly odious in practice. To Noé, man is, regardless of his civilized facade, a vicious animal driven by primitive instincts. Homosexuality and femininity are the enemies of masculinity, and should be treated with suspicion and disgust. The modern world, and Paris in particular, is a cesspool of vice and depravity. And the only way to fully convey these themes is to depict them unflinchingly, without restraint or decency. The film, like far too many recent French imports (Baise-moi, Romance), mistakenly embraces blunt shock tactics as the surest means of capturing artless reality.
Continue reading: Irréversible Review
In this outing, all four family members are dropped right in the middle of their respective crises: Dad (Fabrizio Bentivoglio) is rekindling an affair with an old girlfriend (played by Monica Bellucci, who could possibly blame him?), while Mom (Laura Morante) is tentatively dipping a toe into the world of acting. Sis Valentina (Nicoletta Romanoff) is the proto-teen who hates everything and dresses like a whore -- and she's trying to become a dancer on TV... and what good could come of that? Then there's brooding Paolo (Silvio Muccino, Gabriele's kid brother and a regular in his films), who can't score with the girls and seems on the verge of suicide from frame one.
Continue reading: Remember Me, My Love Review
The Brotherhood of the Wolf has all of the makings of a great French epic. Dashing leading men including Vincent Cassel (The Crimson Rivers), voluptuous women such as Emilie Dequenne and Monica Bellucci, a promising storyline packed full of complex, daunting elements of suspense and mystery, and impressive production values clearly evident in costuming and set design. The problem is that this film is about as French in style and execution as McDonald's French fries.
Continue reading: The Brotherhood Of The Wolf Review
Lee's initial target for censure is the crooked corporate culture that fosters brazenly greedy and duplicitous companies such as Enron and Worldcom. Jack Armstrong (Anthony Mackie) is a vice president at a pharmaceutical company whose new HIV cure has been rejected by the FDA. When he discovers a conspiracy orchestrated by the corporation's arrogant, racist CEO (Woody Harrelson) and his ruthless Martha Stewart-ish boss (Ellen Barkin) to cook the books and keep employees and shareholders in the dark about the new drug's ineffectiveness, Jack rats out his superiors to the SEC, and the price for betraying "the family" is immediate dismissal. As luck would have it, though, a new money-making venture falls directly into his, ahem, lap - his ex-fiancé Fatima (Kerry Washington), who left him for another woman, now wants to pay him $10,000 to impregnate her and her Dominican girlfriend. Before long, Armstrong - in some sort of filthier version of the Patrick Dempsey '80s cult classic Loverboy - is occupying his time spreading his seed through NYC's upper-crust lesbian community (which includes Monica Bellucci as a Mafioso don's daughter) for wads of cash.
Continue reading: She Hate Me Review
The story is seen through the eyes of a 13-year-old boy named Renato (Giuseppe Sulfaro ), who is growing up in a small Sicilian village during the World War II. For a good three-fourths of the film, the local beauty Malèna (Monica Bellucci), the object of desire for the entire village, monotonously parades through streets and piazzas with cow-like indifference, followed by Renato and his gang of friends.
Continue reading: Malèna Review
The use of flashbacks is interesting and unique -- replaying scenes over and over with a different spin. And the film truly keeps you guessing, though it goes out of the way to make Hackman look guilty. But what's up with the nonsense ending?
Continue reading: Under Suspicion Review
Now that the film is out, it finally can speak for itself. And as it turns out, some of the arguments are valid. Passion, which arduously depicts the final hours of Jesus Christ, contains brutal scenes of torture that linger for an eternity. And Gibson does limit his narrative to Jesus' conviction and crucifixion, with occasional fleeting reminders of significant events such as the last supper or the Sermon on the Mount.
Continue reading: The Passion Of The Christ Review
In 2003, no one needs to be told, because everyone fully knows what the Matrix is. The idea of the Matrix has entered the popular lexicon. Magazines, with utter seriousness, create polls asking whether readers think we are really living in the Matrix. And people say yes, apparently unable to realize that it is only a movie.
Continue reading: The Matrix Reloaded Review
Civil war is tearing Nigeria in two. Without warning, the country's president is overthrown by infidels, who assassinate the deposed leader along with his immediate family. Amidst the political upheaval, our government orders a U.S. Navy SEAL platoon led by Lt. A.K. Waters (Willis) to infiltrate the African jungles and extract Dr. Lena Kendricks (Monica Bellucci) and her assistants.
Continue reading: Tears Of The Sun Review
There could be no one better than Terry Gilliam to direct a tongue-in-cheek supernatural thriller set in a world of fairytales.
Unfortunately, in "The Brothers Grimm" -- a movie with a Terry Gilliam look and feel but without a Terry Gilliam soul -- the eccentric genius behind "Fear and Loathing in Las Vegas," "12 Monkeys" and "Brazil" seems to have had his spirit broken by studio mandates (like a hottie love interest) and commercial constraints (like a curtailed run time).
Set in French-occupied Germany during the early 19th century, the fable-warping story reinvents the the legendary Grimms as good-natured con artists, who only later became authors, immortalizing the likes of Snow White, Rumpelstiltskin and the Golden Goose by putting their own famous dark-candy spin on familiar folk tales. Here wily huckster Wilhelm (Matt Damon) and frustrated idealistic scholar Jakob (Heath Ledger) are traveling snake-oil salesmen, exploiting local superstitions, staging theatrical hauntings, then peddling their services as ghost busters.
Continue reading: The Brothers Grimm Review
Here's your review of "The Matrix Reloaded" in a nutshell: One incredibly cool, gravity-defying, CGI-aided, swirling-camera kung-fu melee; one jaw-dropping, 100-mph, against-traffic freeway chase; and way, way too much long-winded, expository, circular, self-important, pseudo-philosophical yappity-yappity-yap.
Writing-directing brothers Larry and Andy Wachowski saddle their cast with endless equivocal prattle while toiling to buttress the complex plot and metaphysical undertone of this picture's uber-stylish 1999 predecessor, which saw what we think is the real world exposed as an elaborate virtual reality prison for the minds of all humanity. Mankind's suspended bodies provide a power source for a race of machines, which a small band of escapees are hoping to destroy in the post-apocalyptic world outside the Matrix.
"We can never see past the choices we don't understand," sage but elusive cyber-prophet The Oracle (Gloria Foster) preaches cryptically to Neo (Keanu Reeves), the cyber-Messianic hero whose realization that physical laws don't apply in the Matrix led to the first film's groundbreaking wire-work martial arts fights and bullet-dodging slow-mo stunts.
Continue reading: The Matrix Reloaded Review
Beyond Jesus's inner circle of Disciples, relatives and Mary Magdalene, there's barely a single sympathetic character in the entirety of devoted director Mel Gibson's passion project "The Passion of The Christ."
Pontius Pilate, the tyrannical Roman governor on whose word the crucifixion went forward, gets a pass as a conflicted guy who was just doing his job -- killing Jesus to prevent a rebellion from a mob of frenzied Jews angry over his perceived as blasphemous preachings. Pilate's wife Claudia is a convert and therefore shown in a good light. There's a Jewish girl who tries to give Jesus water as he carries the cross on which he'll die through the streets of Jerusalem and a peasant father who has a religious epiphany by helping the now beaten bloody Jesus carry said cross.
Aside from a few people crying as Jesus is dragged past them, that's about it. Everyone else in this film seems to be a villain -- be they Roman guards who laugh maniacally (like James Bond movie henchmen) while whipping Jesus until his shredded skin looks like bloody, lumpy oatmeal, or be they Jewish hoards whipped into a frenzy by temple leaders, or be they the viciously evangelical rabbis themselves, whose spiteful rhetoric against his "heresy" sounds an awful lot like what still to this day comes from behind some pulpits and political podiums.
Continue reading: The Passion Of The Christ Review
The eye-popping, heart-stopping last hour and a half of "The Matrix Revolutions" more than makes up for everything plodding and ponderous that has taken place since the mind-blowing first hour of the 1999 original.
Astonishing in scale and momentous in scope, it encompasses a spectacular battle between the scrappy, out-numbered but heavily armed defenders of Zion (humanity's last refugee city hidden deep beneath the Earth's scorched surface) and a million-strong swarm of enemy sentinels (those frightening, giant squid-shaped robots) invading from the machine-ruled surface world.
But the monstrous melee may be for naught if uber-human messiah Neo (Keanu Reeves) cannot defeat the invincibly evil, incalculably self-replicating rogue computer program known as Agent Smith (Hugo Weaving) in a simultaneous, nuclear-strength airborne-kung-fu showdown inside what's left of the crumbling Matrix (that virtual world pulled over the eyes of the comatose majority of mankind kept in stasis by the machines who feed off our life-force).
Continue reading: The Matrix Revolutions Review
Date of birth
30th September, 1964
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