Nick Cave & The Bad Seeds - Skeleton Tree Album Review
There are too many lives taken too early in many walks of life but, with the possible exception of the armed services, none more so than in Rock 'n Roll. Early, often tragic, unfortunate, untimely and ultimately futile death has seemingly been a staple of the profession from its earliest incarnation. It's almost an expected given from time-to-time. Line-ups change because of it, the artists in question often take on another type of, celebrated/lauded/deity status and record companies release endless re mastered collections so that we can fully appreciate 'our' loss.
The tragedy of the unexpected early death of one's son or daughter to an artist is a far rarer thing and as such is more of an unknown. Nick Cave has always been, in my eyes at least, such a strong, powerful, confident and authoritative person. Yes he's capable of creating beauty, baring his soul, capturing love and longing and expressing it brilliantly but always with a certain swagger, an inner belief and a natural charisma. The death of his fifteen year old son, Arthur, has so obviously changed that in so many ways on his, and the Bad Seeds, latest release, 'Skeleton Tree'.
Although 'Skeleton Tree; was started prior to Arthur's passing it is clear in every aspect of the record that each song is somehow channelling Nick's grief. From the opening bars of the vibraphone on 'Jesus Alone' and through very last mournful word that Nick utters the darkness of death is not far away. His sorrow, frustration, confusion and anguish are audible throughout; if not literally in lyrical form, then in his often stark rendering of the songs in his performance. Nick has always been capable of swerving between the tender and the tormented but on 'Skeleton Tree' he sounds older, his vocal is not so polished and at times he sounds fragile. There is a brittle seam that runs through his new record that ultimately captures its emotional sensitivity and its portrayal of such a sad loss. Nick has himself questioned whether his voice is strong enough, and it's not as strong as it is on any of his previous 15 studio albums, but it is no less effective, emotive, soulful or engaging. His ability to lift, suspend or arrest your sensibilities is undiminished as he works through a series of songs that, by his own admission, have a rawness that is more stark and unfinished than most of his previous back catalogue.
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