Paul Jabara

Paul Jabara

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Thank God It's Friday Review


Weak
As Oscar-winning films go, Thank God It's Friday is pretty much at the nadir. It's a quickie flick meant to take advantage of the disco fever of the late 1970s, and given that the entire film takes place inside a discotheque (or en route to one), it does exactly that.

The film pays much more attention to the music (The Commodores headline, Donna Summer croons "Last Dance," which is where the Oscar understandably landed for this film, than it does to characters or story. Well, there really is no story, just a bunch of scenes of people at the club for various reasons. Two underage girls want to compete in a dance competition there. A driver has The Commodores' instruments and needs to get to the show. A white-bread couple celebrates their fifth anniversary (despite club owner Jeff Goldblum hitting on the wife). Stop me if you can fill in the rest.

Continue reading: Thank God It's Friday Review

Light Sleeper Review


Very Good
Light Sleeper feels like a serious '80s film, though it was made all the way in 1992. It's a relic of the drug era, filled with a soulful performance from WIllem Dafoe (a conflicted upper-class dealer who wants to get out of the business), a synthesizer score, and virtually no scenes set during the day. Susan Sarandon and Dana Delany also look straight outta 1983, with a bouffant hairdo and a close-cut Jane Wiedlin cut, respectively. As for the film, it's more hit than miss, and Dafoe's earnest portrayal carries the movie through its rockier, less sensical parts. Worth a look.
Paul Jabara

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