Continue reading: The Ruling Class Review
Club Paradise is a prototypical specimen, starring a dozen actors in career lulls, including Mork, Twiggy, a gaggle of Second City vets, Jimmy Cliff, and even Lawrence of Friggin' Arabia. A word of warning: these leftovers are rotten.
Continue reading: Club Paradise Review
Based on the autobiographical writing of British officer T.E. Lawrence during World War I, Lawrence of Arabia depicts Lawrence (played by then-unknown actor Peter O'Toole) as a lieutenant lacking any sort of military discipline whatsoever. Bored with his assignment of coloring maps for the British Army in a dimly lit headquarters building, Lawrence jumps at the opportunity to be re-assigned as an observer for an Arabian prince fighting against the Turkish army. Lawrence quickly sees just how caring and great these desert dwelling people can be and ends up rallying the various tribes together to fight the Turks and help the British turn the tide of World War I.
Continue reading: Lawrence Of Arabia Review
The film follows Cameron (Steve Railsback), a former Vietnam soldier, who is sought by the police and FBI. He is a street-smart savage and a criminal with unblinking tension in widened, wild eyes. Even motionless, he seems to be running from something. Soon he's on the run from the cops, and finds himself witnessing the shooting of a film. When the scene is over and the director, Eli Cross (Peter O'Toole), descends from the helicopter, the camera is looking at him from down below -- he is at once God and Devil, and he brings with him an air of greatness and unfathomable mystery. Peter O'Toole is brilliant in a role of megalomaniacal film director: He is imperial, bitter-tongued and controlling. He carries his madness in the blue arrogance of his eyes, in the deep wrinkles of his face and sinister sleeves of his black turtleneck. When he is looking down on Cameron from the helicopter's window, he seems to be gazing right into Cameron's soul. They strike a deal and Cameron becomes someone else -- a stunt man, an actor, and a fugitive -- in the movie. If he works it all out, it could mean having one more chance to lose, and Richard Rush exploits the twists and turns of Cameron's adventures with exuberance and unpredictable inventiveness.
Continue reading: The Stunt Man Review
Watching these cinematic treats is nothing short of delicious. Since revenge is a dish best served cold, it seems appropriate that the grand dame of these films takes place in the bleak midwinter of 1183, when the royal family has gathered for the Christmas holidays.
Continue reading: The Lion In Winter Review
Continue reading: Rock My World Review
For moviegoers anxious to see Brat Pitt, Orlando Bloom and Eric Bana oiled up and sweaty in various states of undress, Hollywood's handsome, aggrandized, $200-million-plus swords-and-sandals epic "Troy" has a lot to offer -- a whole lot to offer.
For those seeking a "Gladiator"-style, thinking-person's summer action movie, the film is on shakier ground -- and for folks more interested in watching the Trojan War of Homer's "Iliad" brought to life, brace yourselves for disappointment.
Screenwriter David Benioff ("25th Hour") takes many, many liberties with his source material, some of which are creative and shrewd, like using the mistaken-identity battlefield death of Achilles' look-alike cousin to imply how legends of the warrior's immortality spread in this version of the story which is devoid of gods, demigods and such mythology.
Continue reading: Troy Review
"Bright Young Things" is a terribly witty romp through 1930s pre-war London with a pack of idle young swells who live scrumptious but superficial lives of joyous gossip-page decadence and complacent scandal that has the potential to ruin them.
Very cleverly adapted (from Evelyn Waugh's novel "Vile Bodies") and directed by the gifted comedic actor Stephen Fry ("Wilde," "Peter's Friends"), our surrogate in this world is Adam Symes (newcomer Stephen Campbell Moore), a well-connected but flat broke novelist and fringe member of this society who is railroaded into writing an anonymous gossip column about his pals -- although he's soon inventing entirely fictional members of the circle just to keep his readers amused.
An ironic failure at schemes to get rich quick so he can ask the "frantically bored" and beautiful but secretly vulnerable and melancholy Nina (subtly heartbreaking and simply wonderful Emily Mortimer) to marry him, Adam's fortunes -- which practically fluctuate with the tides -- are just one source of endless humor. But director Fry furtively hints at shades of compunction and misfortune under the film's carefree surface that bubble up as world events encroach on these lives of leisure, eventually taking the film to an unexpected level of empathy, nuance and humanity.
Continue reading: Bright Young Things Review
Date of birth
2nd August, 1932
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