When Set brutally murderers his brother, Osiris the great deities of ancient Egypt are upset, non-more so than his wife Isis. Piecing her husband - and fellow god - Osiris back together, she manages to resurrect him for long enough to conceive Horus. So begins a lifetime of battles for the Kingdom.
Set, the brother of Osiris and god of storms, disorder and violence on one side and Horus, the son of Osiris on the other. When Set and Horus go head to head in combat, the mortal citizens of Egypt hope for one victor (Horus) but in a moment of weakness, Set makes his move and steals the eyes of Horus.
Soon after the downfall of Horus, Set takes over Egypt and enslaves the mortals, knowning there's little hope of being saved, one mortal hero decides to help steal the eyes of Horus back in order to gain the trust of the cast out god. To take the kingdom back (and save Bek's love), he and Horus face vast armies of mortals and immortal demons cast under Set's spell.
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Mary Mapes is the producer of CBS' '60 Minutes' and, in the run up to the 2004 presidential election, she's looking for a story for her and her team - including anchor Dan Rather - to chase. The team discovers evidence that President George W. Bush failed to complete the required amount of military service during his time in the Texas Air National Guard during the 70s. It's a story that could truly bring down the right wing government if only they can get hold of some solid documents to support the story. That's when Bill Burkett comes in; he's the former Lieutenant Colonel of the Texas Air National Guard and he claims to be in possession of some papers criticising Bush's lack of attendance for his military service, written by his commander at the time Lieutenant Colonel Jerry B. Killian. Unfortunately, in their haste to air the controversial information, the '60 Minutes' team fail to have the documents authenticated - and when several experts out the papers as forgeries, it seems the tables quickly turn on these newscasters in the most devastating way.
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Lucy is a University student who is struggling to pay her rent. When she's not working in an office, she juggles a science experiment that she is being paid to take part in. Her roommates have all but given up on her; Lucy's only real friend is Birdman, who is slowly dying from alcohol poisoning.
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With a highly acclaimed cast that includes Anthony LaPaglia, Barbara Hershey, and Geoffrey Rush you would hope this idea would provide great material for such illustrious actors to sink their teeth into. Unfortunately, having been adapted for the screen from a play, by the playwright himself, much of the emotional impact is lost in overwhelmingly dramatic dialogue.
Continue reading: Lantana Review
Marital stress hangs like an albatross around the necks of all the primary characters in "Lantana," an viscous Australian ensemble piece that begins as an intricate, intimate web of rocky relationships and evolves into a tangled, disconcerting mystery.
Two floundering couples, connected through six-degrees-of-separation periphery, are at the center of the story. Anthony LaPaglia is Leon Zat, a police inspector who takes out his many frustrations on suspects and in bed with Jane (Rachael Blake), an almost-divorcee from the salsa dance class his wife drags him to every week. His marriage to brittle Sonja (Kerry Armstrong) has grown tepid and uncommunicative -- a fact that she regularly bemoans to her shrink, Valerie Sommers (Barbara Hershey).
Valerie is a woman who has had a hard time maintaining her professional detachment since her young daughter was murdered two years before. Her marriage to John (Geoffrey Rush), a prickly law school dean, has grown so numb since the loss of their child that they speak to each other -- even about sex -- like uneasy co-workers. And the fact that John deals with his sorrow in quietly tearful visits to the murder site while Valerie has chosen to grieve publicly, publishing a book about the killing, hasn't helped heal their rift.
Continue reading: Lantana Review
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