What money is that? Oh, just $30 million, left to Montgomery Brewster (Richard Pryor) by his sole relative. The catch? The real inheritance is $300 million -- and if Monty wants it, he has to spend the $30 million in 30 days, and at the end of that time he can't have any assets to show for it. Oh, and he can't tell anyone what's going on, either.
Continue reading: Brewster's Millions Review
Credit Miss Diana Ross for her guts. In this, her first screen performance, she tosses all vanity aside, kicking things off by wearing a straitjacket and writhing around on the floor of an asylum (that writhing earned her an Oscar nomination). What has brought Billie Holiday to this lowly state? The flashbacks will tell us.
Continue reading: Lady Sings The Blues Review
Just as Wattstax the event was a serious social event that just so happened to include a little music, Wattstax the movie is much less a concert film (a la Woodstock or The Last Waltz) and much more a talking head documentary with musical interludes. Depending on your frame of mind, that can be a good or a bad thing. But director Mel Stuart (who made Willy Wonka & the Chocolate Factory two years earlier) is probably not the perfect person to take a camera into Los Angeles to ask black residents how things have changed (or not) since the riots seven years earlier. There's frankly just not a lot of insight to be gained from the poorly shot man-on-the-street footage.
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Unfortunately, a pioneering performance idea and raunchy dialogue doesn't actually make the movie any good. The story follows a migrant farm worker named Leroy Jones (Pryor), who accidentally becomes selected for a management job and along his ride to the top he makes enemies of his former co-workers and friends, and finds his formerly sex-starved life filled with options. And wouldn't you know it, the only one which satisfies him is the local reverend's wife.
Continue reading: Which Way Is Up? Review