Norm is a polar bear frequently laughed at by his Arctic neighbours for his friendly disposition and inclination to hug rather than hunt. However, life becomes no laughing matter for the other polar bears, reindeer and orca that exist in their icy habitat when humans start visiting with cameras, boats. and plans to settle there. Norm is enlisted by a wise seagull to take to the city, flanked by three invincible lemming cohorts, to persuade the mastermind behind the new housing plans of Greene Homes that he really doesn't want to build on the chilly retreat, but unwittingly becomes his furry mascot. Norm does, however, meet a young girl who agrees to help publicize the issue, and save his family and friends. But if he ever wants to return to his own home, he's going to have to do some serious undercover research
Continue: Norm Of The North Trailer
Rob Schneider and Patricia Azarcoya Srce - A host of stars including previous cast members were snapped as they arrived to the Rockerfeller Plaza for Saturday Night Live as it celebrated it's 40th anniversary with a star studded gala in New York, United States - Sunday 15th February 2015
The speculation about Robin Williams' death has taken a new turn.
Days after the death of Robin Williams, the world and the entertainment industry in particular, are still reeling from the loss. As many focus the discussion on mental health and the need for support for depression, addiction and other disorders, Williams’ friend and fellow actor has pointed the finger to a much more tangible possible cause for the tragedy.
Speculation surrounds Robin Williams' death.
Rob Schneider, who met Williams almost 20 years ago and has since done standup and collaborated with the actor on various projects, says that the medicine he had been taking for the early onset of Parkinson’s disease may have been to blame.
An improvement on 2006's The Reef, this underwater adventure doesn't hold a candle to big studio animation, but its deeply ridiculous plot is charmingly scruffy. Compared to Pixar or DreamWorks, the animation here is fairly ropey, mainly in the design stage as the artists place human faces on the fish, but the surprisingly deranged humour keeps us smiling.
In the first film, plucky little Pi (voiced by Bell) managed to banish nasty shark Troy (Logue) from the reef. But Troy has now escaped from his human captors, who beefed him up with bulking-up drugs. During low tide, he can't get into the reef, so he sends the tiny shark Ronny (Kennedy) in disguise to prepare for his grand return at high tide in four days. Ronny's main job is to prevent Pi from teaching the other fish how to harness the "power of the sea" to defeat Troy, so Ronny distracts them by staging an elaborate variety show. This disrupts Pi's bootcamp, sparking the hammy performer in his wife Cordelia (Philipps), so Pi turns to his guru, the wise turtle Narissa (Schneider), for help.
Clearly, Ronny's undersea stage show was conceived as a way for the animators to go completely wild with music and colour, and it works. These scenes are hilariously silly, packed with breakdancing prawns and jellyfish choreography. There are also movie references and watery puns (like a reference to "Buoyancé Knowles"), plus a stream of military gags, as everyone prepares for battle. Most of these jokes are funny in a way the imagery can't live up to. Animated in Korea, the direction is often awkward and the imagery sometimes plasticky.
Continue reading: The Reef 2: High Tide Review
Roger Ebert has died aged 70, just days after announcing his cancer had returned.
Roger Ebert, the esteemed American journalist, movie critic and screenwriter, has died aged 70 after a long battle with cancer. Ebert worked as a critic for the Chicago Sun-Times from 1967 right up until his death, making him one of the best known film critics in America. He was the first writer of his kind to win the Pulitzer Prize for Criticism and had his columns syndicated to more than 200 newspapers in the United States and many abroad.
Many will remember Ebert for his barbed war with rival critic Gene Siskel, often verbally sparring whilst discussing films in public. The pair created the trademark 'Two Thumbs Up' when both hosts gave the same film a positive review. As a director, if you had the two thumbs up from either Ebert of Siskel, you were invariably onto a good thing. In 1999, Ebert launched his own annual film festival called Ebertfest and six years later became the first critic to receive a star on the Hollywood Walk of Fame. His colleague Neil Steinberg said Ebert was "was without question the nation's most prominent and influential film critic." A positive review from the Chicago native could boost a movie's box-office takings, though a mauling could ruin everything. Ebert gave out plenty of those during his long and distinguished career, though a few stick out:
Continue reading: Roger Ebert Dies Aged 70: The Five Movies He Hated The Most
Brian is a highly ordinary pet photographer who clashes with formidable Croatian crime kingpin Vadik Nikitin following an unforeseen incident. Nikitin seizes the opportunity and blackmails Brian into marrying his daughter Masha in return for not killing him. The marriage is set to be strictly on paper, with no consummation, so she can get US citizenship but Brian's infatuated assistant Tonya is heartbroken nonetheless. Brian and Masha are sent to Tahiti on their honeymoon where they unexpectedly fall in love; their romance looks set to have a fairytale ending before Masha is suddenly kidnapped. Brian sets out to rescue her with Tonya and two eccentric hotel workers, Ernesto and Lani, with Masha's jealous English suitor and right-hand man to Nikitin, Brick, hot on their tails.
This side-splitting Rom Com has got to be the least serious love story to come out this year with stereotypical gangster action and a cheesy but cheerful meant-to-be romance. Directed and written by Rob Hedden (writer for 'The Condemned' and 'Friday the 13th Part VIII: Jason Takes Manhattan'), the delightfully charming 'You May Not Kiss The Bride' will not fail to amuse audiences anywhere on its scheduled cinema release this autumn on September 21st 2012.
Continue: You May Not Kiss The Bride Trailer
Little Nicky (Adam Sandler) is the devil's third---and least impressive---son. Bested in brains by his brother Adrian (Rhys Ifans) and in strength by his brother Cassius (Tiny Lester), Nicky finds little joy outside of hanging out in his hell-bound bedroom, banging his head to heavy metal favorites. That is, until his father's 10,000-year reign draws to a close and it's time to name the new ruler of Hades.
Continue reading: Little Nicky Review
Having now seen "Little Nicky," in which Adam Sandler plays the retarded son of Satan, I have formulated a hypothesis I'm calling the Sandler Theory of Exponentially Obnoxious Returns. It goes something like this:
Adam Sandler goes out of his way to make each gimmick character he plays ("Billy Madison," "Happy Gilmore") more grating than the last, just to see how far he can push it before his easily amused fan base will turn on him.
His most detestable character to date had been "The Waterboy," but that Southern-fried dope was mister congeniality compared to Nicky, the little devil that couldn't. Sandler spends this entire movie with his face screwed up in a hit-by-a-shovel grimace and speaking in a silly, raspy voice like a little kid pretending to be sick so he can stay home from school. There's no joke here. It's just Sandler's version of stretching as an actor.
Continue reading: Little Nicky Review
As someone who watches upwards of 500 movies a year, I've seen more than my fair share of bad remakes. But I've never seen one do anything as stomach-turning as the way Adam Sandler's new movie rapes, pillages and incinerates Frank Capra's classic "Mr. Deeds Goes to Town."
Entitled just "Mr. Deeds" and punctuated with elementary dialogue and the worst kind of feel-good muzak score, it doesn't contain a single sincere moment, a single performance that would pass muster in an elementary school play or a single scene without glaring continuity problems. Different takes within the same conversations don't even sync up -- ever.
As in Capra's very funny and heartfelt hallmark, the story is about a modest, idealistic small-town schnook named Longfellow Deeds (Sandler) who inherits a fortune from a distant uncle and is swept away to New York City, where ruthless tabloid scrutiny turns him into an object of both scorn and laughter. Leading the smear campaign is an ambitious female reporter (Winona Ryder), who poses as a fellow wide-eyed out-of-towner. But while trying to railroad Deeds into splashy front-page behavior, she falls for the guy, has a change of heart and decides to help save him from the urban wolves.
Continue reading: Mr Deeds Review
Rob Schneider's new low-brow body-swap romp "The Hot Chick" is such an insipidly sexist so-called comedy that the movie's entire female cast is reduced to jumping up and down, giggling and playing patty-cake while rhyming about the ickiness of sex.
These characters don't have a brain cell to share among them, but Schneider (who plays an idiot too, but what else is new?) and director Tom Brady genuinely expect the audience to identify with these one-dimensional teenage airheads.
More specifically, they expect us to identify with catty queen ditz Jessica (Rachel McAdams), who, through a curse not worth explaining here, wakes up in the short, hairy, burlap-sack body of a scummy, gas-station-robbing low-life (Schneider) just a few days before the prom.
Continue reading: The Hot Chick Review
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