Watch this great short w/ my wife @WhitneyNeesAble #whitneyable #thelaughingman #thejoker #harleyquinn #fanfilm https://t.co/URJLjHy5R5
Roman is a construction worker preparing for his wife and grown-up daughter to return home to him after a long vacation. He awaits their arrival at the airport, but they never come. The plane that they were travelling on crashed after a miscommunication by air traffic controllers, and they didn't survive. Racked with the worst grief he has ever experienced, he is determined to have justice for his family. Meanwhile, the AFC in charge Jake Bonanos has managed to avoid being named responsible and is advised to change his name and move his family away to avoid attacks from angry vigilantes. Unfortunately for him, it doesn't take Roman too long to track him down. He wants an apology from the man he believes is responsible for the death of his wife and daughter, but does he also want revenge?
Continue: Aftermath Trailer
Vincent Downs and Derrick Griffin are two police detecTIves who don't play by the rules. They have their own criminal connections, and when a homicide case arises that the two are involved in, naturally they take on the job themselves. From the scene of the crime, Vincent steals cocaine but soon realises how much of a mistake that was when his son is kidnapped during a car journey. If he doesn't bring the goods back to the drug lord he took them from, he might never see his son again. But he can't go to the police because that means finally exposing his secret life.
Continue: Sleepless Trailer
After 2013's beefy Man of Steel, director Zack Snyder goes even bigger and darker with this sequel, cross-pollenating Clark Kent's story with flashbacks to the origins of Bruce Wayne and his Dark Knight alter-ego. The problem is that the film is so big and loud that it can't help but feel bloated, especially since so much of what's on screen feels rather vacuous. But it looks amazing and is relentlessly gripping.
After a Bat-origin prologue, the story kicks off with the climactic battle from Man of Steel as seen from the perspective of Bruce Wayne (Ben Affleck), watching his city being destroyed by Superman (Henry Cavill). This further fuels the rage that began when his parents were murdered. And that fire is stoked by the mischievous millionaire Lex Luthor (Jesse Eisenberg). Meanwhile, Superman/Clark is struggling with how the world is revering him as a god, which is straining his relationship with intrepid reporter Lois (Amy Adams). As these very different vigilante heros head toward a climactic confrontation, Luthor is up to something seriously nefarious. And the ensuing chaos brings another hero into the open, Wonder Woman Diana Prince (Gal Gadot).
While the various plot threads are fascinating, and Snyder maintains a snappy pace, the overall story centres on the fact that Affleck's prickly, bitter Bruce is easily manipulated into doing terrible things, which makes him rather unlikeable. And Cavill's fundamentally good Clark isn't much easier to identify with. Both are also oddly constrained by their costumes and bulked-up physicalities, which leave them unable to move properly. This allows the side characters to steal the show: Adams adds emotion and passion, Eisenberg provides the nutty nastiness, Irons is hilariously cynical as Bruce's butler Alfred, and Fishburne is all bluster as Lois' editor. But in the end, the film belongs to the gorgeous, clear-headed Gadot, instantly making her stand-alone movie the most anticipated superhero project on the horizon.
Continue reading: Batman V Superman: Dawn Of Justice Review
Nick Dunne finds himself at the fore of a police investigation when his wife Amy mysteriously goes missing on their fifth wedding anniversary. He has mixed emotions about the whole thing as he enlists volunteers to help find her; their marriage has been on the rocks after he lost his job and dragged Amy away from New York to open a new business. Their relationship was often volatile, further implicating his involvement in her disappearance. A part of him is not so worried about her; he knows how manipulative and deceitful she can be, but unfortunately his lack of visible devastation on TV goes solidly against him for those who are sure he's killed her. As it turns out, he's not so honest either and things come to a head when it turns out that every person in this story has a secret.
Continue: Gone Girl Trailer
Frank is an eccentric musician who refuses to be seen without the giant paper mache cartoon head he wears. As he embarks on a pursuit of fame and fortune, he enlists an aspiring artist named Jon to join his band Soronprfbs. Joined by Frank's short-tempered theremin player Clara and his manager Don, the band move to Ireland where they set out to record their debut album. Jon goes about getting the band's videos all over the internet, in a bid to land the most serious gig of their lives: South by Southwest Festival in Austin, Texas. But tension starts to arise as Frank's relentlessly mysterious persona gets increasingly more annoying, and he himself appears to be starting to lose his own head.
Continue: Frank Trailer
After a couple of gimmicky transgressive comedies (Humpday and Your Sister's Sister), writer-director Lynn Shelton takes a more observant approach this time. So even if, as before, the script never quite fills in the gaps in the story, it at least knowingly recreates relational awkwardness in a remarkably sensitive way. And the characters are almost eerily easy to identify with.
The centre of the story is Abby (Rosemarie DeWitt), who is debating whether she should move in with her rebound boyfriend (Scoot McNairy). This sparks her to think about her whole life, and she ends up recoiling at the idea of touching human flesh. Which is a problem since she's a massage therapist. By contrast, her dentist brother Paul (Josh Pais) believes he might have the ability to heal his patients, so he consults Abby's reiki-practitioner colleague (Alison Janney) for advice. Meanwhile, Paul's daughter Jenny (Ellen Page) is terrified to tell her father that she hates working as his assistant. And she's even more afraid to admit that she has a crush on her aunt's boyfriend.
Along the way, Abby, Paul and Jenny are all pushed into a turning point in their lives by an unexpected change in circumstances, which of course feels a bit contrived. But the film's real strength is in the messy connection between family members who have issues with themselves and each other, all of which are expressed through clumsy conversations and uncomfortable physicality. As insecure siblings, DeWitt and Pais are terrific in complex roles that draw on the actors' nervous energy. But only Pais and McNairy are genuinely likeable: men who haven't a clue what to do. By contrast, the always terrific Page and Janney have much less-developed roles.
Continue reading: Touchy Feely Review
'The Rover', directed by award winning director David Michôd (Animal Kingdom), is a dystopian crime drama set in the near future, where crime is commonplace and there is no authority to stop it. This has drawn Mad Max comparisons. Michôd wrote the film with Joel Edgerton, who featured in Michôd's highly acclaimed Animal Kingdom.
Staring Guy Pearce (who's previously worked with Michôd in Animal Kingdom, as well as staring in Memento), Robert Pattinson (Remember Me/Cosmopolis) and Scoot McNairy (12 Years A Slave/Argo). 'The Rover' sees former Australian soldier Eric (Pearce) give up on the world after seeing society fall, but when his only possession is stolen, he sets out to hunt down the ones responsible. Reynolds (Pattinson) was with the thieves, but is abandoned by them in a car accident, so Eric uses him to help track down the thieves. Eric has nothing left to lose and will therefore do anything in his power to retrieve what is precious to him.
'The Rover' will be released in UK cinemas through Entertainment One on August 22nd 2014.
Continue: Rover Trailer
While this comedy-drama is sometimes wilfully absurd, it's also exhilarating cinema, telling its story with conflicting amounts of warm emotion and prickly abrasiveness. Irish filmmaker Lenny Abrahamson (What Richard Did) is known for keeping his audience on its toes, shifting moods and navigating sharp plot turns. And while it takes a while to get into the rhythms of this movie, it ultimately wins us over entirely.
Loosely based on the true story of English musician Chris Sievey (aka Frank Sidebottom), the film centres on the art-punk band Soronprfbs, which is fronted by Frank (Michael Fassbender), who wears a gigantic papier-mache head both on and off stage. While touring in Britain, he recruits the nerdy aspiring musician Jon (Domhnall Gleeson) to join the band for a gig in Ireland and then stick around to write and record the next album. This means that Jon must figure out how to relate to the bandmates, all of whom seem to have serious issues. Frank's girlfriend is the freaky noisemaker Clara (Maggie Gyllenhaal), and there's also hapless manager Don (Scoot McNairy) and opinionated but aloof musicians Baraque and Nana (Francois Civil and Carla Azar).
Abrahamson lets the film play out in the same utterly bonkers style as Soronprfbs' chaotic songs: veering from subtle harmony to soaring emotion to pure chaos. And through it all there's a remarkably resonant centre as we take this journey alongside Jon, who is played by Gleeson like the obnoxious little brother we can't help but love. Meanwhile, Fassbender delivers a remarkably soulful performance from within that big head, using his voice and body to add layers of intriguing depth. And Gyllenhaal continually surprises by undermining her intensely scary character with unexpected expressions of raw feeling.
Continue reading: Frank Review
Nick and Amy Dunne are a couple whose marriage is struggling following the loss of Nick's journalism job and their subsequent move away from New York City. Nick sets up a new business to support them, but nothing seems to be cutting the tension between them as their relationship gets more and more fractured. When Amy goes missing on their fifth anniversary, a series of suspicious circumstances point him out as the prime suspect in a possible murder investigation; though he denies any involvement in her disappearance, we are left questioning everything he says when his true, deceitful nature starts to shine through. However, it soon becomes clear that he's not the only dishonest character in this tale as nobody is quite what they're making out to be.
Continue: Gone Girl Trailer
With a premise not much more believable than Snakes on a Plane, this slickly made thriller entertains us from start to finish by never flinching once. It may be utterly ridiculous, but it's played with full-on dedication by a gifted cast and a filmmaker who knows how to ramp up tension out of thin air, so to speak. Yes, it's utterly idiotic, but it's so much fun that we want a sequel even before this film crashes to the ground.
Relapsed alcoholic Air Marshal Bill (Neeson) has far too much personal baggage as he heads to work on a trans-Atlantic flight. Still grieving over his daughter's death as he drinks a bit of coffee with his whiskey, his hopes of a quiet flight are soon dashed when he receives an in-flight text threatening to kill a passenger every 20 minutes if he doesn't pay a huge ransom. So he kicks into action-man gear. But things start getting seriously surreal as he struggles to find anyone on the plane who doesn't look shifty. He seeks assistance from steely stewardess Nancy (Dockery) and too-helpful passenger Jen (Moore). But everyone begins to wonder if Bill might be the real villain here.
Filmmaker Collet-Serra packs the screen with red herrings, as all of the passengers fire wary glances at each other, moan about the general chaos of the flight and do all of those stupid things that make air travel so tiresome. The only thing missing is a screaming baby. Not that you'd hear it above the crazed panic this cat-and-mouse situation induces. It's so frantic that we barely have time to wonder how someone could get on a plane with a briefcase full of cocaine. Or a bomb. So we just hang on as the turbulence escalates.
Continue reading: Non-stop Review
Director Steve McQueen joins the stars of '12 Years A Slave' to praise the immense level of acting skill that went into creating the movie. Among those actors were main star Chiwetel Ejiofor, Alfre Woodard, Benedict Cumberbatch, Paul Dano, Michael Fassbender and Lupita Nyong'o.
Continue: 12 Years A Slave - Featurettes
Bill Marks is a U.S. federal air marshal who ironically can't stand plane journeys. His hatred for flying is only about to get a lot worse when an anonymous person breaks through the secure network on his phone to send him a threatening text explaining that they're going to kill a person on the plane every twenty minutes unless $150 million is transferred to an offshore account number. With the crew sceptical that anything's amiss and insisting that no-one could get away with murder on a 6 hour flight between the States and the UK, Bill is forced to search for the culprit alone - but time is running out as the first victim is discovered. When it is revealed that the account number is actually in his name, news spreads across the world that he has hijacked the flight and he is forced to defend himself while keeping everybody else from being harmed.
This high-action mystery thriller will have you on the edge of seat this winter with an almost impossible to believe cat and mouse chase. 'Non-Stop' has been directed by Jaume Collet-Serra ('Orphan', 'Unknown', 'House Of Wax') and written by Ryan Engle ('On a Clear Day') and John W. Richardson and Christopher Roach in their feature screenwriting debuts. It is set to be released in the UK on February 28th 2014.
Directed by: Jaume Collet-Serra
Continue: Non-Stop Trailer
Solomon Northup was a well-educated man from a successful family living in upstate New York with his wife and three children. He was categorised as a free black man and made money through various jobs including as an entertainer playing the violin. In 1841, he was tricked into going to Washington DC with two white men for work where he was instead kidnapped and sold to slavery despite there being laws to protect free African-Americans. He spent twelve years on a plantation in Louisiana serving the brutal and abusive owner Edwin Epps. Determined to live his life again as a free man, he befriended a Canadian carpenter working for Epps by the name of Samuel Bass, whose high-morals turned Solomon's life around forever.
This poignant historical biopic is based on the 1853 autobiography 'Twelve Years a Slave' by the real Solomon Northup. It has been adapted to screen by writer John Ridley ('U Turn', 'Red Tails') and the BAFTA nominated director Steve McQueen ('Hunger', 'Shame'). With themes of freedom, racial inequality and the cruelty of mankind, '12 Years A Slave' could be one of the more heart-wrenching movies to kick of the year on its UK cinematic release on January 24th 2014.
Abby is a particularly well-rated massage therapist who enjoys living life to the fullest while her quiet and correct brother Paul is the opposite with his failing dental practise and an awkward teenage daughter to look after. Abby needs a new place to live and when her boyfriend offers her a home at his place, things start to get complicated for her. On a regular day at work, she finds herself unable to face her new client having developed a phobia of skin-to-skin contact which not only puts her career in the gutter, but also drastically affects her relationship with her boyfriend. Meanwhile, her niece Jenny develops a crush on him and attempts to seduce him despite his love for Abby. Paul's life has also taken a dramatic change after a patient claimed that Paul's healing hands cured his toothache, leading to a much fuller waiting room at his surgery. But will his new found magic touch help Abby regain her life back?
'Touchy Feely' is the hearting-tugging drama about the unpredictability of our futures and the importance of family support. Directed and written by Lynn Shelton ('My Effortless Brilliance', Humpday', 'Your Sister's Sister'), it's a movie that will see a few laughs, a few sighs and definitely a few tears.
Hydraulic fracturing might not be the most compelling subject for a movie, but it provides a topical backdrop for this engaging drama about ethics. It also lets actor-screenwriter Damon reunite with his Good Will Hunting director Van Sant for another strikingly well-made movie centring around a handful of strong characters. And while we know what the filmmakers feel about this contentious issue, at least the script isn't heavy handed about it.
The story takes place in a rural New England town, where oil company workers Steve and Sue (Damon and McDormand) are trying to secure the leases needed to drill for natural gas. The farmers badly need the cash to keep in business, but a retired science teacher (Holbrook) voices concern about the potential dangers of "fracking". He's joined by environmental activist Dustin (Krasinski) to turn the town against Steve and Sue's multinational corporation. And Dustin even starts to meddle in a budding romance between Steve and local teacher Alice (DeWitt).
The script is cleverly constructed to make us wonder who is telling the full truth. There are obviously risks associated with fracking, but have they been exaggerated by politically motivated campaigns? Damon plays Steve as a straight-arrow, a nice guy who genuinely believes that the process is safe. Meanwhile, Krasinski is a but more slippery as the grassroots voice of caution, and the terrific McDormand gets all the best lines.
Continue reading: Promised Land Review
Steve Butler is a successful businessman as part of a natural gas company who wishes to close down failing farming communities in order to obtain resources. He and his business partner Sue Thomason go to visit a particular town that is suffering a lot in the economic crisis in the hope that it will be easy to get drilling rights for the farmers' land in order to gain important resources through hydraulic fracturing, more commonly known as 'fracking'. Things do seem easy at first, with his proposition providing some hope of economic relief for many members of the community, however he is soon challenged when a highly regarded teacher from the school and a determined grassroots campaigner object to the proposal and go about trying to get the rest of the town to vote against it.
'Promised Land' is a particularly appropriate film for the current economic climate and raises important issues that are of real concern to many. It has been directed by Gus Van Sant ('Good Will Hunting', 'Milk', 'Paris, je t'aime'), written by the movie's stars John Krasinski and Oscar winner Matt Damon (writer of 'Good Will Hunting') and based on a story by Dave Eggers ('Away We Go', 'Where the Wild Things Are') and is set to hit screens in the UK next year on April 19th 2013.
Directed by: Gus Van Sant
Continue: Promised Land Trailer
Ben Affleck leaps on to the A-list of directors with this relentlessly entertaining thriller, combining comedy and nerve-jangling suspense to maximum effect. Based on a declassified story that's unbelievable but true, the film is also clear-eyed about politics without ever getting lost in the big issues. Instead, it keeps us engaged through terrific characters who are beautifully played by a lively cast.
As Iran's 1979 revolution boiled over into street protests over America's assistance to the deposed Shah, rioters stormed the US embassy and took 52 Americans hostage. In the chaos, six staffers snuck out the back door and took refuge in the home of the Canadian ambassador (Garber). With the Iranians on their trail, the CIA chief (Cranston) decides to try to get them out, and Agent Tony Mendez (Affleck) comes up with a wild idea: he creates a fake sci-fi movie called Argo with the help of a veteran producer (Arkin) and an Oscar-winning make-up artist (Goodman), so the six escapees can pose as a Canadian location-scouting crew and leave the country.
Yes, this plan sounds utterly ridiculous, but the fake Argo is exactly the kind of cheesy Star Wars rip-off everyone was trying to make at the time, so the idea of scouting colourful Iranian locations isn't as far-fetched as it seems. And screenwriter Terrio keeps us laughing as Mendez and his Hollywood cohorts concoct this elaborate scam. These scenes are so good that Arkin and Goodman walk off with the whole movie, giving loose, witty supporting turns that are likely to be remembered in awards season. Affleck gets in on the fun as well, then also effortlessly takes on the more intense action scenes to hold the whole film together.
Continue reading: Argo Review
When the Iranian Revolution protests began to take place in 1979, their main target was the US embassy in Tehran. It didn't take long for an army of militant Islamic extremists to infiltrate the building and seize 52 American citizens as hostages with only six victims managing to escape and take refuge inside the Canadian ambassador's home. It is decided that the six escapees must be found and smuggled out of Tehran before they are killed. Tony Mendez is a CIA officer specialising in covert government operations who is enlisted by the government to conceive a plan of exfiltration. His plan involves him and his team travelling to Iran under the guise of a film crew preparing to shoot a pretend movie called 'Argo'. However, as is expected, not everyone is confident in this less than risk free operation.
'Argo' is loosely based on a true story depicted in the real Tony Mendez' account of the events that took place during the hostage crisis as well as an article written in Wired in 2007 called 'How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran' by Joshuah Bearman. It has been directed and starred in by Ben Affleck ('Good Will Hunting', 'Pearl Harbor') and written by Chris Terrio ('Heights') and will be released in US theaters on October 12th 2012.
Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Victor Garber, Tate Donovan, Scoot McNairy, Rory Cochrane, Christopher Denham, Kerry Bishe, Kyle Chandler, Chris Messina, Zeljko Ivanek & Titus Welliver.
Moral murkiness makes this hitman thriller gripping to watch, mainly because we're never quite sure where it's going. Even though it's set in 2008, Australian director Dominik (The Assassination of Jesse James) shoots it like a 1970s thriller, which gives the whole film a superb sense of moral murkiness. And since it's based on a 1974 novel (Cogan's Trade by George Higgins), the film has an almost timely feel to it, using offbeat rhythms and complex characters who refuse to do what we want them to do.
At the centre is Jackie Cogan (Pitt), hired by a bookish mafia executive (Jenkins) to clean up the mess after a mob card game was robbed. The problem is that the two guys behind the heist (McNairy and Mendelsohn) are dimwits who have no idea what they've stumbled into. But Cogan is also annoyed by mob bureaucracy, which takes far too long to get anything done. And he's even more short-tempered with his old pal Mickey (Gandolfini), who he brings in to bump off a middleman (Liotta), except that Mickey is too interested in alcohol and sex to get the job done properly. Clearly, Jackie will have to do everything himself.
Pitt plays the role with a terrific sense of world-weary charm. He has no time for the losers around him, but takes pride in his work, preferring to kill his targets softly rather than causing pain. Meanwhile, Gandolfini is playing an alcoholic twist on Tony Soprano, Jenkins is doing his usual officious schtick, and Liotta is a more soulful version of the mafioso he's played many times before. By contrast, McNairy and Mendelsohn are hilariously clueless. Like characters from a Coen brothers movie, they're likeable even though we never have any hope that they'll get anything right.
Continue reading: Killing Them Softly Review
Jackie Cogan is the enforcer in an organized mob. He becomes the key investigator when a raid takes place at a poker game by two men armed with shotguns who manage to make off with $100,000 when the game was supposed to be protected by the gang. Jackie sets out to find the robbers but when he discovers that they are just two loud-mouthed amateur delinquents, he cunningly uses them to find out who was really behind the heist, pretending to befriend one of them, Steve Caprio.
Continue: Killing Them Softly Trailer
Ben Mendelsohn, Brad Pitt, Ray Liotta and Scoot McNairy - Ben Mendelsohn, Ray Liotta, Brad Pitt and Scoot McNairy Tuesday 22nd May 2012 'Killing Them Softly' photocall during the 65th Cannes Film Festival
Whitney Able and Scoot McNairy, Whitney Able and Scoot McNairy Friday 27th August 2010 Virgin America presents 'Third Annual Sunset Strip Music Fetival Official Party' at Andaz West Hollywood Hotel - Arrivals West Hollywood, California
Date of birth
11th November, 1977
Watch this great short w/ my wife @WhitneyNeesAble #whitneyable #thelaughingman #thejoker #harleyquinn #fanfilm https://t.co/URJLjHy5R5
Halt and catch fire season 3 suckas. Get ready. August 23rd
RT @CCR: #HaltandCatchFire Season 3 TWO HOUR premiere airs 8/23 at 9:00 on @HaltAMC ! Won’t you join us in Silicon Valley? https://t.co/vWw…
Spring is here. Baby bluebirds. https://t.co/0y8N8308iL
Here we go. Looking forward to kicking off season 3 of halt and catch fire. https://t.co/A2FRDXvgGm
@CCR @leepace @ifyoucantwell
Trump? Is this really happening?
@77_Films that's really funny. I just read that.
The first season of #HaltAndCatchFire is now on @Netflix.
@abbygreen3 no way. Love that green island.
Few more beautiful places in the USA. http://t.co/ihIoamuF1G
First off. What's Bosworth doing in that sweater? second, WHAT is Bosworth doing in season 2???????? http://t.co/nt1o46M4w2
RT @hankscnn: Any questions for @leepace and @scootmcnairy? #HaltandCatchFire #gotg #TheHobbit #pushingdaisies
@KimMarlies @hankscnn @leepace
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