There was nothing remotely notable about 2010's Grown Ups, and now we have a sequel that's even lazier. Without any actual plot to speak of, the movie merely strings together a series of unfunny scenes that include cheap gags and childish vulgarity but never a punchline. Sure, the scattershot approach might occasionally touch on recognisable situations, but there isn't a genuine laugh in the whole film.
After the reunion in the original movie, Lenny (Sandler) has moved back to his hometown with pals Eric, Kurt and Marcus (James, Rock and Spade). They're planning a big party just like in the old days, complete with a 1980s theme. But their children are getting older and have their own issues, including first dates and driving tests. And in Marcus' case, the kid is a teen thug (Ludwig) he only just discovered he had. But the real problem is that the guys have just sparked a turf war with a gang of idiotic fratboys from the nearby university. And now they have to prove once and for all who's really cool.
As with the first movie, you get the feeling that everyone on screen has somewhere better to be. There's no character development at all, since there are so many people spread across so many short scenes. Hayek, Bello and Rudolph are back as the guys' wives, but get exactly one thankless thing to do each. And it's not much better for the supporting cast of A-list cameo players like Buscemi (as a driving instructor), Lautner (as the fraternity leader) and so many more recognisable actors that you begin to wonder what dirt Sandler has on all of them.
Continue reading: Grown Ups 2 Review
But the other part of Sandler's "oeuvre" consists of movies like Spanglish and Punch-Drunk Love -- odd hybrids of broad humor and quirk -- and toned-down, frothy mainstream comedies like Click and Bedtime Stories. It would be unfair to accuse Sandler of selling out his artistic vision in these films -- not only because Little Nicky wasn't art, but because the non-manic goofiness of Bedtime Stories may be closer to the real Sandler. And with some script consulting help, someday the real Sandler might make a really good film. Bedtime Stories isn't it, but at least it's mostly aimed in the right direction.
Continue reading: Bedtime Stories Review
Sandler fills the title role in Mr. Deeds (a remake of the ancient Gary Cooper film), playing an unassuming New Hampshire resident and aspiring greeting card writer who learns he's the heir to a $40 billion media conglomerate. Since happiness isn't tied to financial gains in the Granite state, the newfound fortune doesn't faze Deeds, though he does agree to accompany two shareholders (Peter Gallagher and Erick Avari) back to Manhattan to sign what he's told is required paperwork. Once in N.Y., the "big city vs. big country" gags march down Park Avenue with mixed results.
Continue reading: Mr. Deeds Review
Sandler plays Michael, a workaholic architect who spends more time satisfying the whims of his demanding boss (David Hasselhoff) than he does with his family. Michael cancels camping trips with his kids and rushes (foolishly) through love-making sessions with his wife Donna (Kate Beckinsale) just so he can inch closer to that partnership he covets. Michael is out of control and out of the loop on everything going on at home. He can't even distinguish his television remote from the one that controls his garage.
Continue reading: Click Review
Essentially, The Wedding Singer follows Adam Sandler as Robbie Hart, the titular character, who is fixated upon the idea of participating in his own wedding. Devastatingly, though, when the big day comes, his bride to be is a no-show. She has realized that she could not spend the rest of her life with a lowly wedding singer. Consequently, the break-up has traumatized Robbie so much that he must avoid the painful experience of weddings altogether. Thus, his new line as a Bar mitzvah singer. Shortly thereafter, Drew Barrymore as Julia begins to open his eyes to love again, at which point Robbie must contend with her creep fiancee Glen for her affections.
Continue reading: The Wedding Singer Review
Soon, he is on the team and they start winning. The premise of the movie is very predictable but that doesn't take away from the fact that it is a very funny movie. Sandler (who is doing his excited southerner voice, for those who are familiar with his CD's) is back to his roots. He took a more serious comedic turn in The Wedding Singer, and while it was funny, it's surprisingly refreshing to watch Sandler make a fool out of himself.
Continue reading: The Waterboy Review
Little Nicky (Adam Sandler) is the devil's third---and least impressive---son. Bested in brains by his brother Adrian (Rhys Ifans) and in strength by his brother Cassius (Tiny Lester), Nicky finds little joy outside of hanging out in his hell-bound bedroom, banging his head to heavy metal favorites. That is, until his father's 10,000-year reign draws to a close and it's time to name the new ruler of Hades.
Continue reading: Little Nicky Review
What's new in the music world this week?
'Sounds of Silence' was released on this day (January 17th) in 1966.
Listen to Alex Bayly performing 'Animal'.
Two weeks ahead of Independent Venue Week, Dry Cleaning made 'Britain's Best Small Venue 2015' (NME) the second port of call on their 2020 tour.
'Leave Home' was released on this day (January 10th) in 1977.
For their last gig of the year, The Libertines came back to their adopted hometown of Margate to finish off their latest tour.
Celebrating the birthday of David Bowie with his most legendary songs.
There was nothing remotely notable about 2010's Grown Ups, and now we have a sequel...
After dozens of movies, Adam Sandler remains hard to figure out. Most of Sandler's films...
For better or for worse (mostly for the worse) Adam Sandler's back on the big...