Anomalisa Review
As he did in films like Being John Malkovich and Eternal Sunshine of the Spotless Mind, Charlie Kaufman continues to explore the nature of human identity in this bracingly original stop-motion animated feature. It's an exquisitely crafted drama following a man and woman who find a way to see beyond the sameness of the world around them. And with his co-director Duke Johnson, Kaufman creates a witty, complex, dreamlike world that's unashamedly aimed at grown-ups.
It's the story of Michael (voiced by David Thewlis), an efficiency expert who travels to Cincinnati to deliver a lecture at a conference. But his mind is preoccupied with Bella, an ex who lives there. He phones his wife and son to clear his conscience before arranging to meet Bella in his hotel. Then later that evening he runs into Lisa (Jennifer Jason Leigh), a fan of his book who feels like such an anomaly that she can't quite believe that Michael might be interested in her. But there's a spark of attraction between them, something that feels rare in this soft, bland place.
This is a story about how life is essentially selfish and lonely, only livened up by hopeful connections we make with the people around us. Yes, it's sometimes rather bleak and dark, but it's also breathtakingly honest. And the film is packed with staggeringly clever touches that touch on ideas in ways that cut right through to our hearts (we'll never year Girls Just Wanna Have Fun in quite the same way again). Aside from Michael and Lisa, all of the characters are voiced by Tom Noonan, a stylistic flourish that feels gimmicky until its meaning becomes clear. As played out by these delicately crafted puppets on remarkably detailed sets, the film looks simply astonishing. It's almost hyper-realistic, with characters who are packed with visible quirks that echo in the actors' vocal performances.
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