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After the release of The Force Awakens at the end of 2015, Disney and Lucas films didn't mess around delivering the general public its first announcement/teaser for The Last Jedi back at the start of 2016. Now, well over a year later, we finally get to see some proper footage from the upcoming movie.
Many of the key cast from Star Wars: The Force Awakens will feature in The Last Jedi including Daisy Ridley as Rey, John Boyega as Finn, Oscar Isaac as Poe Dameron and Adam Driver as Kylo Ren who famously slaughtered his much-loved father in a face to face battle that made for one of the most pivotal scenes in the history of Star Wars.
As ever with new Star Wars releases, the scrip and the story outline is one of Hollywood's most closely guarded secrets and few official details have been released to the public. We do know that the story will pick up where The Force Awakens ended with Rey going off into a mountainous setting to hunt down Luke Skywalker in a bid to train with him and learn his knowledge.
Continue: Star Wars: The Last Jedi Trailer
Rogue One: A Star Wars Story is a standalone Star Wars film which acts as an important subplot to the original 1977 movie 'A New Hope'. In the man film, Luke and his uncle take ownership of a droid sold to them and as Luke cleans the droid up he hears a section of a message left for someone called Obi-Wan Kenobi pleading for his help. Luke decides to find the only man he knows by the name of Kenobi and his mission turns into the story we all know.
The data on R2-D2 memory is the story of Rouge One. The Rebel Alliance are aware that the Galactic Empire are building a humongous super machine capable of destroy vast areas of space and one of their rebel fighters might just hold the key to more information than she knows.
Jin Erso is a loyal member of the Alliance though she often acts as a lone rebel and takes risks greater than her superiors would like. When a fraction of the Alliance learns that Erso's father played a crucial role in building the device she knows that she must track him down.
The Galaxy is on the brink of a major war being won by dangerous rulers and only a few fighters stand between the Emperor and his unrelenting army which is constantly surging peaceful plants. The destruction and invasion of any planet who won't agree to the Empire's stringent regulations is all but destroyed.
Jyn Erso is one such rebel fighter who is willing to go to any lengths to fulfil her mission, often landing her in trouble with her seniors but her independent demeanour means that she might be a perfect candidate for an imperative mission - the failure of which could mean the end of the galaxy as its citizens know.
Jyn and a small team of fellow rebels must steal plans for the Emperor's newest and deadliest weapon, The Death Star.
Continue: Rogue One: A Star Wars Story Trailer
We still have a rather long wait before the release of Rogue One: A Star Wars Story but the film makers have just created a fantastic sizzle reel which takes viewers behind the scenes to see exactly what's been going on whilst shooting one of the movies of 2016.
Some of the footage (seeing Stormtroopers walking through the ocean) makes for surreal viewing but it has most certainly whetted the appetites of the majority of Star Wars fans.
British director Gareth Edwards explains how Star Wars: A New Hope is one of his favourite films and even though the stories are slightly intertwined, it's a careful balancing act of trying to be respectful to the movie it's so closely related to whilst also trying to offer the viewers a truly original and exciting piece of film making.
Warwick Davis - Universal Studios Hollywood Hosts The Opening Of "The Wizarding World Of Harry Potter" at Universal Studios Hollywood - Universal City, California, United States - Tuesday 5th April 2016
Appealing both to a new generation of viewers and fans of the series since the beginning, this 30-years-later sequel to 1983's Return of the Jedi is a thrilling adventure. Filmmaker J.J. Abrams has managed to capture the tone of the original trilogy while telling a story about young, vibrant new characters whose connection to the overall saga deepens intriguingly as events unfurl.
Over the past three decades, the Empire has regrouped, forming the First Order to crush the Old Republic for good. And the plucky Rebellion hasn't offered much resistance since leader Luke Skywalker (Mark Hamill) disappeared. The Empire's top henchman Kylo Ren (Adam Driver) is searching for him just as diligently as the rebel leader General Leia (Carrie Fisher). But the real action is happening out of their grasp, as disaffected storm trooper Finn (John Boyega) teams up with rebel pilot Poe (Oscar Isaac) and then feisty scavenger Rey (Daisy Ridley) and expressive droid BB-8. Along the way, Han Solo and Chewbacca (Harrison Ford and Peter Mayhew) find themselves back in the fray. And everyone is startled when there's a strong stirring in the force.
Abrams beautifully recreates the scruffy, clanky mechanical atmosphere of the original trilogy, infusing scenes with witty banter and John William's soaring score to throw us right back into that familiar galaxy. This includes the saga's main themes: the temptation of power, how true heroism is often accidental, and the tension between parents and children. Combine this with a plot that propels itself with a series of unexpected adventures and battles, all centred on the characters, and the film taps strongly into the teen in all of us.
Continue reading: Star Wars Episode VII: The Force Awakens Review
After the victory of the Rebel Alliance over the Galactic Empire and subsequent demolition of The Death Star, you'd imaging life in a certain galaxy would be a little more subdued, but as we soon learn, life for Princess Leia, Luke and Hans wasn't exactly easy following their small yet essential victory.
30 years on and to most citizens - humanoid and alien - the stories of evil Lord Darth Vader and the Jedi Masters are just a legend, a story they tell their children that starts with the well-known overture: 'A long time ago, in a galaxy far, far away'. Star Wars: The Force Awakens is the seventh film in the Star Wars series and is an additional story to the original Star Wars outline.
The film follows a set of new characters as they join the battle and fight the evil forces once again threatening to destroy their galaxy. The Force Awakens was directed by Jj Abrams and sees a number of cast favourites return to the story including Harrison Ford, Mark Hamill and Carrie Fisher.
When a slasher-movie director takes on a family-friendly Christmas movie, then the casting of Santa Clause can really make or break the film.
Dopey Christmas movies are such a staple this time of year that it's actually rather shocking when one comes along that isn't stupid. Even if some critics struggle with the holiday-crime movie mashup, 'Get Santa' has been receiving glowing reviews for its witty script and sharp characters, played with energy and knowing humour by a strong cast.
Much of the credit has to go to writer-director Christopher Smith, not the most obvious choice to make a heart-warming family movie. His previous films are the London Underground horror 'Creep', the team-building weekend slasher movie 'Severance', the plague-era gross-out 'Black Death' and the seafaring gorefest 'Triangle'. But all of Smith's films have a sharp undercurrent of black comedy to them, and he proves adept at concentrating on this in the context of a U-certificate action comedy (even Paddington earned a PG).
Continue reading: Jim Broadbent Proves Genius Casting For 'Get Santa'
'Twas nights before Christmas and all through the house, not a creature was stirring. until a loud crash was heard in the garage. Nine year-old Tom (Kit Connor) heads out into the darkness and snow to investigate, and to his surprise, he discovers non-other than Santa Claus (Jinn Broadbent), having crashed his sleigh and lost his reindeer. After attempting to recover them, Santa is arrested and sent to prison. Tom confronts his dad, Steve (Rafe Spall), and encourages him to help recover the reindeer, sleigh and then rescue Santa before 24th December, otherwise Christmas will be ruined. Hilarity ensues as the father/son team work against the clock in a desperate attempt to save Christmas for everyone.
Continue: Get Santa Trailer
Jack is a young farmhand working for the King. One day, he comes across small bean-like objects, which are described as 'holy relics' from a faraway land. The relics, however, are full of dark magic and could change the world if placed in the wrong hands. Jack is entrusted with them, on the condition that he doesn't lose them or get them wet. Jack is puzzled but accepts the relics anyway.
That night, a terrible storm rages. Jack has left the bean shaped objects on a surface in his hut, where rain falls on them through a hole in the ceiling. At first, nothing happens; then Jack looks on in horror as a beanstalk grows from the ground under his hut. The beanstalk connects the human world to a world where giants roam.
Jack lands himself in trouble when a giant kidnaps the beautiful Princess Isabelle. The King sends some of his best men up the beanstalk with Jack to rescue Isabelle. Their rescue attempts are nearly in vain, though, when the giants wage war on the humans. It is up to Jack to save Isabelle and his kingdom.
Jack The Giant Killer is directed and produced by Bryan Singer, who is well known for directing the films The Usual Suspects; Superman Returns and the X-Men films. The film is based on the British fairy tale; the screenplay for the film was written by Christopher McQuarrie and Dan Studney.
Starring: Nicholas Hoult, Ewan McGregor, Stanley Tucci, Warwick Davis, Bill Nighy, Eddie Marsan, Ian McShane, Ewen Bremner, John Kassir, Eleanor Tomlinson, Ralph Brown, Ben Daniels, Daniel Lapaine and David Frost
Director: Bryan Singer
Release Date: 15TH June 2012
Running Time: TBC
The eight-part saga comes to a close with an action-packed finale that neatly ties up the strands of the whole series and also manages to give its actors some meaty scenes to play with. While it's hugely satisfying, there's also a letdown as we reach the end.
With Voldemort (Fiennes) in possession of the mythical Elder Wand, and four Horcruxes still at large, Harry (Radcliffe) and pals Hermione and Ron (Watson and Grint) know that they have work to do. Breaking into a Gringotts vault is tough enough, but when they sneak back into Hogwarts, they find themselves in all-out war against Voldemort and his Death Eaters. So with the help of adults (Smith, Walters and more) and fellow students (including Lewis, Wright and Lynch), they make their final stand.
After a sort of "Previously on Harry Potter" prologue and a quietly intense opening, the film plunges into the Gringotts heist and barely pauses for breath. Director Yates adeptly juggles action and drama, keeping images razor sharp and making sure the effects work is seamlessly eye-catching (they're also the most consistently high-quality effects in the series). But of course Lord of the Rings-scale spectacle is nothing without great characters, and this film pushes everyone into new territory.
Radcliffe takes on the challenge extremely well, bringing Harry's self-doubt and crippling guilt together with a potent sense of destiny and sacrifice. Of the supporting cast, Rickman, Smith and Gambon get the weightiest scenes, while Lewis and Walters finally have superb moments in the spotlight. And Bonham Carter clearly has a ball with a terrific scene as a shape-shifted Hermione.
Meanwhile, that outrageously starry ensemble fills out each scene, including many who barely utter a word.
As the story propels to the climactic moments, there are a few fits and starts while events recoil and wait to burst forth again. Even though this is the shortest of all eight movies, it feels a little long due to its intensely focussed plot. This means every moment on screen is vitally important, and most are given the chance to play out without feeling rushed. But it also means that, as the ending (and epilogue) get closer, we simply don't want it to end.
A seven-hour epic miniseries now released on DVD (and that's with the commercials cut out), The 10th Kingdom is a hit-and-miss affair. Through a pure contrivance, we find our heroes, the lovely Kimberly Williams and John Larroquette, playing her father, whisked into "the nine kingdoms," an amalgam of fairy tales all rolled up into one crazy place. They are simply trying to escape back to New York -- but if they save the kingdom along the way, all the better.
Continue reading: The 10th Kingdom Review
Decades in the making, Guide has been embroiled in controversy since the very beginning. The most recent round of complaints have covered pretty much the entire film, from casting (Mos Def taking a role commonly envisioned as a sort of British dandy) to directing (Garth Jennings is a music video veteran), to choice of writer Karey Kirkpatrick (a kiddie flick screenwriter best known for Chicken Run but also the writer of disastrous flicks The Little Vampire and Honey, We Shrunk Ourselves). Out of this, we've all been promised, genius would spring.
Continue reading: The Hitchhiker's Guide To The Galaxy Review
Unfortunately, making a real version of Lord of the Rings is fraught with problems, as some directors know, so Lucas and Howard teamed up on an original short dude-goes-on-epic-adventure tale, this time having a "Nelwyn" named Willow (ex-Ewok Warwick Davis) finding a baby in a river, whom he must then protect from the evil Queen Bavmorda (Jean Marsh), who is seeking the baby to destroy her thanks to the classic she-will-grow-up-to-destroy-me prophecy. Willow teams up with a half-crazed human named Madmartigan (Val Kilmer), rescues a shape-changed sorceress, battles a two-headed dragon (allegedly named "Eborsisk" after a certain powerful pair of film critics) and converts the evil queen's daughter (Joanne Whalley) from the dark side, all in two short hours.
Continue reading: Willow Review
Some of these boogeymen are the real deal -- Leatherface (The Texas Chainsaw Massacre) at the end of the film, Freddy Krueger (A Nightmare on Elm Street) in his finest hour, Jason (Friday the 13th) chasing a towel-wrapped co-ed, Pinhead (Hellraiser) ripping apart some dude. These are memorable horror baddies who haunted us during our youth. Then there are scenes from Wishmaster, Leprechaun, The Guardian, and even The Dentist -- not only is it not scary, it's silly and insulting to the other villains (like Psycho's Norman Bates) in the lineup. The Puppetmaster? And The Ugly? I've never even heard of The Ugly.
Continue reading: Boogeymen Review
When you're the chosen one, like the boy wizard Harry Potter, expectations surrounding your arrival can be quite high. The same can be said for the film adaptation about said boy wizard, Harry Potter and the Sorcerer's Stone. And while the young wonder might not let his magic school chums down, the movie chronicling his early wizard years could use a little lift.
Which isn't to say that Sorcerer's Stone, the first Harry Potter movie based on J.K. Rowling's inexplicably successful book series, is a boring movie. In fact, Rowling's exceptional world, involving young magic makers at a British wizardry prep school, transfers to the screen with a general creativity and charm in the hands of director Chris Columbus. The author's Cinderella-esque tale of a boy who gets invited to the most magical ball of them all, kicks off with a classic sensibility, almost like a modern Dickens.
From there, getting to the celebrated Hogwarts School is a treat, as Harry (Daniel Radcliffe) and the rest of the incoming first-years (including Rupert Grint as Ron Weasley and Emma Watson as Hermione Granger) buy the proper wizard tools, find the elusive Track 9 3/4 at the train station, and travel in boats by moonlight to the gothic center of higher learning. Columbus weaves the special effects so smoothly into the narrative as to make the magic nearly matter-of-fact.
But after we get the general gist of life at Hogwarts, Sorcerer's Stone loses some of its sheen. The collection of characters to which we're introduced early -- Maggie Smith as Professor McGonagall; Alan Rickman as the eerie Professor Snape; the delightful Robbie Coltrane as Rubeus Hagrid -- aren't utilized well enough to provide the necessary oomph. They're stuck within Steve Kloves' (Wonder Boys) light, thin plot, with their roles eventually reduced to side characters, comic relief, or vague red herrings.
And the flatness of the narrative goes hand-in-hand with some of Sorcerer's Stone look as well. Save for a couple of sequences, Columbus just doesn't provide enough visual wow for such magical subject matter. I know that some of the action is meant to be dark, but the overall look of the movie doesn't have the punch that the on-screen activity demands. In the end, there are too many missed opportunities for maximum thrills.
A prime exception is the truly wonderful centerpiece of the film, a prep school Quidditch match. For the uninitiated, Quidditch is a soccer style game played completely in mid-air, with players on broomsticks. Picture a combination of The Wizard of Oz and Rollerball.
Columbus' take on this game is superb. There's speedy action, seamless effects, and some thrilling excitement. The design of the match provides a wonderful combination of visual styles, with mid-20th century prep school clothes amidst medieval set design. The scene is, by far, the highlight of the film, much as the pod race was in Star Wars: Episode I - The Phantom Menace (oddly enough, another somewhat disappointing movie about a chosen boy).
But once we get back to the tale of our trio of little wizards, the plodding plot returns. And unfortunately, Radcliffe, as our hero, doesn't seem too enthused by much of the wild goings-on. His school cronies, on the other hand, are just great -- Grint, as Ronald, is wide-eyed and sympathetic, and Watson, as the precocious Hermione, is smart and energetic, taking a bigger bite out of this movie than any other actor.
While Harry Potter and the Sorcerer's Stone does score points by giving visuals to some wildly fantastic stuff, the total picture lacks polish, and feels like a mild setup to future movies. Similar to X-Men, we get an environment being introduced just for the sake of future movies. That creates anticipation among fans, but shortchanges those watching this one.
The release of Harry Potter and the Sorcerer's Stone coincides with another Harry Potter milestone -- the beginning of production on Harry Potter and the Chamber of Secrets, scheduled to hit theaters in mid-November, 2002. Stone is already expected to break box office records, including a possible run at Titanic (highly unlikely, if you ask me). That means there's one thing Warner Brothers will be saying about young Harry for the foreseeable future... long live The Boy Who Lived.
Harry Potter's DVD is as inexplicable as it is ambitious. An enormous two-disc set, the DVD promises tantalizing "never before seen footage," but good luck trying to find it. Disc one is the standard movie, and disc two amounts to what is best described as an intricate game for kids. It's all designed as a puzzle -- to do anything you have to twist the right bricks to gain access, just like Harry and Hagrid did in London. If you didn't memorize the pattern, you'll have to go back to the movie (swapping discs in the process -- though if you screw up enough times, the game will eventually show you the answer). To open more and more of the disc you have to complete more and more idiotic tasks -- picking a wand, mixing potions, and the like. I gave up after half an hour of this nonsense, having exposed little more than a collection of interview clips. Warner Brothers: I appreciate that you've tried to do something beyond the usual with this highly anticipated release, but for us adults, give us a back door to the special features. We just don't have time for this Hogwarts -- I mean, hogwash.
School's in session.
The story of Arthur Dent (Martin Freeman), a nebbish Englishmansaved from the demolition of Earth (to make way for a hyperspace bypass)by an alien he'd hitherto thought was a pal from Gilford, "Hitchhiker'sGuide" follows his very reluctant and frequently absurd adventuresin space.
In the first 15 minutes alone, Arthur and Ford Prefect(Mos Def) are jettisoned from one of the ships that blew up the Earth (afterbeaming aboard surreptitiously, being captured and tortured with alienpoetry), then against all odds they're rescued from the vacuum of spaceseconds later by a passing vessel with a warp drive designed to exploitjust such unlikelihoods -- the Infinite Improbability Drive.
Onboard Arthur is improbably reunited with Trish McMillan(Zooey Deschanel), a girl he fell for at a party some months before, onlyto see her run off with Zaphod Bebblebox (Sam Rockwell), a guy who claimedto be from another planet. Zaphod, even more improbably, turns out to beFord's whacked-out semi-cousin (they share three of the same mothers) whobecame president of the galaxy just so he'd have the necessary clearanceto steal this very ship (because he thought it was cool).
Continue reading: The Hitchhiker's Guide To The Galaxy Review
In his second big-screen outing, adolescent wizard Harry Potter is blessed with enough cinematic magic to overcome several of the very same problems that left last year's "Harry Potter and the Sorcerer's Stone" feeling a little protracted and rambling.
Sure "Harry Potter and the Chamber of Secrets" spends twice as much screen time on atmosphere and adventure scenes than on plot and character. But this time around every episode seems relevant, which is a vast improvement over last year's film, bloated as it was with Quidditch matches and monster moments that didn't advance the plot one iota.
Returning director Chris Columbus retains the enchanted ambiance as Harry heads to Hogwarts School of Witchcraft and Wizardry for his second year of instruction in the black arts. But nothing is ever easy for our young hero, as unseen forces seem to be conspiring against him -- not the least of which is some kind of elusive beast that's loose in Hogwarts' halls, turning students to stone.
Continue reading: Harry Potter & The Chamber Of Secrets Review
Date of birth
3rd February, 1970
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After the release of The Force Awakens at the end of 2015, Disney and Lucas...
Rogue One: A Star Wars Story is a standalone Star Wars film which acts as...
The Galaxy is on the brink of a major war being won by dangerous rulers...
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Appealing both to a new generation of viewers and fans of the series since the...
After the victory of the Rebel Alliance over the Galactic Empire and subsequent demolition of...
It's been thirty years since the Rebel Alliance; led by the noble Luke Skywalker, the...
30 years ago, the Rebel Alliance struck their killing blow against the Galactic Empire. The...
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