David Gyasi
Occupation
Actor
Interstellar Review
By Rich Cline
Very Good
Brainy blockbuster maestro Christopher Nolan heads into deep space with this epic adventure, which is packed with thoughtful ideas and big emotions even if the plot wobbles badly in the middle. But although it ultimately feels somewhat forced, the film is still a mesmerising exploration of parenthood and survival, bending time and gravity in ways that keep our brains spinning. And the seamless visual effects combine with some wrenching performances to make it unmissable.
It opens in a future America where a desperation for food has overtaken the need for technology and innovation. Which is a problem for Nasa pilot Cooper (Matthew McConaughey), who is now working a massive corn farm that he runs with his father (John Lithgow). Then Cooper and his daughter Murph (Mackenzie Foy) discover a gravitational anomaly that leads them to a secret base run by father and daughter scientists Brand and Amelia (Michael Caine and Anne Hathaway), who are looking for a new home planet for humanity since Earth is dying. So Cooper joins up and heads through a wormhole with Amelia and crew (Wes Bentley and David Gyasi). Meanwhile, Murph (who grows up to be Jessica Chastain) gets involved in the project back on earth, wondering if her dad will ever return home as he promised.
The first act of the story is a beautiful depiction of yearning for discovery, that innate curiosity that drives people to do crazy things in the hopes of pushing the humanity forward (or in this case, saving it). Nolan directs this section beautifully, with sharp editing propelling the story out into space with real energy and passion. But once they begin visiting other planets, there are some extended episodes that feel oddly contrived, including an encounter that leads to unexplained violence, explosions and melodrama. These kinds of things undermine the characters' motivations to the point where the audience just has to take Nolan's word for it and ride it out, even as the underlying ideas begin to lose their weightiness.
Continue reading: Interstellar Review
Interstellar Trailer
Mankind is doomed. Following generations of neglect and a lack of care, the planet Earth is a polluted mess and food supplies have all but run out. Only one hope remains for humanity if it is to survive into its next generation - they must leave Earth behind. Cooper (Matthew Mcconaughey), is a widowed engineer, living in a time where engineers are no longer needed. He also happens to be one of the world's best pilots. He is offered the choice to stay with his children and except the fate of the human race, or captain a mission through a newly discovered wormhole in search of a new, habitable planet which can sustain the prolonged existence of our species. He chooses the latter option, and begins his interstellar travels in search of a new home.
Continue: Interstellar Trailer
Interstellar Trailer
Cooper is a pilot and engineer with a huge ambition to save the world. With little discoveries left to be made on Earth and the development of pioneering technology ever slowing down, mankind's only chance of survival is to take to the stars - though there's a chance there's nothing out there either. But human endeavour once again proves fruitful as a team of space explorers discover a wormhole in the void of the universe. Cooper decides to join them on their intergalactic expedition to find out if there are any other habitable worlds out there. However, he has a big decision to make as the trip means leaving his beloved family behind with the possibility that he might never return. This is a dangerous mission unlike anything mankind has ever done before, but is it worth it to find a way to save the world?
Continue: Interstellar Trailer
Interstellar Trailer
With the Earth facing a bleak future, pilot and engineer Cooper wants to know how it can possibly be saved from its inevitable demise. The world seems to be slowing down in terms of technological advancement and important discovery, but one group of scientists and explorers are determined to keep pushing the boundaries of human endeavour in the hope that human beings can learned enough to save themselves. When an unusual wormhole like void is discovered in space, the scientists prepare to embark on an interstellar voyage of wisdom to unlock the hidden mysteries of the universe and uncover the key to time travel. It's an expedition that faces great danger and has never before been undertaken by man, and while Cooper is concerned about his separation from his family, he can't pass up this opportunity to explore the stars.
Continue: Interstellar Trailer
Interstellar Trailer
At a time where scientists and explorers are on the verge of reaching a stalemate with making new discoveries and extending the limits of human endeavour, a group of ever-curious space explorers uncover a wormhole in the universe that can allow them to make critical shortcuts through spacetime. The team set out on an intergalactic expedition never before untaken by man, to find whole new worlds of new discoveries, hidden dimensions and unearth the key to time travel.
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Cloud Atlas Review
By Rich Cline
Excellent
Mad geniuses Tom Tykwer (Perfume) and the Wachowski siblings (The Matrix) boldly take on David Mitchell's layered epic novel, which connects six generations through the power of storytelling. The film takes so many huge risks that it's breathtaking to watch even when it stumbles. And as each tale is passed on to the next generation, the swirling themes get under the skin.
The six stories are interlinked in a variety of ways, transcending time to find common themes. On a ship in 1849, a seriously ill American lawyer (Sturgess) shows kindness to a stowaway ex-slave (Gyasi). In 1936 Edinburgh, a great composer (Broadbent) hires a musician (Whishaw) to transcribe his work, then tries to steal the young man's magnificent Cloud Atlas symphony. In 1973 San Francisco, a Latina journalist (Berry) gets a tip about dodgy goings on in a local nuclear power plant. In present-day London, a publisher (Broadbent) is trapped in a nursing home by his brother (Grant) and plots a daring escape. In 2144 Neo Soul, an official (D'Arcy) interrogates a replicant (Bae) who started a rebellion alongside a notorious rebel (Sturgess). And in a distant stone-age future, an island goatherd (Hanks) teams up with an off-worlder (Berry) when they're attacked by a warlord (Grant).
While the themes in this film are eerily involving, what makes this film unmissable is the way the entire cast turns up in each of the six story strands, changing age, race and gender along the way. Even so, they're essential variations on each other. Weaving is always a nemesis, whether he's a hitman, a demon or a nasty nurse. Hanks' characters are always strong-willed and often badly misguided. Grant goes against type to play sinister baddies. And D'Arcy is the only actor who plays the same character in two segments, as Whishaw's 1930s young lover and Berry's 1970s elderly informant. Meanwhile, each segment plays with a different genre: seafaring epic, twisted drama, political mystery, action comedy, sci-fi thriller and gritty adventure.
Continue reading: Cloud Atlas Review
David Gyasi Wednesday 24th October 2012 "Cloud Atlas" Los Angeles Premiere held at Grauman's Chinese Theater - Arrivals