Paulo Costanzo
Occupation
Actor
40 Days & 40 Nights Review
Good
One of the more gratifying feelings a movie critic can have is the feeling of going into a picture expecting tiresome clichés of an overplayed genre, only to discover delightfully surprising freshness and soul where all the hackneyed conventions usually are.
"40 Days and 40 Nights" is such a movie. Misleadingly marketed as just another misogynistic romp through the young male libido, this often ribald comedy about a frustrated 20-something giving up sex for Lent is what the puerile, simplistic "American Pie," "Tomcats" and "Saving Silverman" might have been, had they been made by people with imagination and wit.
Directed by Michael Lehmann -- the man behind the twisted teen angst and irony of the subversive '80s cult hit "Heathers" -- "40 Days" finds many new and inventive ways to make sexual frustration funny.
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Josie & The Pussycats Review
Weak
If you were to take the 1998 Spice Girls movie called "Spice World," then remove all the self-deprecation, all the homages to "Hard Day's Night," and all the surprising wit that made it such a great guilty pleasure, what you'd be left with would closely resemble the new "Josie and the Pussycats" movie -- although the results would still be less formulaic.
A live-action revival of the girlie rock band from the Archie comics and Saturday Morning cartoons, "Josie" is a hypocritical satire of MTV conformity that carefully tippy-toes around its mockery of the fickle pop music market so as not to rock the boat with its target audience -- those very same conformist teenagers at whom it pokes fun.
As the movie opens, the private plane carrying a boy band called Dejour (ha ha, very funny) has just been crashed on the command of their evil manager Wyatt Frame (Alan Cumming), who had to get rid of the boys after they discovered the record company's subliminal messages planted in their songs.
Continue reading: Josie & The Pussycats Review